Breakfast at Tiffany's (film)
|Breakfast at Tiffany's|
theatrical release poster by Robert McGinnis
|Directed by||Blake Edwards|
|Produced by||Martin Jurow
|Screenplay by||George Axelrod|
|Based on||Breakfast at Tiffany's
by Truman Capote
|Music by||Henry Mancini|
|Cinematography||Franz F. Planer
Philip H. Lathrop (Uncredited)
|Edited by||Howard Smith|
|Distributed by||Paramount Pictures|
|Box office||$14 million|
Breakfast at Tiffany's is a 1961 American romantic comedy film starring Audrey Hepburn and George Peppard, and featuring Patricia Neal, Buddy Ebsen, Martin Balsam, and Mickey Rooney. The film was directed by Blake Edwards and released by Paramount Pictures. It is loosely based on the novella of the same name by Truman Capote.
Hepburn's portrayal of Holly Golightly as the naïve, eccentric café society girl is generally considered to be the actress' most memorable and identifiable role. Hepburn regarded it as one of her most challenging roles, since she was an introvert required to play an extravert.
Breakfast at Tiffany's was received positively at the time, and was nominated for five Academy Awards, Best Actress for Hepburn, Best Adapted Screenplay, and Best Art Direction, winning two for Best Original Score and Best Original Song for the famous "Moon River". "Moon River" was also selected as the fourth most memorable song in Hollywood history by the American Film Institute in 2004.
- 1 Plot
- 2 Cast
- 3 Production
- 4 Reception
- 5 Awards and honors
- 6 Soundtrack
- 7 Home media
- 8 Stage adaptations
- 9 See also
- 10 References
- 11 External links
One early morning, a yellow taxi pulls up at Tiffany & Co. on Fifth Avenue in New York City, from which elegantly dressed Holly Golightly (Audrey Hepburn) emerges. Standing outside the shop looking into the windows, she nibbles on pastry and drinks coffee she brought with her, then strolls home to go to bed. Outside her apartment, she fends off her date Sid Arbuck (Claude Stroud) from the disastrous night before. Later in the day she is awakened by new neighbor-tenant, Paul Varjak (George Peppard), ringing her doorbell to get into the building. The pair chat as she dresses to leave for her weekly visit to Sally Tomato (Alan Reed), a mobster incarcerated at Sing Sing prison. Tomato's lawyer O'Shaughnessy pays her $100 a week to receive "the weather report."
As she is leaving for Sing Sing, Holly is introduced to Paul's "decorator", wealthy older woman Emily Eustace Failenson (Patricia Neal), whom Paul nicknames "2E". That night, Holly goes out onto the building's fire escape to elude an over-eager date (Mel Blanc). She peeks into Paul's apartment and sees 2E leaving money and kissing Paul goodbye. After 2E leaves, Holly enters Paul's apartment and learns that he is a writer who has not had anything published since a book of vignettes titled, Nine Lives, five years before. Holly, in turn, explains that she is trying to save money in order to support her brother, Fred, when he gets out of the Army. The pair fall asleep, but are awakened when Holly has a nightmare about Fred and leaves the apartment. She later buys Paul a new typewriter ribbon to apologize and invites him to a party at her apartment. At the party, Paul meets her Hollywood agent, O. J. Berman (Martin Balsam), who describes Holly's transformation from country girl into Manhattan socialite. He is also introduced to José da Silva Pereira (José Luis de Vilallonga), a rich Brazilian, and Rusty Trawler (Stanley Adams), a rich American.
In the days that follow, Paul and Holly become closer. One day, 2E enters Paul's apartment, worried that she is being followed. Paul tells her that he will investigate and eventually confronts Doc Golightly (Buddy Ebsen), Holly's husband. Doc explains that Holly's real name is Lula Mae Barnes, whom he married when she was 13 ("going on 14"), and that he wants to take her back to Texas, as Fred will be returning from the army. After Paul reunites Holly and Doc, she tells Paul the marriage was annulled; Doc is in denial over it. Holly asks Paul to accompany her and Doc to the bus station. There she tells Doc she is not returning. Doc reveals that Fred is returning soon and tells her that if she does not return, he will not support him when he returns. Holly still refuses, and tells him she plans for Fred to live with her in New York. Doc leaves broken-hearted.
After drinking at a club, Paul and Holly return to her apartment, where she drunkenly tells him that she plans to marry Rusty Trawler for his money. A few days later, Paul learns that one of his short stories has been accepted for publication. On the way to tell Holly, he sees the newspaper at her door, its headline stating that Trawler has married someone else. Holly and Paul agree to spend the day together, taking turns doing things that each has never done before. At Tiffany's, Paul has the ring from Doc Golightly's box of Cracker Jack engraved as a present for Holly. After spending the night together, he awakens to find that she is not in his apartment, nor has she returned to her apartment. When 2E arrives at his apartment later, Paul ends his relationship with her.
