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|Bobby Bare, Sr.|
Bare in 1973.
|Birth name||Robert Joseph Bare, Sr.|
|Born||April 7, 1935|
|Origin||Ironton, Ohio, United States|
|Years active||1958 – present|
|Associated acts||Skeeter Davis, Waylon Jennings, Petter Øien|
- 1 Early career
- 2 Career at RCA (1962–1970)
- 3 Career at Mercury (1970–1972)
- 4 Second career at RCA (1973–1977)
- 5 Career at Columbia Records (1978–1983)
- 6 Eurovision 2012
- 7 Film career
- 8 Later career in country music and today
- 9 Discography
- 10 Music videos
- 11 References
- 12 External links
Bare had many failed attempts to sell his songs in the 1950s. He finally signed with Capitol Records and recorded a few rock and roll songs without much chart success. Just before he was drafted into the Army, he wrote a song called "The All American Boy" and did a demo for his friend, Bill Parsons, to learn and record. Instead of using the version Bill Parsons did later, the record company, Fraternity Records, decided to use the original demo recorded by Bobby Bare. The record reached number 2 on the Billboard Hot 100, but they made an error: the singles' labels all credited the artist as being "Bill Parsons." The same track, with the same billing error, peaked at No. 22 in the UK Singles Chart in April 1959.
Career at RCA (1962–1970)
Bare's big break in country music came when RCA Records' Chet Atkins signed him. The first song he released on the label was "Shame On Me" in 1962. His second RCA release, "Detroit City," reached #6 Country, #16 Hot 100, and in 1964 earned him a Grammy Award for Best Country and Western Recording. Then a surge of hits followed, including "500 Miles Away from Home" (based on a traditional folk ballad written by Hedy West as "500 Miles") and Ian Tyson's "Four Strong Winds." In 1965 he received two Grammy nominations for Best Country & Western Vocal Performance and Best Country & Western single for the song “Four Strong Winds”. In 1966, he received a Grammy Nomination for Best Country & Western Male Vocal Performance for his song “Talk Me Some Sense”. He also recorded with Skeeter Davis, Norma Jean and Liz Anderson. "The Game of Triangles", a wife-husband-other woman drama that hit number five on the Billboard chart earned the trio a Grammy nomination. In 1968, he recorded an album with a group from England called The Hillsiders. In 1969, he had a Top 5 hit with Tom T. Hall's "(Margie's At) The Lincoln Park Inn".
Career at Mercury (1970–1972)
Bare moved to Mercury Records in 1970 and immediately scored a Top 3 hit with "How I Got To Memphis" and had two Top 10 hits from early Kris Kristofferson compositions, "Come Sundown" (1971) and "Please Don't Tell Me How The Story Ends," (1971). He also scored a No. 12 hit in 1972 with a version of Dr. Hook and the Medicine Show's pop hit "Sylvia's Mother", written by Shel Silverstein.
Second career at RCA (1973–1977)
Bare started to release novelty songs recorded live with selected audiences. One such song, "Marie Laveau," reached the number one position on the country chart in 1974; it was his only number one hit. This song was co-written by his friends Shel Silverstein and Baxter Taylor, who received a BMI Award for the song in 1975.
Silverstein penned other songs for Bare including a Grammy-nominated hit, "Daddy What If," which he recorded with his five-year-old son, Bobby Bare, Jr. The song was an immediate success as well not only reaching No. 2 on the country charts but nearly reaching the Top 40 on the Pop charts. Bare's album, "Lullabys, Legends and Lies" became his most commercially successful album and Bare had a new audience with pop radio once again playing his songs and a new following with college kids. These two songs, however, would become Bare's last Top 10 hits. Bare later recorded a very successful album with his family, written mainly by Silverstein, called "Singin' in The Kitchen." It was nominated for best group category in Grammy Awards, but was declined by Bare himself. He continued to record critically acclaimed albums and singles. His biggest hits during this time included "Alimony" (1975), "The Winner" (1976), and "Drop Kick Me Jesus (Through The Goalposts Of Life)" (the world's only Christian-football waltz, and a 1976 Grammy nominee). In 1977 he recorded "Redneck Hippie Romance" and "Vegas" (a duet with his wife Jeannie).
