|Directed by||Herschell Gordon Lewis|
|Produced by||David F. Friedman|
|Screenplay by||Allison Louise Downe|
|Story by||David F. Friedman
Herschell Gordon Lewis
Scott H. Hall
|Music by||Herschell Gordon Lewis|
|Cinematography||Herschell Gordon Lewis|
|Edited by||Robert Sinise
|Distributed by||Box Office Spectaculars|
|Release date(s)||6 July 1963|
|Running time||67 minutes|
Blood Feast is a 1963 American low budget splatter film directed by Herschell Gordon Lewis. It concerns a psychopathic food caterer who kills women so that he can include their body parts in his meals and perform sacrifices to his "Egyptian goddess" Ishtar. It is considered the first splatter film, and is notable for its groundbreaking depictions of on-screen gore. It was followed by a belated sequel, Blood Feast 2: All You Can Eat, in 2002.
In a suburban Miami house, a young woman arrives home and turns on her portable radio which broadcasts news of the latest of several recent murders. The woman turns off the radio and begins to take a bath. Suddenly a gray-haired, wild-eyed man appears in the bathroom and brutally stabs the woman in her left eye, killing her. The man hacks off her left leg with a machete and leaves with it.
The next day at the police station, detective Pete Thornton reviews the latest murder, noting that a homicidal maniac has killed four women without leaving any clues. The police chief advises him to continue to pursue the case.
At Fuad Ramses Catering store, wealthy socialite Dorothy Freemont arrives, where she arranges for Fuad to cater a party for her daughter Suzette. Fuad agrees and tells Mrs. Freemont that what he's preparing hasn't been prepared for over 5,000 years. Mrs. Freemont wants the catering done in two weeks, and Fuad assures her that he will have enough time to procure the last of his needed ingredients. After Mrs. Freemont leaves, Fuad ventures to the back storage room where he has displayed a large gold statue of the "mother of veiled darkness," the goddess Ishtar. Fuad is preparing a "blood feast" – a huge vat containing the dead women's body parts – that will ensure the goddess's resurrection.
That evening, teenagers Tony and Marcy make out on a nearby beach. Fuad attacks them, subduing Tony and slicing off the top of Marcy's head. He removes her brain to serve as the latest ingredient. Pete Thornton arrives on the scene with the police chief. After failing to obtain any useful information from the distraught Tony, they interrogate Marcy's mother, who can only tell Pete that her daughter belonged to a book club.
Staking out a local motel, Fuad sees a drunken sailor drop his wife off at her room. Fuad knocks on the woman's door and attacks her when she opens it. Fuad rips the woman's tongue out through her throat as another ingredient to his "blood feast". Pete continues to investigate this latest killing, and discovers that the latest murder victim also belonged to a book club.
Pete attends his weekly Egyptian Studies lecture at the local university with his girlfriend, who happens to be Suzette. The lecturer tells them about the cult of Ishtar, and describes how virginal women were sacrificed to the goddess on an altar as a blood offering to the Egyptian goddess. When the lecture is over, Pete takes Suzette out for an evening drive. She becomes worried about the recent attacks and fears that a serial killer is loose in the area. Their date is interrupted by the car radio announcing that another victim has been found near death. Pete drops Suzette home and races to the hospital. The police chief informs him that the maniac has struck again and hacked off the face of another woman named Janet Blake. Pete questions Janet in her hospital bed. Her face bandaged, Janet tells the detectives that the man who attacked her was old with wild eyes and that he said something which sounded like "Etar". Janet then dies and Pete can't shake the feeling that this word sounds familiar.
Fuad receives a letter from Trudy requesting a copy of the book Ancient Weird Religious Rites, written by Fuad Ramses. Fuad calls Trudy's home phone number and learns that she's staying with Suzette. That afternoon, Fuad stakes out the Freemont residence, kidnaps Trudy from the grounds, and takes her to his store. He whips her savagely and collects her blood, the final ingredient in his bloody potion.
With Trudy missing, Mrs. Freemont insists that the party continue. Pete calls Suzette to inform her that he will be late. Meanwhile, Fuad arrives with the food that he has cooked at his store. Elsewhere, Pete calls upon the college lecturer and gets more information about the cult of Ishtar and Fuad's book. He deduces that Fuad is the killer, since all the victims were women who personally called upon him to send them copies of his book. Pete and the police race over to Fuad's store and find Trudy's chopped-up body in the back. Pete tries to call Suzette to warn her, but Fuad cuts the phone line to the Freemont house.
At the Freemont party, Fuad's meal is ready, but he first asks Suzette to come into the kitchen to help him. He has Suzette lie on a counter, which he makes his altar, and says a prayer to Ishtar as he prepares to decapitate her with his machete as a final offering to his goddess. This takes forever because she can't take him seriously. Dorothy Freemont interrupts Fuad just as he's about to decapitate Suzette, and Fuad escapes as the police arrive.
Pete and the rest of the police chase Fuad through a nearby garbage dump where he attempts to escape by climbing into the back of a departing garbage truck. But the truck's compact blades turn on and Fuad is crushed to death. The police stop the truck and see there's not much left of Fuad Ramses. As Pete puts it, "He died a fitting end, just like the garbage he was."
