Breakcore

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Breakcore
Stylistic origins
Cultural origins
Mid-'90s Germany, Great Britain, and Australia
Typical instruments
Mainstream popularity Low; cult following, but with a recent rise in popularity in the '00s, particularly Europe.
Subgenres
Terrorcore
Other topics
Power noise
Industrial hip-hop

Breakcore is an electronic music style that brings together elements of industrial, jungle, hardcore techno and IDM into a breakbeat-oriented sound that encourages speed, complexity, impact and maximum sonic density. It adheres to a loose set of stylistic rules.

Contents

[edit] Influences and Development

[edit] Ambush Records

In London, DJ Scud co-founded Ambush Records with fellow producer Aphasic to focus on more extreme noise-oriented hardcore drum and bass. Some artists released on Ambush are Christoph Fringeli, Slepcy, The Panacea, and Noize Creator. "Scud and Nomex tracks like 'Total Destruction' helped create the blueprint for much of breakcore's sound, a high-bpm mash-up of hyperkinetic, post-jungle breaks, feedback, noise, and Jamaican elements paired with a devil-may-care attitude towards sampling that pulls from the broadest musical spectrum of styles (hip-hop, rock, industrial, pop, and beyond)."[1]

[edit] Bloody Fist Records

At the same time, Bloody Fist Records based in Newcastle, Australia released many records of hardcore/gabber, industrial, and noise. Label founder Mark Newlands said, in 1997, "I think that the uncomfortableness also comes from a reaction towards the mainstream and popular culture that's constantly shoved down our throats, that's forced on the people via television, radio, mass media, etc. I think that also fuels the fire and keeps the aggressiveness there and the uncomfortableness."[2] Artists signed to Bloody Fist in its lifetime include Syndicate, Xylocaine, Epsilon and Nasenbluten.

[edit] Digital Hardcore Recordings

Formed in 1994, Digital Hardcore Recordings released music by artists such as Alec Empire, Patric Catani, Shizuo, Atari Teenage Riot, EC8OR and Bomb20, shaping the breakcore sound.[1] The Alec Empire album The Destroyer is often noted as the first breakcore album.

[edit] Breakcore becomes a genre

As the early days of "hardcore techno" or just "hardcore" began to settle in Europe, breakcore as a genre began to take more concrete forms in other parts of the world. Inspired by new labels such as Addict, from Milwaukee, USA; Peace Off from Rennes, France; Sonic Belligeranza from Bologna, Italy; and Planet Mu, from London, began to take a new shape, adding in more elements of mashup and IDM to the hardcore sounds. Each of these labels began to draw in aspects of their own social and aesthetic scenes into their music, allowing for an even broader definition of what was possible in the music.

One of the most controversial issues in breakcore is that of the mere existence of the genre. Because it pulls liberally from other musical genres, there is not a consensus on what is and what is not breakcore, or even over the usefulness of the term itself. Because of the fragmentation, the breakcore scene is not centered in any one geographical location, but is rather scattered into disparate groups. Perhaps the one place where breakcore's "voice" can be heard is virtually, through the internet and various online forums, such as those at C8 and Widerstand (Eiterherd's website, now defunct).

According to Simon Reynolds, of The New York Times, breakcore is "purveyed by artists like DJ/Rupture and Teamshadetek, the music combines rumbling bass lines, fidgety beats and grainy ragga vocals to create a home-listening surrogate for the bashment vibe of a Jamaican sound system party. Others within the breakcore genre, like Knifehandchop, Kid 606 and Soundmurderer, hark back to rave's own early days, their music evoking the rowdy fervor of a time when huge crowds flailed their limbs to a barrage of abstract noise and convulsive rhythm. It's a poignant aural mirage of a time when techno music was made for the popular vanguard rather than a connoisseurial elite, as it is today."[3]

In Europe, the breakcore genre was solidified by raves and club events such as Belgium's Breakcore Gives Me Wood,[1] featuring local acts such as UndaCova, Sickboy and Droon, Breakcore A Go Go, in the Netherlands, which was run by FFF and Bong-Ra; as well as Anticartel, in Rennes, the seat of PeaceOff, and later, Wasted,[1] in Berlin.