Career at Columbia Records (1978–1983)
Bare signed with Columbia Records and continued to have hits like "Sleep Tight Good Night Man" a near Top 10 in 1978 and releasing critically acclaimed albums like "Bare" and "Sleeper Wherever I Fall". In 1979, he started off Rosanne Cash's career in a big way by singing a duet with her called "No Memories Hangin' Round" which went Top 20 for them. In 1980, he scored a near Top 10 with "Numbers" which came from his album "Down and Dirty" where Bare started to experiment with Southern rock and continued this with his next album "Drunk and Crazy". In 1981, Bare released an album entitled "As Is" which was produced by Rodney Crowell and returned Bare back to his country roots with songs like "New Cut Road". Bare was still doing well chartwise into the early 1980s. In 1983, he released a Top 30 duet with Lacy J. Dalton called "It's A Dirty Job". His last trip into the Top 30 came that summer with the novelty song "The Jogger".
On 4 February 2012, Bare joined up with Petter Øien at the 2012 Melodi Grand Prix to choose the entry for Norway's entry to the 2012 Eurovision Song Contest to be held in Baku, Azerbaijan in May. His song, "Things Change", got through to the Norwegian final, held on 11 February 2012. In the final he finished third.
Bare was also given an opportunity to star in the movies. He acted in a Western with Troy Donahue, A Distant Trumpet, and a few episodes of the TV series No Time for Sergeants. He turned his back on Hollywood to pursue his career in country music.
Later career in country music and today
From 1983 to 1988, Bare hosted Bobby Bare and Friends on The Nashville Network which featured him interviewing songwriters who sang their hit songs on the show.
In 1985, Bare signed with EMI America Records where he scored 3 charted singles, but none of these reached the upper regions of the charts.
In November 2012, Plowboy Records released Bare's "Darker Than Light", his first LP since 2005. ‘Darker Than Light’ was produced by Plowboy Records co-founder Don Cusic and tracked at famed RCA Studio B in Nashville, with a band that includes Buddy Miller and Randy Scruggs on guitar, Byron House on bass, Marco Giovino on drums and other members of Robert Plant’s Band Of Joy. The album is Bare’s first release in seven years, and features his inspired interpretations of songs by Bob Dylan, Alejandro Escovedo (who also makes a guest appearance), Lead Belly and others, plus new originals. Since then he has appeared on Music City Roots, The Grand Ole Opry and in March 2013, South by Southwest. Find out more at Plowboy Records
In nearly 50 years of making music, he has made many firsts in country music. Bare is credited for introducing Waylon Jennings to RCA. He is also one of the first to record from many well- known song writers such as Jack Clement, Harlan Howard, Billy Joe Shaver, Mickey Newbury, Tom T. Hall, Shel Silverstein, Baxter Taylor and Kris Kristofferson.
|US Country||US||CAN Country|
|1963||"Detroit City" And Other Hits||9||119||—||RCA Victor|
|500 Miles Away from Home||9||133||—|
|1964||The Travelin' Bare||14||—||—|
|1965||Tunes for Two (w/ Skeeter Davis)||8||—||—|
|1966||The Best of Bobby Bare||—||—||—|
|Talk Me Some Sense||6||—||—|
|The Streets of Baltimore||7||—||—|
|This I Believe||17||—||—|
