Book of Job
|Old Testament (Christianity)|
The Book of Job (//; Hebrew: אִיוֹב Iyov) is one of the Writings (Ketuvim) of the Hebrew Bible, and the first poetic book in the Christian Old Testament. Addressing the theme of God's justice in the face of human suffering—or more simply, "Why do the righteous suffer?"—it is a rich theological work, setting out a variety of perspectives. It has been widely and often extravagantly praised for its literary qualities, with Alfred, Lord Tennyson calling it "the greatest poem of ancient and modern times".
- 1 Structure
- 2 Contents
- 3 Composition
- 4 Themes
- 5 Later interpretation and influence
- 6 See also
- 7 References
- 8 Bibliography
- 9 Further reading
- 10 External links
The Book of Job consists of a prose prologue and epilogue narrative framing poetic dialogues and monologues. It is common to view the narrative frame as the original core of the book, enlarged later by the poetic dialogues and discourses, and sections of the book such as the Elihu speeches and the wisdom poem of chapter 28 as late insertions, but recent trends have tended to concentrate on the book's underlying editorial unity.
1. Prologue in two scenes, the first on earth, the second in heaven (chapters 1-2);
2. Job's opening monologue (chapter 3 - seen by some scholars as a bridge between the prologue and the dialogues and by others as the beginning of the dialogues), and three cycles of dialogues between Job and his three friends (chapters 4-27 - the third cycle is not complete, the expected speech of Zophar being replaced by the wisdom poem of chapter 28):
- First cycle
- Eliphaz (chapters 4-5) and Job's response (chapters 6-7)
- Bildad (8) and Job (9-10)
- Zophar (11) and Job (12-14)
- Second cycle
- Eliphaz (15) and Job (16-17)
- Bildad (18) and Job (19)
- Zophar (20) and Job (21)
- Third cycle
- Eliphaz (22) and Job (23-24)
- Bildad (25) and Job (26-27);
3. Three monologues:
- A Poem to Wisdom (chapter 28, previously read as part of the speech of Job, now regarded by most scholars as a separate interlude in the narrator's voice),
- Job's closing monologue (chapters 29-31),
- and Elihu's speeches (chapters 32-37);
4. Two speeches by God (chapters 38:1-40:2 and 40:6-41:34, 42:7-8), with Job's responses;
5. Epilogue - Job's restoration (chapters 42:9-17).
Prologue on earth and in heaven
The prologue on earth shows the righteous Job blessed with wealth and sons and daughters. The scene shifts to heaven, where God asks satan (ha-satan, literally "the accuser") for his opinion of Job's piety. Satan answers that Job is pious only because God has blessed him; if God were to take away everything that Job had, then he would surely curse God. God gives Satan permission to take Job's wealth and children, but Job praises God: "Naked I came out of my mother's womb, and naked shall I return: the Lord has given, and the Lord has taken away; blessed be the name of the Lord." God allows satan to afflict his body with boils. Job sits in ashes; his wife prompts him to "curse God, and die," but Job answers: "Shall we receive good from God and shall we not receive evil?"
Job's opening monologue; dialogues between Job and his three friends
Job laments the day of his birth; he would like to die, but even that is denied him. His three friends Eliphaz the Temanite, Bildad the Shuhite and Zophar the Naamathite, console him. The friends do not waver in their belief that Job's suffering is a punishment for sin, for God causes no one to suffer innocently, and advise him to repent and seek God's mercy. Job responds with scorn: a just God would not treat him so harshly, patience in suffering is impossible, and the Creator should not take his creatures so lightly, to come against them with such force.
Three monologues: Poem to Wisdom, Job's closing monologue, and Elihu's speeches
The dialogues of Job and his friends are followed by a poem (the "hymn to wisdom") on the inaccessibility of wisdom: Where is wisdom to be found? it asks, and concludes that it has been hidden from man (chapter 28). Job contrasts his previous fortune with his present plight, an outcast, mocked and in pain; he protests his innocence, lists the principles he has lived by, and demands that God answer him. Elihu (a character not previously mentioned) intervenes to state that wisdom comes from God, who reveals it through dreams and visions to those who will then declare their knowledge.
