Blurt, Master Constable
The play is subtitled "The Spaniards' Night Walk," and an allusion to the Spanish in Ireland in the play's final scene — there was a Spanish raid on Ireland in September 1601 — helps to fix the date of the play to 1601-2. Blurt was entered into the Stationers' Register on 7 June 1602, and published later in that year in quarto, printed by Edward Allde for the bookseller Henry Rocket (the single edition in the 17th century). The title page of the quarto states that the play was acted by the Children of Paul's, one of the troupes of boy actors performing at the time.
There is no direct attribution of authorship in any contemporary source. Francis Kirkman, the Restoration era printer, attributed the play to Thomas Middleton in 1661. Thomas Dekker was first linked to the play by the scholar E. H. C. Oliphant in 1926. Since then, 20th-century scholars have looked at Blurt as the work of Middleton, or Dekker, or both. The majority view through much of the middle and later 20th century tended to favor the hypothesis that Blurt is a Dekker/Middleton collaboration. Yet David Lake, in his analysis of authorshsip problems in the Middleton canon, concludes that Middleton had nothing to do with the play and assigns the whole of it to Dekker with no collaborator.
Camillo and Hippolito are young Venetian noblemen, just returned from the wars; Camillo brings with him a captured French gentleman named Fontinelle. Camillo turns his prisoner over to Hippolito's sister Violetta for safekeeping. Violetta is the object of Camillo's affections; but Fontinelle and Violetta fall in love. Learning of this unwelcome development, Camillo and Hippolito try to tempt Fontinelle to infidelity by sending his portrait to the courtesan Imperia, hoping to interest her in the Frenchman. The ploy fails (at first), and Camillio has Fontinelle thrown into prison. But Fontinelle and Violetta are secretly married. In the last act, however, the Venetians' plotting bears fruit: Fontinelle falls for Imperia, and Violetta has to resort to the standard Elizabethan bed trick to consummate her marriage.
Blurt has an obvious relationship with Shakespeare's Romeo and Juliet. The two lovers, partisans of opposing factions, meet at a ball and fall instantly in love; there is a balcony scene, and a secret marriage by a friar. Verbal echoes of Shakespeare's play also occur in Blurt — though the latter play is bawdier. A similar borrowing from Shakespeare's Much Ado About Nothing is evident in the play's comic subplot, which features the title character of Blurt the constable (rather as if Much Ado were titled Dogberry).
- Logan and Smith, pp. 33-4, 57, 72.
- Lake, pp. 66-91.
- Desens, pp. 53, 61-6.
- Bly, Mary. "Bawdy Puns and Lustful Virgins: The Legacy of Juliet's Desire in Comedies of the 1600s." Shakespeare Survey 49; Stanley Wells, ed. Cambridge, Cambridge University Press, 2002; pp. 97–110.
- Chambers, E. K. The Elizabethan Stage. 4 Volumes, Oxford, Clarendon Press, 1923.
- Desens, Marliss C. The Bed-Trick in English Renaissance Drama: Explorations in Gender, Sexuality, and Power. Newrak, DE, University of Delaware Press, 1994.
- Lake, David J. The Canon of Thomas Middleton's Plays. Cambridge, Cambridge University Press, 1975.
- Logan, Terence P., and Denzell S. Smith, eds. The Popular School: A Survey and Bibliography of Recent Studies in English Renaissance Drama. Lincoln, NE, University of Nebraska Press, 1975.