|1967||The Game of Triangles (w/ Norma Jean & Liz Anderson)||16||—||—|
|A Bird Named Yesterday||20||—||—|
|The English Country Side (w/ The Hillsliders)||29||—||—|
|1968||The Best of Bobby Bare - Volume 2||33||—||—|
|1969||(Margie's At) The Lincoln Park Inn
(And Other Controversial Country Songs)
|1970||Your Husband My Wife (w/ Skeeter Davis)||—||—||—|
|This Is Bare Country||37||—||—||Mercury|
|1971||Where Have All the Seasons Gone||44||—||—|
|I Need Some Good News Bad||—||—||—|
|1972||What Am I Gonna Do?||19||—||—|
|High and Dry||—||—||—|
|1973||I Hate Goodbyes / Ride Me Down Easy||31||—||—||RCA Victor|
|Bobby Bare Sings Lullabys, Legends and Lies||5||—||—|
|1974||Singin' in the Kitchen (Bobby Bare and Family)||27||—||—|
|1975||Hard Time Hungrys||33||—||—|
|Cowboys and Daddys||21||—||—|
|1976||The Winner and Other Losers||18||205||—|
|1977||Me and McDill||27||—||—|
|Sleep Wherever I Fall||—||—||—|
|1980||Down & Dirty||21||—||4|
|Drunk & Crazy||47||—||17|
|1982||Ain't Got Nothin' to Lose||29||—||—|
|1983||Drinkin' from the Bottle||—||—||—|
|1998||Old Dogs (with Waylon Jennings, Jerry Reed, & Mel Tillis)||61||—||—||Warner Bros|
|2005||The Moon Was Blue||—||—||—||Dualtone|
|2012||Darker Than Light||—||—||—||Plowboy Records|
|US AC||CAN Country||CAN|
|1959||"The All American Boy" (as Bill Parsons)||—||2||—||—||—||Detroit City|
|1961||"Book of Love"||—||106||—||—||—|
|1962||"Shame on Me"||18||23||—||—||—|
|"I Don't Believe I'll Fall in Love Today"||—||118||—||—||—|
|"500 Miles Away from Home"||5||10||4||—||—||500 Miles Away From Home|
|1964||"Miller's Cave"||4||33||—||—||—||The Best of Bobby Bare|
|"Have I Stayed Away Too Long"||47||94||—||—||—||singles only|
|"He Was a Friend of Mine"||—||134||—||—||—|
|"Four Strong Winds"||3||60||—||—||40||The Best of Bobby Bare|
|1965||"A Dear John Letter" (with Skeeter Davis)||11||114||—||—||—||Tunes for Two|
|"Times Are Gettin' Hard"||30||—||—||—||—||Constant Sorrow|
|"It's All Right"||7||122||—||—||—|
|"Just to Satisfy You"||31||—||—||—||—|
|"Talk Me Some Sense"||26||—||—||—||—||Talk Me Some Sense|
|1966||"In the Same Old Way"||34||131||—||—||—||single only|
|"Streets of Baltimore"||5||124||—||—||—||Streets of Baltimore|
|"The Game of Triangles" (with Liz Anderson and Norma Jean)||5||—||—||—||—||The Game of Triangles|
|1967||"Charlestown Railroad Tavern"||16||—||—||—||—||The Best of Bobby Bare Vol. 2|
|"Come Kiss Me Love"||14||—||—||—||—|
|"The Piney Wood Hills"||15||—||—||—||—|
|1968||"Find Out What's Happening"||15||—||—||5||—||English Country Side|
|"Little Bit Later on Down the Line"||14||—||—||7||—||Talk Me Some Sense|
|"Town That Broke My Heart"||16||—||—||21||—||single only|
|1969||"(Margie's At) The Lincoln Park Inn"||4||—||—||7||—||Margie's at the Lincoln Park Inn|
|"Which One Will It Be"||19||—||—||—||—||single only|
|"God Bless America Again"||16||—||—||—||—||This Is Bobby Bare|
|1970||"Your Husband, My Wife" (with Skeeter Davis)||22||—||—||—||—||Your Husband, My Wife|
|"How I Got to Memphis"||3||—||—||22||—||This Is Bare Country|
|1971||"Please Don't Tell Me How the Story Ends"||8||—||—||3||—||Where Have All the Seasons Gone|
|"Short and Sweet"||57||—||—||—||—||I Need Some Good News Bad|
|1972||"What Am I Gonna Do"||13||—||—||24||—||What Am I Gonna Do|
|1973||"I Hate Goodbyes"||25||—||—||38||—||I Hate Goodbyes/Ride Me Down Easy|
