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Early use of the symbol
German author Novalis used the symbol in his unfinished Bildungsroman, entitled Heinrich von Ofterdingen. After contemplating a meeting with a stranger, the young Heinrich von Ofterdingen dreams about a blue flower which calls to him and absorbs his attention.
Explanation of the symbol
In the book Heinrich von Ofterdingen the blue flower symbolises the joining of human with nature and the spirit so the understanding of nature and coincident of the self is growing. In the Romantic the meaning of human was a continuation from Humanism and the Age of Enlightenment, but the focus was on the own emotions not on abstract theory. Understanding and thinking rise in the comprehension of Romantic from own individual love. Feeling is based on the self, thinking is based on the self and the development of the self leads the individual person. Also very important is contemplation. About the feeling, the thinking and contemplation personal inward cognition is possible. The process of cognition merge again with own individual love. The self and the nature is in this theory always linked.
Use of the symbol
Joseph Freiherr von Eichendorff wrote a poem called Die blaue Blume (The blue flower). Adelbert von Chamisso saw the core of Romanticism in the motif, and Goethe searched for the "Urpflanze" or "original plant" in Italy, which in some interpretations could refer to the blue flower. E. T. A. Hoffmann used the Blue Flower as a symbol for the poetry of Novalis and the "holy miracle of nature" in his short tale "Nachricht von den neuesten Schicksalen des Hundes Berganza".
In 1902, Charles Scribner's Sons published "The Blue Flower", a collection of short stories by Henry Van Dyke, the first two of which, "The Blue Flower" and "The Source" refer to the blue flower as a symbol of desire and hope, and the object of the narrator's search. This volume also includes Van Dyke's most famous story, "The Other Wise Man".
Walter Benjamin used the image of the blue flower several times in his writing. For example the opening sentence of his essay Dream Kitsch: "No one really dreams any longer of the Blue Flower. Whoever awakes as Heinrich von Ofterdingen today must have overslept." Also in his Work of Art essay: "The equipment-free aspect of reality has here become the height of artifice, and the vision of immediate reality the Blue Flower in the land of technology."
C.S. Lewis, in his autobiographical book, Surprised By Joy, references the "Blue Flower" when speaking of the feelings of longing that beauty ellicited when he was a child of six. He associates it with the German word sehnsucht, and states that this intense longing for things transcendent made him "a votary of the Blue Flower."
English writer Penelope Fitzgerald's historical novel The Blue Flower is based on Novalis's early life. In John le Carré's 1968 novel A Small Town in Germany, the character Bradfield says, "I used to think I was a Romantic, always looking for the blue flower." (Pan edition, p. 286 – chap. 17) Substance D, a fictitious drug in Philip K. Dick's 1977 novel A Scanner Darkly, is derived from a plant with blue flower.
Tennessee Williams used images of blue roses in his play, The Glass Menagerie, to symbolize the frailty and uniqueness of Laura, a central character that reflects the life of Williams' sister, who underwent a lobotomy. In the play, Laura is nicknamed "Blue Roses" after another character misheard her say "pleurosis".
In his fantasy series A Song of Ice and Fire, American author George R. R. Martin uses the blue flower as a reoccurring symbol to represent young women of the noble House Stark, often with hints to an illicit love affair. In one instance, Prince Rhaegar Targaryen uses blue winter roses to crown the Lady Lyanna Stark as the "Queen of Love and Beauty" at the Tournament of Harrenhal, passing over his own wife, Princess Elia of Dorne.
"Blue Flower" is the name of a song by the British avant-garde pop band of the early 1970s, Slapp Happy, later covered by the 1990s indy rock bands Pale Saints and Mazzy Star. "Blue Flower" is a song by the alternative MC, Kool Keith (AKA Dr. Octagon), on his 1996 album, Dr. Octagonecologyst.
In 1960 Werner Helwig published the book The Blue Flower of the Wandervogel (Die blaue Blume des Wandervogels) a history of the youth movement. Within the movement, a number of folk songs used the motif.
The German student movement of the 60s
In Berlin in 1968, one slogan of the German student movement stated "Schlagt die Germanistik tot, färbt die blaue Blume rot!" ("Strike Germanistics dead, color the blue flower red!") The discipline of Germanistics was targeted as a sclerotic field, not suited to the needs of the people of the present.
Television, film, and theatre
David Lynch uses the symbol of the blue flower in the 2010 short film "Lady Blue Shanghai", a 16-minute, promotional short film for fashion designer Dior, starring among others Marion Cotillard. In the film a blue flower is hidden in a Dior handbag, at first feared and finally embraced by the female protagonist. It may be said that Lynch is associating the handbag with "divine" inspiration and creativity.
Stanley Kubrick made use of the Blue Flower in his final film, Eyes Wide Shut. Sandor Szavost (Sky Dumont) is wearing one while dancing with Alice Harford (Nicole Kidman).
In the movie follow-up to David Lynch's television series Twin Peaks, entitled Twin Peaks: Fire Walk with Me, two FBI agents are informed about their upcoming task through a woman named Lil. On her lapel is a tiny, artificial blue rose, clearly symbolic of something; but when Sam asks, Chet simply replies, "But I can't tell you about that."
Blue flower is featured in the 2005 film Batman Begins. In it, blue flower is used as the source of a fear-intensifying hallucinogenic drug. The drug is used by Ra's al Ghul and Dr. Jonathan Crane (the Scarecrow), who plan to terrorize Gotham City by weaponizing the drug into a concentrated powder form and release it into the city's water supply.
James and Ruth Bauer, husband and wife collaborative team, wrote an unconventional music theatre piece entitled The Blue Flower at the turn of the 21st century. Speaking through liberally fictionalized versions of artists Max Beckmann, Franz Marc, and Hannah Höch as well as pivotal female scientific figure Marie Curie, the piece works with the romantic significance of the blue flower as it meditates on the brutal political and cultural turmoil of World War I, the short lived Weimar Republic, and Adolf Hitler's rise to power in the Nazi Party.
In Metal Gear Solid 4: Guns of the Patriots, blue flower is prominent in the first cut scene where Solid Snake meets up with Naomi at the lab in South America.
- Werner Helwig: Die Blaue Blume des Wandervogels. Deutscher Spurbuchverlag, 1998. ISBN 3-88778-208-9
- Henry Van Dyke, "The Blue Flower". New York: Charles Scribner's Sons, 1902.