Boots Riley

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Boots Riley
Boots Riley in a leather jacket.jpeg
Boots Riley
Background information
Birth name Raymond Lawrence Riley
Born 1971
Chicago, Illinois, US
Origin Oakland, California, US
Genres Political hip hop, alternative hip hop, rap rock, funk rock
Occupations Poet, Rapper, producer, community organizer, lecturer, screenwriter
Years active 1991–present
Labels ANTI-, Epitaph, 75 Ark, Dogday, Polemic, Wild Pitch, EMI, Circus, SSSC, Cooking Vinyl, The Null Corporation, Raptivism
Associated acts The Coup, Street Sweeper Social Club
Website Boots Riley on Tumblr

Raymond Lawrence Riley (born 1971), better known by his stage name Boots Riley, is an American poet, rapper, songwriter, producer, screenwriter, humorist, political organizer, community activist, lecturer, and public speaker- best known as the lead vocalist of The Coup and Street Sweeper Social Club. Riley is known for his energetic, charismatic, "punk"-like presence on-stage, combined with dancing. As a vocalist, he is known to display a wide range of cadence, vocal tone, and texture- sometimes taking on a fictional character's accent.

Boots Riley's work is known for its heartfelt, humorous, witty, optimistic lyrics with stylistically literary leanings. Some of his songs are very detailed and visually descriptive, earning him accolades as a story teller.

Most of his works, although often about a subjective experience (love, sex, broken-down cars, getting drunk, etc.), are tied to a radical class analysis of the current system and or situation. Some of his songs call for the overthrow of the ruling class by the working class.

Riley is the only known musical artist whose surveillance by intelligence agents has been exposed due to Wikileaks documents.[1]

Boots Riley identifies as a communist.

Early life[edit]

Boots Riley was born in 1971 into a family of radical organizers in Chicago. The family later moved to Detroit and then to Oakland by the time he was 6. His interest in politics began at a young age, inspiring him to join the radical Progressive Labor Party and the International Committee Against Racism at the age of 14.

Musical career[edit]

In 1991 Riley founded the political hip hop group The Coup with fellow United Parcel Service worker E-roc. Pam the Funkstress, DJ for the group, joined in 1992. Boots was chief lyric writer and produced the music on the albums. They released a song on a 1991 compilation album called Dope Like A Pound Or A Key along with fellow former UPS worker Spice-1 and future Thug Life member Mopreme Shakur, then known as Mocedes. The album was released on Wax That Azz Records, which was owned by Pierre "The Beat Fixer" James, Too Short's DJ.

In 1991, he and other Hip-Hop artists created the Mau Mau Rhythm Collective. They put on "Hip-Hop Edutainment Concerts" which allied with and promoted the campaigns of community based organizations like Women's Economic Agenda Project (WEAP), Copwatch, International Campaign To Free Geronimo Pratt, and the Black Panther Alumni Association. The Mau Mau Rhythm Collective was actively involved in the campaign to stop the FBI's "Weed And Seed" program (which was used in the '60s in conjunction with CoIntelPro) from coming to Oakland. They used the growing popularity of their concerts to bring a large number of youth to take over a closed Oakland city council meeting and hold a public meeting.

In 1992, The Coup signed to Wild Pitch Records/EMI. The group released their debut album Kill My Landlord in 1993. Two singles from that album, "Dig It" and "Not Yet Free", received play on BET, Yo! MTV Raps, and mix shows on national Black radio.

Also, in 1993, E-40 released the video for "Practice Lookin' Hard". It was a song based around Boots's lyric, "I got a mirror in my pocket and I practice lookin' hard" from the song "Not Yet Free" on Kill My Landlord. The video featured Boots Riley singing the chorus while he, Tupac Shakur, and E-40 reflected light into the camera from a handheld mirror while dancing around.

In 1994, The Coup released their second album, Genocide & Juice. It featured guest appearances by E-40 and Spice-1. Fueled by video play and some radio play for the single "Fat Cats And Bigga Fish", the album shot up the charts, but stalled when EMI suddenly absorbed Wild Pitch. At this point, E-roc left The Coup on amicable terms.

At this time, Boots decided to stop making music in favor of forming an organization called The Young Comrades, with a few other radical, black community organizers. The organization mounted a few important campaigns in Oakland which yielded some minor victories, such as the campaign against Oakland's "no cruising" ordinance. The organization folded and Boots went back to music.

1998's Steal This Album, released on indie label Dogday Records, was called "a masterpiece" by Rolling Stone magazine. The single from that album “Me And Jesus The Pimp In a ‘79 Granada Last Night” was an 8-minute song about the grown-up son of a prostitute driving his mother’s killer to a secluded place in which to murder him. A novel, Too Beautiful For Words by Monique W. Morris, based on the story characters and descriptions in the song, was published by HarperCollins in 2000. The album also featured a guest appearance by Del The Funky Homosapien.