|"Ride Me Down Easy"||11||—||—||4||—|
|"You Know Who"||30||—||—||13||—|
|1974||"Daddy, What If"A (with Bobby Bare, Jr.)||2||41||—||5||53||Lullabys, Legends and Lies|
|"Where'd I Come From" (with Bobby Bare, Jr. and "Mama")||41||—||—||—||—||Singin' in the Kitchen|
|1975||"Singin' in the Kitchen" (with His Family)||29||—||—||43||—|
|"Back in Huntsville Again"||23||—||—||14||—||Hard Time Hungries|
|"Cowboys and Daddys"||29||—||—||20||—||Cowboys and Daddys|
|1976||"The Winner"||13||—||—||—||—||The Winner and Other Losers|
|"Put a Little Lovin' on Me"||23||—||—||23||—|
|"Drop Kick Me Jesus"||17||—||—||18||—|
|1977||"Vegas" (with Jeannie Bare)||30||—||—||—||—||The Essential Bobby Bare|
|"Look Who I'm Cheatin' on Tonight"||21||—||—||10||—||Me and McDill|
|"Red-Neck Hippie Romance"||85||—||—||—||—||Single only|
|1978||"Too Many Nights Alone"||29||—||—||15||—||Bare|
|"Sleep Tight Good Night Man"||11||—||—||8||—|
|1979||"Healin'"||23||—||—||30||—||Sleep Wherever I Fall|
|"'Til I Gain Control Again"||42||—||—||47||—||Single only|
|"No Memories Hangin' Round" (with Rosanne Cash)||17||—||—||38||—||Bobby Bare: The Columbia Years|
|1980||"Numbers"||11||—||—||26||—||Down and Dirty|
|"Food Blues"||41||—||—||63||—||Drunk and Crazy|
|"Willie Jones" (with Charlie Daniels)||19||—||—||15||—|
|1981||"Learning to Live Again"||28||—||—||—||—||As Is|
|"Take Me as I Am (Or Let Me Go)"||28||—||—||34||—|
|"Dropping Out of Sight"||35||—||—||—||—|
|1982||"New Cut Road"||18||—||—||32||—|
|"If You Ain't Got Nothin' (You Got Nothin' to Lose)"||31||—||—||31||—||Ain't Got Nothin' to Lose|
|"(I'm Not) A Candle in the Wind"||37||—||—||—||—|
|"Praise the Lord and Send Me the Money"||83||—||—||—||—|
|1983||"It's a Dirty Job" (with Lacy J. Dalton)||30||—||—||—||—||Bobby Bare: The Columbia Years|
|"The Jogger"||29||—||—||19||—||Drinkin' from the Bottle|
|1985||"When I Get Home"||53||—||—||51||—||Singles only|
|"Reno and Me"||76||—||—||—||—|
|1986||"Wait Until Tomorrow"||—||—||—||—||—|
|2005||"Are You Sincere"||—||—||—||—||—||The Moon Was Blue|
|2012||"Things Change" (with Petter Øien)||—||—||—||—||—||Melodi Grand Prix - Norge 2012|
- A"Daddy, What If" also peaked at No. 19 on the RPM Adult Contemporary Tracks chart in Canada.
|1967||"Chet's Tune"||Some of Chet's Friends||38|
|2005||"Are You Sincere"||Roger Pistole|
- "Bobby Bare". Home.earthlink.net. Retrieved 2012-10-30.
- Gilliland, John (1969). "Show 7 - The All American Boy: Enter Elvis and the rock-a-billies. [Part 1]" (audio). Pop Chronicles. Digital.library.unt.edu.
- Whitburn, Joel (2000). The Billboard Book of Top 40 Hits, p.49. ISBN 0-8230-7690-3.
- Whitburn, Joel (1996). The Billboard Book of Top 40 Country Hits, p.38-39. ISBN 0-8230-7632-6.
- Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 419. ISBN 1-904994-10-5.
- The English Countryside, RCA Victor SF-7918 (LSP-3896)
- "Bobby Bare: The Return Of The Quiet Outlaw". American Chronicle. 2006-05-23. Retrieved 2012-10-30.
- CMT.com Staff (April 10, 2013). "Country Hall of Fame Elects Kenny Rogers, Bobby Bare, Jack Clement". CMT News. cmt.com. Retrieved April 13, 2013.
- Whitburn, Joel (2011). Top Pop Singles 1955–2010. Record Research, Inc. p. 61. ISBN 0-89820-188-8.
- Vinicur, Dale. (1998). "Bobby Bare". In The Encyclopedia of Country Music. Paul Kingsbury, Editor. New York: Oxford University Press. pp. 28–29.