Two speeches by God
God speaks from a whirlwind. His speeches neither explain Job's suffering, nor defend divine justice, nor enter into the courtroom confrontation that Job has demanded, nor respond to his oath of innocence. Instead they contrast Job's weakness with divine wisdom and omnipotence: "Where were you when I laid the foundations of the earth?" Job makes a brief response, but God's monologue resumes, never addressing Job directly. In 42:1-6 Job makes his final response, confessing God's power and his own lack of knowledge "of things beyond me which I did not know;" previously he has only heard, but now his eyes have seen God, and "therefore I retract/And repent of dust and ashes."
God tells Eliphaz that he and his two friends "have not spoken of me what is right as my servant Job has done." The three (Elihu is not mentioned) are told to make a burnt offering with Job as their intercessor, "for only to him will I show favour." Job is restored to health, riches and family, and lives to see his children to the fourth generation.
Authorship, language, texts
Ascribed by Jewish tradition to Moses, it is generally agreed by scholars that the book comes from the period between the 7th and 4th centuries BCE, with the 6th century as the most likely date for a variety of reasons. The anonymous author was almost certainly an Israelite, although he has set his story outside Israel, in southern Edom or northern Arabia, and makes allusion to places as far apart as Mesopotamia and Egypt. According to the 6th-century prophet Ezekiel, Job was a man of antiquity renowned for his righteousness, and the book's author has chosen this legendary hero for his parable.
The language of Job stands out for its conservative spelling and for its exceptionally large number of words and forms not found elsewhere in the Bible. The 12th century Jewish scholar Ibn Ezra concluded that the book must have been written in some other language and translated into Hebrew, and many later scholars down to the 20th century looked for an Aramaic, Arabic or Edomite original; but a close analysis suggests that the foreign words and foreign-looking forms are literary affectations designed to lend authenticity to the book's distant setting.
The book exists in a number of forms; the Hebrew Masoretic Text, which underlies many modern Bible translations, the Greek Septuagint made in Egypt in the last centuries BCE, and Aramaic and Hebrew manuscripts found among the Dead Sea Scrolls.
Job and the wisdom tradition
Job, Ecclesiastes and the book of Proverbs belong to the genre of wisdom literature, sharing a perspective that they themselves call the "way of wisdom." Wisdom means both a way of thinking and a body of knowledge gained through such thinking, as well as the ability to apply it to life; it is attainable in part through human effort, and in part as a gift from God, but never in its entirety— except by God. The three books share attitudes and assumptions, but differ in their conclusions: Proverbs makes confident statements about the world and its workings that are flatly contradicted by Job and Ecclesiastes. Wisdom literature was not confined to the bible, or to Israel; several texts from ancient Mesopotamia and Egypt offer parallels to Job, and while it is impossible to tell whether the author of Job was influenced by any of them, their existence tells us that he was the recipient of a long tradition of reflection on the existence of inexplicable suffering.
Job is an investigation of the problem of divine justice. This problem, known in theology as theodicy, can be rephrased as a question: "Why do the righteous suffer?" The conventional answer in ancient Israel was that God rewards virtue and punishes sin (the principle known as "retributive justice"). This assumes a world in which human choices and actions are morally significant, but experience demonstrates that suffering cannot be sensibly understood as a consequence of bad choices and actions, and unmerited suffering requires theological candour.
The biblical concept of righteousness was rooted in the covenant-making God who had ordered creation for communal well-being, and the righteous were those who invested in the community, showing special concern for the poor and needy (see Job's description of his life in chapter 31); their antithesis were the wicked, who were selfish and greedy. The satan raises the question of whether there is such a thing as disinterested righteousness: if God rewards righteousness with prosperity, will men not act righteously from selfish motives? He asks God to test this by removing the prosperity of Job, the most righteous of all God's servants.