In 2000, Boots, through his workshop on Art and Organizing at La Peña Cultural Center, led a group of young artists to create “Guerilla Hip-Hop Concerts” on a flatbed truck which traveled throughout Oakland to protest California’s Proposition 21. The workshop also distributed tens of thousands free cassettes of “The Rumble”, which he called "newspapers on tape".

The group's fourth album, Party Music, was released on 75 Ark Records in 2001. It was re-released in 2005 by Epitaph Records. The original cover art depicted group members standing in front of the Twin Towers of the World Trade Center as they explode. Riley is depicted pushing a button on a bass guitar tuner and DJ Pam the Funkstress is shown holding conductor's wands was. The photo was taken in May 2001. The album was scheduled to be released just after the September 11, 2001 attacks. In response to the uncanny similarity of the artwork with the attacks, the album release was delayed until an alternative cover could be prepared. The album hit #8 in the 2001 Village Voice Pazz and Jop Poll- the most important year-end critic's list, was named “Pop Album Of The Year” by the Washington Post, and "Hip-Hop Album Of The Year" by Rolling Stone. The album included a guest appearance by dead prez on the song "Get Up". Boots Riley released a controversial press release one week after the 9/11 events, which was later published in the book, Another World Is Possible. The press release stated that "last week's events were symptomatic of a larger backlash against U.S. corporate imperialism." The controversy surrounding the cover art, press release, and the lyrics from Party Music (specifically the song "5 Million Ways To Kill A CEO") led to Boots appearing on local network news affiliates all over the U.S. He also appeared on Fox News's Hannity and Colmes and ABC's Politically Incorrect with Bill Maher. During this time, syndicated right-wing columnist and sometimes Fox News host Michelle Malkin called Boots's lyrics “a stomach-turning example of anti-Americanism disguised as highbrow intellectual expression.”

In 2002, Riley taught a daily high school class, "Culture and Resistance: Persuasive Lyric Writing", at the School of Social Justice and Community Development in East Oakland.

In 2003, Vibe Magazine named Boots Riley one of the 10 most influential people of 2002.

That same year, Rage Against the Machine and Audioslave guitarist Tom Morello invited Riley to be part of the "Tell Us the Truth Tour". The tour was meant to shed light on the monopolization of the media and the coming FTAA agreements. It featured acoustic performances by Riley, Morello, Billy Bragg, Steve Earle, Mike Mills and Jill Sobule. It was hosted by Janeane Garofalo and Naomi Klein.

Boots Riley was invited in Paris to play and record with Ursus Minor and Jeff Beck (on the Zugzwang album)

At around that time, he founded ShoYoAss Words, Sounds, & Pictures, a media company specializing in music and art that he calls "relevant to social change."

Boots Riley produced the score for the 2005 episode of The Simpsons, "Pranksta Rap". In 2006, The Coup released Pick a Bigger Weapon on Epitaph Records. The album was named "Album Of The Year" by Associated Press. It featured guest appearances by Tom Morello, Talib Kweli, Black Thought from The Roots, and Jello Biafra.

In 2007 and 2008, Riley toured heavily with New Orleans-based band Galactic. The band performed Coup songs behind Riley's vocals and they also performed their collaboration, "Hustle Up". In 2008, while performing with Galactic in Norfolk, VA, police interrupted the concert and Riley was charged with "public profanity"- a charge that had, until then, never been used in its 26 years of existence. The case was thrown out of court, with the judge citing that the law itself was unconstitutional. At their next meeting, the Norfolk city council voted to get rid of the law in question.

Back in 2006, Morello approached Riley to form a band together under the name Street Sweeper. The duo who later changed their name to Street Sweeper Social Club, releasing their self-titled debut album in 2009. They toured in support of it along with Nine Inch Nails and the recently reunited Jane's Addiction. Two songs, "100 Little Curses" and "Promenade", from their self-titled debut received rotation on Rock radio in major markets. On May 24, a press release went out announcing Street Sweeper Social Club as one of the headliners of the 2010 Rock The Bells tour. Street Sweeper Social Club released "The Ghetto Blaster EP" in late July 2010.

In 2010 and 2011, Boots Riley recorded with Ursus Minor again on I will not take "but" for an answer and toured with the group in France. During the fall of 2011, Riley became heavily involved with the Occupy Oakland movement.[2]

Boots is also working on a script for a feature length film.[3]

Discography[edit]

With The Coup:
With Street Sweeper Social Club:
Other appearances:

References[edit]

External links[edit]