Holly schemes to marry José for his money, which angers Paul, who has firmly decided on his love for her. After Holly and José return to her apartment to find a telegram notifying her of Fred's death, she trashes her apartment in grief, her behavior disturbing José. Months later, Paul has moved out of the building. He is invited to dinner by Holly, who is leaving the next morning for Brazil to continue her relationship with José. However, they are soon arrested by police in connection with Sally Tomato's drug ring and taken to the 19th precinct, where Holly spends the night in jail.
The next morning, Holly is released on bail with help from O.J. and finds Paul waiting with a taxi. He has her cat and a letter from José explaining he must end their relationship due to her arrest. Holly insists she will go to Brazil anyway and releases the cat from the taxi into the rain. Paul confronts Holly about his love and her behavior, then leaves the cab, tossing the ring he had engraved for her into her lap and telling her to examine her life. She quickly runs after Paul, who has gone looking for the cat, and together they find him, look into each other's eyes, and kiss.
- Audrey Hepburn as Holly Golightly / Lula Mae Barnes
- George Peppard as Paul Varjak (nicknamed "Fred" by Holly, for his resemblance to her brother)
- Patricia Neal as Mrs. Emily Eustace "2E" Failenson
- Buddy Ebsen as Doc Golightly
- Martin Balsam as O. J. Berman
- Mickey Rooney as I.Y. Yunioshi
- Alan Reed as Sally Tomato
- José Luis de Vilallonga as José da Silva Pereira
- Stanley Adams as Rutherford "Rusty" Trawler
- John McGiver as Tiffany's salesman
- Dorothy Whitney as Mag Wildwood
- Claude Stroud as Sid Arbuck
- Orangey as "Cat", the cat (trained by Frank Inn)
- Beverly Powers ("Miss Beverly Hills") as The Stripper
|This section does not cite any references or sources. (October 2010)|
Capote, who sold the film rights of his novella to Paramount Studios, wanted Marilyn Monroe to play Holly Golightly, whom he had described perfectly in the book. Barry Paris cites Capote's own comments on the choice of actress: "Marilyn was always my first choice to play the girl, Holly Golightly." Screenwriter Axelrod was hired to "tailor the screenplay for Monroe". When Lee Strasberg advised Monroe that playing a prostitute would be bad for her image, she turned it down and performed in The Misfits instead. When Hepburn was cast instead of Monroe, Capote remarked: "Paramount double-crossed me in every way and cast Audrey".
Most of the exteriors were filmed in New York City, except the fire escape scenes and the alley scene at the end in the rain where Holly puts Cat out of the cab and then Paul and Holly look for Cat. All of the interiors, except for portions of the scene inside Tiffany & Company, were filmed on the Paramount Studios lot in Hollywood.
It was rumored that the film's on-location opening sequence, in which Holly gazes into a Tiffany's display window, was extremely difficult for director Blake Edwards to shoot. Although it was simple in concept, crowd control, Hepburn's dislike of pastries, and an accident that nearly resulted in the electrocution of a crew member are all said to have made capturing the scene a challenge.
In an interview given for the 45th anniversary DVD, Edwards said that the sequence was captured rather quickly due to the good fortune of an unexpected traffic lull despite the location in the heart of Manhattan.
|“||It took me a long time to figure out what Holly Golightly was all about. One night after midnight I was still trying. I don't drink much, but I was sipping. And it came to me. I wrote ["Moon River"] in half an hour.||”|
Hepburn introduced the film's signature song, "Moon River" by Henry Mancini and Johnny Mercer. The song was tailored to Hepburn's limited vocal range, based on songs she had performed in 1957's Funny Face. On the Anniversary Edition DVD of Breakfast at Tiffany's co-producer Richard Shepherd says in his audio commentary that after a preview in San Francisco, Martin Rankin, Paramount's head of production, wanted "Moon River" replaced with music by somebody like Gordon Jenkins (whose album Manhattan Tower had been out fairly recently): "Marty [Jurow, co-producer] and I both said 'over our dead bodies.'" According to Mancini and Edwards, a studio executive hated the song and demanded it be cut from the film; Hepburn, who was present, responded to the suggestion by standing up and saying, "Over my dead body!"
According to Time magazine, Mancini "sets off his melodies with a walking bass, extends them with choral and string variations, varies them with the brisk sounds of combo jazz. "Moon River" is sobbed by a plaintive harmonica, repeated by strings, hummed and then sung by the chorus, finally resolved with the harmonica again."