The book begins with the frame narrative, giving the reader an omniscient "God's eye perspective" which introduces Job as a man of exemplary faith and piety, "blameless and upright," who "fears God" and "shuns evil." God is seen initiating the discussion with the satan and approving Job's suffering, a device which serves three purposes: the usual explanations for suffering, that the sufferer has committed some sin of which he is unaware or that God's actions are inscrutable, are eliminated; it makes clear that it is not Job who is on trial, but God's policy of retribution; and the reader sees that God himself bears responsibility for Job's suffering. The contrast between the frame and the poetic dialogues and monologues, in which Job never learns of the opening scenes in heaven or of the reason for his suffering, creates a sense of contradictory juxtaposition between the divine and human views of Job's suffering.
In the poetic dialogues Job's friends see his suffering and assume he must be guilty, since God is just; Job, knowing he is innocent, concludes that God must be unjust. He retains his piety throughout the story (belying the satan's suspicion that his righteousness is due to the expectation of reward), but makes clear from his first speech that he agrees with his friends that God should and does reward righteousness. Elihu rejects the arguments of both parties: Job is wrong to accuse God of injustice, as God is greater than human beings, and nor are the friends correct, for suffering, far from being a punishment, may "rescue the afflicted from their affliction" and make them more amenable to revelation—literally, "open their ears" (36:15).
Chapter 28, the Hymn to Wisdom, introduces another theme, divine wisdom. The hymn does not place any emphasis on retributive justice, stressing instead the inaccessibility of wisdom. Wisdom cannot be discovered or purchased, it says; God alone knows the meaning of the world, and he grants it only to those who live in reverence before him. God possesses wisdom because he grasps the complexities of the world (Job 28:24-26)—a theme which looks forward to God's speech in chapters 38-41, with its repeated refrain "Where were you when...?"
When God finally speaks he neither explains the reason for Job's suffering (revealed to the reader in the prologue in heaven) nor defends his justice. The first speech focuses on his role in maintaining order in the universe: the list of things that God does and Job cannot do demonstrates divine wisdom because order is the heart of wisdom. Job then confesses his lack of wisdom, meaning his lack of understanding of the workings of the cosmos and of the ability to maintain it. The second speech concerns God's role in controlling leviathan and behemoth, sometimes translated as the hippopotamus and crocodile, but more probably representing primeval cosmic creatures, in either case demonstrating God's wisdom and power. Job's reply to God's final speech is longer than his first, and more complicated: the usual view is that he admits to being wrong to challenge God and now repents "in dust and ashes" (42:6), but the Hebrew is difficult and an alternative understanding is that Job says he was wrong to repent and mourn and does not retract any of his arguments. In the concluding part of the frame narrative God restores and increases his prosperity, indicating that the divine policy on retributive justice remains unchanged.
Later interpretation and influence
History of interpretation
In the Second Temple period (500 BCE-70 CE) Job began being transformed into something more patient and steadfast, with his suffering a test of virtue and a vindication of righteousness for the glory of God. The process of "sanctifying" Job began with the Greek Septuagint translation (c.200 BCE) and was furthered in the Testament of Job (1st century BCE-1st century CE), which makes him the hero of patience. This reading pays little attention to the Job of the dialogue sections of the book, but was the tradition taken up by the New Testament epistle of James, which presented Job as one whose patience and endurance should be emulated by believers (James 5:7-11).
Jewish interpretation of Job was initially positive: he was seen as a righteous Gentile who acknowledged God. Very early, however, Christianity began interpreting Job 19:23-29 (verses concerning a "redeemer" whom Job hopes can save him from God) as a prophecy of Christ, although the major view among scholars is that Job's "redeemer" is either an angelic being or God himself. With Job appropriated as a witness to the coming Christ, the predominant Jewish view became "Job the blasphemer," some rabbis even saying that he was rightly punished by God because he had stood by while Pharaoh massacred the innocent Jewish infants.
