Bob Gilmore (6 June 1961 – 2 January 2015) was a musicologist, educator and keyboard player. Born in Larne, Northern Ireland, he spent his early years in Carrickfergus. He studied music at York University, England, and Queen's University, Belfast (PhD. 1992), and, on a Fulbright Scholarship, at the University of California, San Diego. He was best known for his books on American music – Harry Partch: a biography ( Yale University Press, 1998) and Ben Johnston: Maximum Clarity and other writings on music (University of Illinois Press, 2006), both of which were recipients of the Deems Taylor Award from ASCAP. He also wrote extensively on the American experimental tradition, microtonal music and spectral music, including the work of such figures as James Tenney, Horațiu Rădulescu, Claude Vivier, and Frank Denyer. He wrote on the work of younger Irish composers including Deirdre Gribbin, Donnacha Dennehy and Jennifer Walshe in the . He taught at Journal of Music in Ireland Queens University, Belfast, Dartington College of Arts, Brunel University in London, and was a Research Fellow at the Orpheus Institute in Ghent. He was the founder, director and keyboard player of Trio Scordatura, an Amsterdam-based ensemble dedicated to the performance of microtonal music, and for the year 2014 was the Editor of , a quarterly journal of new music. His biography of French-Canadian composer Tempo Claude Vivier was published by University of Rochester Press in June 2014. [1 ]
Bibliography [ edit ]
Gilmore, Bob. 1995. “Changing the metaphor: Ratio models of musical pitch in the work of
Harry Partch, Ben Johnston, and James Tenney,” Perspectives of New Music 33, nos. 1 & 2 (Winter–Summer 1995): 458–503. Gilmore, Bob. 1998.
Harry Partch: A Biography. New Haven: Yale University Press. ISBN 0-3000652-13. Gilmore, Bob. 2003. "'Wild Ocean': An Interview with
Horatiu Radulescu". Contemporary Music Review 22, nos. 1–2 (March–June): 105–22. Gilmore, Bob. 2003. "The climate since Harry Partch", Contemporary Music Review 22 (1 and 2): 15–33.
Gilmore, Bob. 2005. "Composition as vandalism: The music of
Donnacha Dennehy", The Journal of Music in Ireland 5(6): 29–33. Johnston, Ben. 2006. '
Maximum Clarity' and other writings on music (edited with an Introduction by Bob Gilmore). Urbana and Chicago: University of Illinois Press. ISBN 0-2520309-82. Gilmore, Bob. 2006. "Minimalism Schminimalism", The Journal of Music in Ireland 6(1): 6–9.
Gilmore, Bob. 2006. "Wild Air: The Music of Kevin Volans". The Journal of Music in Ireland 6(6), 22–29. Gilmore, Bob. 2007. "On
Claude Vivier’s Lonely Child". Tempo, new series 61, no. 239: 2–17. Gilmore, Bob. 2007. "An interview with
Phill Niblock", Paris Transatlantic Magazine. Gilmore, Bob. 2007. "don’t do PERMISSION ISN’T: the music of
Jennifer Walshe", The Journal of Music in Ireland 7 (4): 20–24. Gilmore, Bob. 2008. "James Tenney and the poetics of homage", Contemporary Music Review 27 (1): 7–21.
Gilmore, Bob. 2008. "Resonant Air: the music of
Michael Alcorn", The Journal of Music in Ireland 8 (1): 28–32. Gilmore, Bob. 2008. "All Collisions End in Static: the music of Linda Buckley", The Journal of Music in Ireland 8 (5): 28–32.
Gilmore, Bob and Hirs, R. 2009.
Contemporary Compositional Techniques And Openmusic Editions Delatour France/Ircam-Centre Pompidou. Gilmore, Bob. 2009. "Music by Committee", The Journal of Music 1 (1):20.
Gilmore, Bob. 2009. "Remembering Horatiu", The Journal of Music 1 (2): 20–21.
Gilmore, Bob. 2009. "He’s just not that into you", The Journal of Music 1 (2): 20–21.
Gilmore, Bob. 2007. "Interview with Clarence Barlow". Paris Transatlantic Magazine. Gilmore, Bob. 2009. "Claude Vivier and Karlheinz Stockhausen: Moments from a Double Portrait".
. (Subscription access) Circuit: musiques contemporaines 19, no. 2:35–49 Gilmore, Bob. 2009.
"James Tenney: Spectrum Pieces". Liner notes. New World Records. Gilmore, Bob, 2010. "Spectral techniques in Horatiu Radulescu’s Second Piano Sonata 'being and non-being create each other' op.82", TEMPO 252 66–78.
Gilmore, Bob, 2011. . (Tilburg: teleXpress) The ear of the voice of the eye: Yannis Kyriakides, composer
Gilmore, Bob. 2011. “An interview with Frederic Rzewski”. Paris Transatlantic Magazine.
Gilmore, Bob. 2012. "Difficult Listening Hour”, in The Journal of Music. Gilmore, Bob, 2012. "Making a friend", Liner notes to: "Harald Muenz. nearly – fast". Darmstadt: Coviello Contemporary.
Gilmore, Bob. 2012. “Phill Niblock: The Orchestra Pieces”.
Tempo vol.66 no.244, 2–11. Gilmore, Bob. 2014.
Claude Vivier: a Composer's Life. University of Rochester Press. ISBN 978-1-58046-485-7.
References [ edit ]
External links [ edit ]