Boots of Spanish Leather

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"Boots of Spanish Leather"
Song by Bob Dylan from the album The Times They Are a-Changin'
Released January 13, 1964
Recorded August 7, 1963
Genre Folk
Length 4:40
Label Columbia
Writer Bob Dylan
Producer Tom Wilson
The Times They Are a-Changin' track listing
Side one
  1. "The Times They Are a-Changin'"
  2. "Ballad of Hollis Brown"
  3. "With God on Our Side"
  4. "One Too Many Mornings"
  5. "North Country Blues"
Side two
  1. "Only a Pawn in Their Game"
  2. "Boots of Spanish Leather"
  3. "When the Ship Comes In"
  4. "The Lonesome Death of Hattie Carroll"
  5. "Restless Farewell"

"Boots of Spanish Leather" is a song performed by Bob Dylan, released in 1964 on his album The Times They Are A-Changin'.

Dylan's recording features the artist solo on the acoustic guitar, playing the song fingerpicking.

Lyrically, "Boots of Spanish Leather" is "a restless, forlorn ballad for the ages and sages - a classic Dylan tale of two lovers, a crossroads, and the open sea..." (Trager 80). Most critics have not found it far-fetched to say that this song was written about and maybe to Suze Rotolo, Dylan's New York City girlfriend in the early '60s, who in the summer of 1962 left him for Italy. Rotolo confirmed that interpretation in a 2008 NPR interview. The song is written as a dialogue, with the first six verses alternating between the man and woman; however, the last three verses are all given by the one who has been left, presumably the man (Dylan). Within these nine verses, the woman goes across the sea. She writes, asking whether the man would like any gift, and he refuses, poetically saying he only wants her back. Towards the end it becomes clear that she is not returning, and she finally writes saying she may never come back, "It depends on how I'm a-feelin'." The man comes to realize what has happened and finally gives her a material request: "Spanish boots of Spanish leather." Michael Gray has pointed out a strong parallel between this line and the traditional folk song "Blackjack Davey," which Dylan arranged and recorded for his 1992 album Good as I Been to You, and in which footwear of Spanish leather also plays a significant role (Gray 657).

The song is played, in the officially released studio recording, in the key of A major; Dylan probably effects this key by using a capo on the first fret and positioning his fingers as if he were playing G major. The dominant notes in the guitar part seem to be what on a piano is called "Middle C," which in this song is the major third in the tonic chord; and the D-flat immediately above "Middle C," which is the perfect fourth; with the top note at any point in the song rotating between these two notes.

Musically, this song is nearly identical to his earlier composition "Girl from the North Country" which in turn drew heavily on the Martin Carthy arrangement of the traditional ballad "Scarborough Fair". A contemporary work with the same melody is Donovan's song "Ballad of Geraldine", from his 1965 album Fairy Tale.

Of note is this song's inclusion in the Norton Anthology of Poetry, 5th edition, in the section titled "Popular Ballads of the 20th Century."

Though performed live here and there since its composition, Dylan did not start performing "Boots of Spanish Leather" regularly until his Never Ending Tour began in 1988.

[edit] Covers

"Boots of Spanish Leather" has been covered by many musicians, including:


[edit] References

[edit] External links

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