Saint Augustine recorded that Job had prophesied the coming of Christ and Gregory the Great offered him as a model of right living worthy of respect; the medieval Jewish scholar Maimonides declared his story a parable and the medieval Christian Thomas Aquinas wrote a detailed commentary declaring it true history; in the Reformation Martin Luther explained how Job's confession of sinfulness and worthlessness underlay his saintliness, and John Calvin's Job demonstrated the doctrine of the resurrection and the ultimate certainty of divine justice.
Jewish liturgy does not use readings from the book of Job in the manner of the Pentateuch, Prophets, or Five Megillot, although it is quoted at funerals and times of mourning. However, there are some Jews, particularly the Spanish and Portuguese Jews, who do hold public readings of Job on the Tisha B'Av fast (a day of mourning over the destruction of the First and Second Temples and other tragedies). The cantillation signs for the large poetic section in the middle of the Book of Job differ from those of most of the biblical books, using a system shared with it only by Psalms and Proverbs.
The Eastern Orthodox Church reads from Job and Exodus during Holy Week. Exodus prepares for the understanding of Christ's exodus to his Father, of his fulfillment of the whole history of salvation; Job, the sufferer, is the Old Testament icon of Christ. The Roman Catholic Church reads from Job during Matins in the first two weeks of September and in the Office of the Dead, and in the revised Liturgy of the Hours Job is read during the Eighth and Ninth Weeks in Ordinary Time.
In music, art and literature
The book of Job has been deeply influential in Western culture, to such an extent that no list could be more than representative. Musical settings from Job include Orlande de Lassus's 1565 cycle of motets, the Sacrae Lectiones Novem ex Propheta Job, and George Frideric Handel's use of Job 19:25 ("I know that my redeemer liveth") as an aria in his 1741 oratorio Messiah; modern works based closely or more loosely on the book have included Ralph Vaughan Williams's "Job, A Masque for Dancing," and French composer Darius Milhaud's "Cantata From Job", and Joseph Stein's Broadway interpretation "The Fiddler on the Roof," based on an earlier Yiddish memoir by Sholem Alchem in 1894. Also, Neil Simon wrote "God's Favorite" which is a modern retelling of the Book of Job. Breughel and Georges de la Tour depicted Job visited by his wife, and William Blake produced an entire cycle of illustrations for the book. Writers Job has inspired or influenced include John Milton ("Samson"), Dostoevsky ("The Brothers Karamazov"), Franz Kafka ("The Trial"), Carl Jung ("An Answer to Job"), Philip Roth, Bernard Malamud and others. The most prominent use of the Book of Job, in modern literature, has probably been in Archibald MacLeish's drama, J.B., from 1958. (It was awarded the Pulitzer Prize in 1959.)
In Islam and Middle Eastern folk tradition
Job (Arabic Ayyub ايوب) is one of the 25 prophets mentioned by name in the Quran, where he is lauded as a steadfast and upright worshiper (Q.38:34). His story has the same basic outline as in the Bible, although the three friends are replaced by his brothers and his wife stays by his side. In Palestinian folklore, Job's place of trial is Al-Joura, a village outside the town of Al Majdal (Ashkelon). It was there that God rewarded him with a Fountain of Youth that removed whatever illnesses he had, and restored his youth. Al-Joura was a place of annual festivities (4 days in all) when people of many faiths gathered and bathed in a natural spring. In Lebanon the Muwahideen (or Druze) community have a shrine built in the Shouf area of Lebanon that allegedly contains Job's tomb. In Turkey, Job is known as Eyüp, and he is supposed to have lived in Şanlıurfa. There is also a tomb of Job outside the city of Salalah in Oman in the Sultanate of Oman.
- Book of Job in Byzantine illuminated manuscripts
- Commentary on Job
- Ludlul bēl nēmeqi the "Babylonian Job"
- Testament of Job
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|Wikiquote has quotations related to: Book of Job|
- Sephardic Cantillations for the Book of Job by David M. Betesh and the Sephardic Pizmonim Project
- Translations of The Book of Job at BibleGateway.com
- Hebrew and English Parallel and Complete Text of the Book of Job English Translation is the 1917 Old JPS
- Job at Chabad.org
Book of Job
|Hebrew Bible||Succeeded by
Song of Songs