Time magazine noted "for the first half hour or so, Hollywood's Holly (Audrey Hepburn) is not much different from Capote's. She has kicked the weed and lost the illegitimate child she was having, but she is still jolly Holly, the child bride from Tulip, Texas, who at 15 runs away to Hollywood to find some of the finer things of life—like shoes." It pointed out that "after that out-of-Capote beginning, Director Blake Edwards (High Time) goes on to an out-of-character end." Almost a half century later, Time commented on the pivotal impact of Hepburn's portrayal of Golightly:
Breakfast at Tiffany's set Hepburn on her 60s Hollywood course. Holly Golightly, small-town Southern girl turned Manhattan trickster, was the naughty American cousin of Eliza Doolittle, Cockney flower girl turned My Fair Lady. Holly was also the prototype for the Hepburn women in Charade, Paris When It Sizzles, and How to Steal a Million: kooks in capers. And she prepared audiences for the ground-level anxieties that Hepburn characters endured in The Children's Hour, Two for the Road and Wait Until Dark.
The New York Times called the film a "completely unbelievable but wholly captivating flight into fancy composed of unequal dollops of comedy, romance, poignancy, funny colloquialisms and Manhattan's swankiest East Side areas captured in the loveliest of colors"; in reviewing the performances, the newspaper said Holly Golightly is "as implausible as ever. But in the person of Miss Hepburn, she is a genuinely charming, elfin waif who will be believed and adored when seen. George Peppard is casual and, for the most part, a subdued citizen who seems to like observing better than participating in the proceedings. Martin Balsam makes a properly brash, snappy Hollywood agent. Mickey Rooney's bucktoothed, myopic Japanese is broadly exotic. Patricia Neal is simply cool and brisk in her few appearances as Mr. Peppard's sponsor and Vilallonga, is properly suave and Continental as Miss Hepburn's Brazilian, while Buddy Ebsen has a brief poignant moment as Miss Hepburn's husband."
Truman Capote hated Hepburn in the lead part. Capote biographer Gerald Clarke, deemed the film a “valentine” to free-spirited women rather than a cautionary tale about a little girl lost in the big city. “The movie is a confection — a sugar and spice confection.”
Rotten Tomatoes currently holds an 88% 'Fresh' rating with the consensus: "It contains some ugly anachronisms, but Blake Edwards is at his funniest in this iconic classic, and Audrey Hepburn absolutely lights up the screen."
Hepburn as Holly, carrying an oversized cigarette holder, is considered one of the most iconic images of 20th century American cinema. Another iconic item throughout the movie is Holly's sunglasses. Often misidentified as Ray-Ban, they are Manhattan sunglasses manufactured by Oliver Goldsmith. In 2011 the model was re-released to mark the 50th anniversary of Breakfast at Tiffany's. One of three dresses designed by Givenchy for Hepburn for possible use in the film sold at auction by Christie's on December 5, 2006 for £467,200 (~US$947,000), about seven times the reserve price. The "Little Black Dress" by Givenchy, worn by Hepburn in the beginning of the film is cited as one of the most iconic items of clothing in the history of the twentieth century and is, perhaps, the most famous little black dress of all time.
The film rejuvenated the career of 1930s movie song-and-dance man and Disney Davy Crockett sidekick Buddy Ebsen, who had a small but effective role in this film as Doc Golightly, Holly's ex-husband. His success here led directly to his best-known role as Jed Clampett on The Beverly Hillbillies.
Portrayal of Mr. Yunioshi
For his portrayal of I. Y. Yunioshi, Mickey Rooney wore makeup and a prosthetic mouthpiece to change his features to a caricatured approximation of a Japanese person . Since the 1990s, it has been subject to increasing protest by Asian-Americans among others. For instance, in the 1993 film, Dragon: The Bruce Lee Story, the film is used as an illustration of Hollywood's racist depiction of Asians when Bruce Lee and his future wife, Linda, see the film and Linda suggests they leave when she notices that Bruce is upset at Rooney's caricatured performance.
In his audio commentary for the DVD release, producer Richard Shepherd said that at the time of production as well as in retrospect, he wanted to recast the role "not because he [Rooney] didn't play the part well" but because Shepherd thought the part of Mr. Yunioshi should be performed by an actor of Japanese ethnicity; it was director Blake Edwards' decision to keep Rooney. In a "making-of" for the 45th anniversary edition DVD release, Shepherd repeatedly apologizes, saying, "If we could just change Mickey Rooney, I'd be thrilled with the movie." Director Blake Edwards stated, "Looking back, I wish I had never done it... and I would give anything to be able to recast it, but it's there, and onward and upward."