[edit] Characteristics

A tempo averaging 190 - 210+ bpm, as opposed to the average 150 - 180 bpm in drum and bass.
Drums that are usually more distorted than drum 'n bass, due to the goal of breakcore which is "in your face" and the natural distortion that usually occurs when layering multiple drum samples, although it can be just normal distorted drums as well.
Most beats have the basic layout of a kick on 1/16, snare on 5/16, kick on 7/16, and snare on 11/16, (often with a kick on 13/16).
In a throwback to dnb's jungle/ragga roots, tribal, ragga, and old break sounds are quite prevalent as opposed to recent dnb tracks.
Complex drum rolls and/or "glitch" sounds (Called Snare Rushes, generated through sampling a short piece of the drum repeated from 64 and higher times per beat - unless it is a production from single drums) around or after the second snare are very common, in essence filling in the "emptier" part of the beat.

[edit] Amen break

While breakcore is definitely not only organized around the cutting and distortion of the amen break, amen break is a key to defining the genre. The amen break in breakcore is primarily used at high-speeds and edited to produce jarring effects when distorted and layered in combination with almost any sound. This particular drum-break sound characterizes many breakcore songs and is still used as a key factor to define the sound. This is in line with breakcore's tendency to create a post-modern parody of drum and bass clichés - many of the sounds heard in breakcore are very "classic" jungle samples.

[edit] Distribution

Since the genre as a whole still is developing and growing rapidly, the music itself is largely downloaded via peer-to-peer networks, and discussed on internet forums. Whereas the early days of breakcore were based in select urban cities, the genre now has no geographical center. The music itself tends to reflect this multiplicity of media diffusion itself (as already mentioned) by incorporating so many different forms of music all hacked together to form breakcore. It remains a relatively small genre, but compared to its size prior to the 1990s web boom, it continues to grow substantially.

[edit] Developments in the genre

Breakcore has forever been changing and branching. Many newer breakcore artists focus on melodic progressions and complex drum programming while other artists still focus on distorted hardcore breakbeats and dark-edged musical influences (such as heavy metal, and industrial). The prolific Venetian Snares has produced breakcore blended with elements of classical music.[4] Other artists such as Shitmat, Toecutter, Sickboy, DJ Scotch Egg and Drop the Lime[5] take another direction towards mash-up, happy hardcore and rave to make a lighter, more humorous sound. The rise of chiptune music has also blended with breakcore with artists such as Overthruster, Patric Catani, AA.Kurtz, Sabrepulse, Tarmvred, and DJ Fhantom. Some musicians such as Edgey from the power noise scene have begun to take influence from breakcore. The UK Free Party scene has also expressed a large interest in producing and distributing its own takes on breakcore, with crews and labels such as Headfuk, Hekate, Love Love Records, Audacious. Bad Sekta, NoFixedAbode, Marionette records, Tinnitus, Ill Industries & Life4Land helping to push the scene and sound forward, as well as bringing over a number of international artists to play at their parties and club nights. In Los Angeles DarkMatter SoundSystem pushes the breakcore sound with their underground parties.

[edit] References

  1. ^ a b c d Matt Earp, "Breakcore: Live Fast", XLR8R, July 20, 2006. [1] Access date: August 8, 2008.
  2. ^ Interview in Datacide Three, October 1997
  3. ^ Reynolds, Simon. "The Turn Away From The Turntable". The New York Times, Sunday, January 23, 2005, Pg. 22
  4. ^ Detrimentalist! review, "Soundcheck", The Wire 293, July 2008, p. 60.
  5. ^ Vivian Host, "Night Music", XLR8R 123, December 2008, p. 40.

[edit] See also

v • d • e
Hardcore techno
Other electronic music genres
v • d • e
Breakbeat/Breaks
Other electronic music genres
Retrieved from "http://en.wikipedia.org/wiki/Breakcore"
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