Blood Music (novel)

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Blood Music
BloodMusic(1stEd).jpg
Cover of first edition (hardcover)
Author Greg Bear
Country United States
Language English
Genre Science fiction novel
Publisher Arbor House
Publication date
1985
Media type Print (Hardback & Paperback)
Pages 262 pp
ISBN 0-87795-720-7
OCLC 11444143
813/.54 19
LC Class PS3552.E157 B58 1985

Blood Music is a science fiction novel by Greg Bear (ISBN 0-7434-4496-5). It was originally published as a short story in 1983 in the American science fiction magazine Analog Science Fact & Fiction, winning the 1983 Nebula Award for Best Novelette and the 1984 Hugo Award for Best Novelette.

Greg Bear published an expanded version in novel form in 1985. The completed novel was nominated for the Nebula Award in 1985[1] and for the Hugo, Campbell, and British Science Fiction Awards in 1986.[1]

Blood Music deals with themes including biotechnology, nanotechnology (including the grey goo hypothesis), the nature of consciousness and of artificial intelligence.

Plot summary[edit]

In the novel, renegade biotechnologist Vergil Ulam creates simple biological computers based on his own lymphocytes. Faced with orders from his nervous employer to destroy his work, he injects them into his own body, intending to smuggle the 'noocytes' (as he calls them) out of the company and work on them elsewhere. Inside Ulam's body, the noocytes multiply and evolve rapidly, altering their own genetic material and quickly becoming self-aware. The nanoscale civilization they construct soon begins to transform Ulam, then others. The people who are infected start to find that genetic faults such as myopia and high blood pressure get fixed. The bumps along the spine as well as the nipples fade. Finally, white stripes and ridges start growing over their bodies. Ulam reports that the cells seem to sing.

Through infection, conversion and assimilation of humans and other organisms the cells eventually aggregate most of the biosphere of North America into a region seven thousand kilometres wide. This civilization, which incorporates both the evolved noocytes and recently assimilated conventional humans, is eventually forced to abandon the normal plane of existence in favor of one in which thought does not require a physical substrate. The reason for the noocytes' inability to remain in this reality is somewhat related to the strong anthropic principle.

The book's structure is titled "inter-phase", "prophase", "metaphase", "anaphase", "telophase" and "interphase." This mirrors the major phases of cell cycle: interphase and mitosis.

Significance[edit]

This book introduces one of Bear's favorite themes - reality as a function of observers. In Blood Music, reality becomes unstable as the number of observers—trillions of intelligent single-cell organisms—spirals higher and higher.

References[edit]

  1. ^ a b "1985 Award Winners & Nominees". Worlds Without End. Retrieved 2009-07-11. 

External links[edit]