In a 2008 interview about the film, 87-year-old Rooney said he was heartbroken about the criticism: "Blake Edwards... wanted me to do it because he was a comedy director. They hired me to do this overboard, and we had fun doing it.... Never in all the more than 40 years after we made it – not one complaint. Every place I've gone in the world people say, 'God, you were so funny.' Asians and Chinese come up to me and say, 'Mickey you were out of this world.'" Rooney also said that if he'd known people would be so offended, "I wouldn't have done it. Those that didn't like it, I forgive them and God bless America, God bless the universe, God bless Japanese, Chinese, Indians, all of them and let's have peace."
Awards and honors
- Golden Globe Awards, 1961: Best picture (musical or comedy)
- Golden Globe Awards, 1961: Best actress (musical or comedy) - Audrey Hepburn
- Henry Mancini won the Grammy Award for Best Soundtrack Album or Recording or Score.
- George Axelrod won the Writers Guild of America, East for Best Written American Drama.
- Blake Edwards was nominated for the Directors Guild of America Award for Outstanding Directorial Achievement in Motion Pictures.
- The film was ranked #486 on Empire 's The 500 Greatest Movies of All Time list for 2008.
- National Film Registry- 2012
- American Film Institute lists
- AFI's 100 Years...100 Movies – Nominated
- AFI's 100 Years...100 Laughs – Nominated
- AFI's 100 Years...100 Passions – #61
- AFI's 100 Years...100 Songs:
- "Moon River" – #4
- AFI's 100 Years...100 Movie Quotes:
- "How do I look?" – Nominated
- AFI's 100 Years of Film Scores – Nominated
- AFI's 100 Years...100 Movies (10th Anniversary Edition) – Nominated
The soundtrack featured a score composed and conducted by Henry Mancini, with songs by Mancini and lyricist Johnny Mercer. Mancini and Mercer won the 1961 Oscar for Best Original Song for "Moon River". Mancini won for Best Original Score. There are also unreleased score pieces from Breakfast at Tiffany's in existence; "Carousel Cue" is from an unsurfaced scene, while "Outtake 1" is from a deleted scene in which Holly and Fred visit Tiffany's and is a variation of the main theme.
List of songs
- "Moon River"
- "Something for Cat"
- "Sally's Tomato"
- "Mr. Yunioshi"
- "The Big Blow Out"
- "Hub Caps and Tail Lights"
- "Breakfast at Tiffany's"
- "Latin Golightly"
- "Loose Caboose"
- "The Big Heist"
- "Moon River [Cha Cha]"
In 2013 Intrada released the complete score in its original film performance (as with many soundtrack albums by Mancini and others at the time, the album released alongside the film was a re-recording).
- Main Title (Moon River) (3:07)
- Paul Meets Cat (1:24)
- Sally’s Tomato (4:57)
- The Big Blowout (1:05)
- Poor Fred (3:22)
- Moon River (Cha Cha) (2:32)
- Latin Golightly (3:05)
- Something For Cat (4:48)
- Loose Caboose – Part 1 (À La Cha Cha) (3:22)
- Loose Caboose – Part 2 (2:11)
- Moon River (Vocal By Audrey Hepburn) (2:03)
- Meet The Doc (With Organ Grinder) (1:37)
- An Exceptional Person (2:57)
- You’re So Skinny (0:57)
- Turkey Eggs (2:43)
- Hub Caps And Tail Lights (2:19)
- Rats And Super Rats (2:27)
- The Hard Way (0:55)
- Rusty Trawler (0:26)
- Holly (1:56)
- A Lovely Place (1:33)
- Bermuda Nights (0:22)
- The Big Heist (4:02)
- After The Ball (1:14)
- Just Like Holly (1:41)
- Wait A Minute (0:44)
- Feathers (1:14)
- Let’s Eat (1:39)
- Where’s The Cat? And End Title (Moon River) (3:50)
- Moon River (Audrey Hepburn & Guitar) (1:38)
- Moon River (Piano And Guitar) (1:38)
- Moon River (Harmonica And Guitar) (1:36)
- Meet The Doc (Without Organ Grinder) (1:37)
- Piano Practice No. 1 (1:38)
- Piano Practice No. 2 (1:48)
- Piano Practice No. 3 (0:54)
- Moon River (New York Version) (2:01)
- Moon River (Whistling) (0:10)
|This section does not cite any references or sources. (October 2010)|
Breakfast at Tiffany's was one of the first Hepburn films to be released to the home video market in the early 1980s, and is also widely available on DVD. On February 7, 2006, Paramount released a 45th anniversary special edition DVD set in North America with featurettes not included on the prior DVD release:
- Audio Commentary – with producer Richard Shepherd
- Breakfast at Tiffany's: The Making of a Classic – a making-of featurette with interviews by Edwards, Neal, the "laughing/crying" woman from the party, and Sean Ferrer, Hepburn's son.