- William Kerwin as Detective Pete Thornton
- Mal Arnold as Fuad Ramses
- Connie Mason as Suzette Fremont
- Scott H. Hall as Frank, Police Captain
- Lyn Bolton as Mrs. Dorothy Fremont
- Toni Calvert as Trudy Sanders
- Ashlyn Martin as Marcy, girl on beach
- Sandra Sinclair as Pat Tracey
- Astrid Olson as Motel victim
The concept for Blood Feast arose in the late 1960s three years after the release of director Alfred Hitchcock’s famous horror film Psycho. Lewis who had previously been a teacher at Mississippi State College and had quit his job in order to enter the film business, Lewis had previously directed advertisements, and several “nudie cutie” films in the early 1960s which the latter films were produced by David Fiedman who would later produce Blood Feast and several other splatter films that Lewis would direct and would later be called ‘The Blood Trilogy’. Lewis had previously seen Psycho and felt that the film had cheated by showing the results of the murders in the film but not the action, because he [Hitchcock] could not risk getting turned down by theaters. The main idea behind the film was that bathtubs of blood would be spilled in an effort to portray an Egyptian meal cooked with the bodies of virgins and the tongue of a woman being ripped out of a woman’s mouth.
Filming took place over a period of 4 days with a budget of $24’000 and was filmed in Miami, Florida. Director Lewis wanted something realistic for the scene where a woman gets her tongue ripped out, in order to accommodate this a sheep’s tongue was imported from Tampa Bay and used in the scene. All other limbs and organs used during production were imported locally. Lewis filmed Blood Feast in color in order to show the red blood used in the film.
Producer David F. Friedman came up with some publicity stunts for the film, such as giving theater-goers "vomit bags" and intentionally taking out an injunction against the film in Sarasota, Florida, in order to gain publicity. Both were very effective and generated more interest in the film.
Blood Feast immediately became notorious for its explicit gore and violence. It is the oldest film to have appeared on the UK video nasty list. It is also often cited erroneously as one of the first films to show people dying with their eyes open (earlier examples include D. W. Griffith's 1909 film The Country Doctor, the 1931 film The Public Enemy and the 1960 film Psycho).
Fuad Ramses was described by author Christopher Wayne Curry in his book, A Taste of Blood: The Films of Herschell Gordon Lewis, as "the original machete-wielding madman" and the forerunner to similar characters in Friday the 13th and Halloween. Lewis said of the film, "I've often referred to Blood Feast as a Walt Whitman poem. It's no good, but it was the first of its type."
Blood Feast is the first part of what the director's fans have dubbed "The Blood Trilogy". Rounding out the trilogy are the films Two Thousand Maniacs! (1964) and Color Me Blood Red (1965). After the third film, producer David F. Friedman said, "I think that for now we're going to abandon making any more 'super blood and gore' movies, since so many of our contemporaries are launching similar productions, causing a risk that the market will quickly reach a saturation point."
Variety's 6 May 1964 review termed the film a "totally inept shocker", "incredibly crude and unprofessional from start to finish" and "an insult even to the most puerile and salacious of audiences". The review labeled the entire production a "fiasco", calling Louise Downe's screenplay "senseless" and the acting "amateurish". Of Lewis' direction, camerawork and musical composition, the review judged that he had "failed dismally on all three counts".
In response to Variety's criticism of the film, Friedman said, "Herschell and I have often wondered who told the Variety scribe we were taking ourselves seriously."
In Allmovie's contemporary review of the film, the website wrote, "The plot is threadbare, the acting is on a par with the clumsiest of high school plays and the direction is static and uninvolving. Nevertheless, this is one of the important releases in film history, ushering in a new acceptance of explicit violence that was obviously just waiting to be exploited". On review aggregator website Rotten Tomatoes the film currently has a 36% approval rating, based on 11 reviews, and is certified "rotten".
A sequel, Blood Feast 2: All U Can Eat, was released in 2002. It takes place years after the first film, with Fuad's grandson following in his grandfather's footsteps. It marked the first time Lewis and Friedman had worked together on a film in 36 years.
Lewis wrote a novelization of Blood Feast to coincide with the release of the film. The novel, which features significantly different versions of central characters Fuad Ramses, Pete Thornton and Suzette Fremont, has a much more humorous tone than the film and is set in Chicago rather than Miami. It was reprinted by Fantaco Enterprises Inc. in the 1980s.
- Zinoman, Jason (2011). The Problem with Psycho. New York: Penguin Press. pp. 33–34.
- "Blood Feast - Filming Locations". IMDb.com. IMDb.com. Retrieved 4 August 2014.
- "Blood Feast (1963) – Trivia". Internet Movie Database. Retrieved 12 July 2012.
- Palmer 2000, p. 41.
- Palmer 2000, p. 7.
- Romer 2000, pp. 63–64.
- "Blood Feast". Variety. 6 May 1964.
- Weber, Bruce (15 February 2011). "David F. Friedman, Horror Film Pioneer, Dies at 87". nytimes.com. Retrieved 2 July 2012.
- Beldin, Fred. "Blood Feast – Review". Allmovie. Retrieved 2 July 2012.
- "Blood Feast (1963)". Rotten Tomatoes. Retrieved 2 July 2012.
- "Blood Diner". Rotten Tomatoes. Retrieved 12 July 2012.
- "Amazon.com: Blood Feast (9780944736824): Herschell G. Lewis: Books". Amazon.com. Retrieved 12 July 2012.
- Palmer, Randy (2000). Herschell Gordon Lewis, Godfather of Gore: The Films. Jefferson, North Carolina and London: McFarland & Company. ISBN 0-7864-0808-1.
- Romer, Jean-Claude; Silver, Alain (2000). ""A Bloody New Wave in the United States" (July 1964)". Horror Film Reader. New York: Limelight Editions. ISBN 0-87910-297-7.
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