- It's So Audrey! A Style Icon – a short tribute to Hepburn.
- Brilliance in a Blue Box – a brief history of Tiffany & Co.
- Audrey's Letter to Tiffany – an accounting of Hepburn's letter to Tiffany & Co. on the occasion of the company's 150th anniversary in 1987.
- Original Theatrical Trailer
- Photo Gallery
On January 13, 2009, a remastered Centennial Collection version of the film was released. In addition to the special features on the 45th anniversary edition, this version includes:
- A Golightly Gathering – Reuniting some of the past cast members from the party with interviews on their experiences filming that segment.
- Henry Mancini: More Than Music – A featurette about Henry Mancini, "Moon River" and interviews with Mancini's wife and children.
- Mr. Yunioshi: An Asian Perspective – Documentary discussing the reaction and Asian perspective of the character of Mr. Yunioshi, one of the most controversial characters in film.
- Behind the Gates – A tour through Paramount Studios
In 2011 a newly remastered HD version of the film was released on Blu-ray with many of the features from the aforementioned DVDs. The digital restoration of the film was done by Paramount Pictures. The digital pictures were frame by frame digitally restored at Prasad Corporation to remove dirt, tears, scratches and other artifacts. The film was restored to its original look for its 50th Anniversary.
- List of Academy Award-winning films
- List of American films of 1961
- List of Audrey Hepburn credits
- List of comedy films of the 1960s
- List of films featuring May–December romances
- List of films set in New York City
- List of Paramount Pictures films
- List of short fiction made into feature films
- List of fictional books from non-print media
- Spoto, Donald (2006). Enchantment: The Life of Audrey Hepburn. New York: Harmony Books. p. 204. ISBN 0-307-23758-3.
- King, Susan. "National Film Registry selects 25 films for preservation " Los Angeles Times (December 19, 2012)
- Barry Paris (1996). Audrey Hepburn. Berkley Books.
- "Movies: Never Too Much Music". Time. May 25, 1962. Retrieved 2010-10-03.
- Spoto, Donald. Enchantment: The Life of Audrey Hepburn. New York: Harmony Books, 2006. Page 204 – 205. ISBN 0-307-23758-3
- Shepherd, Richard. Breakfast at Tiffany's – Anniversary Edition/Centennial Edition audio commentary (DVD). Paramount. Event occurs at 25:20.
- Erwin, Ellen; Diamond, Jessica Z. (October 2006). The Audrey Hepburn Treasures. New York: Atria Books. p. 107. ISBN 978-0-7432-8986-3.
- "Cinema: Once Over Golightly". Time. October 20, 1961. Retrieved 2010-10-03.
- Corliss, Richard (January 20, 2007). "Audrey Hepburn: Still the Fairest Lady". Time. Retrieved 2010-10-03.
- Weiler, A.H. (October 6, 1961). "The Screen: Breakfast at Tiffany's: Audrey Hepburn Stars in Music Hall Comedy". The New York Times. Retrieved 2010-10-03.
- "Capote never liked Hepburn in iconic role". Today.com. Associated Press. Retrieved 10 November 2014.
- Breakfast at Tiffany's at Rotten Tomatoes
- Spoto, Donald. Enchantment: The Life of Audrey Hepburn. New York: Harmony Books, 2006. Page 203. ISBN 0-307-23758-3
- Audrey Hepburn Breakfast At Tiffany's, 1961
- "Auction frenzy over Hepburn dress". BBC NEWS. 2006-12-05.
- "The Most Famous Dresses Ever". Glamour.com. April 2007. Retrieved 16 May 2011.
- "Audrey Hepburn dress". Hello Magazine. 6 December 2006.
- "Audrey Hepburn's little black dress tops fashion list". The Independent. 17 May 2010. Retrieved 16 May 2011.
- Steele, Valerie (9 November 2010). The Berg Companion to Fashion. Berg Publishers. p. 483. ISBN 978-1-84788-592-0. Retrieved 16 May 2011.
- "Buddy Ebsen". Amazon.com.
- Shepherd, Richard. Breakfast at Tiffany's – Anniversary Edition/Centennial Edition audio commentary (DVD). Paramount. Event occurs at 3:43.
- Breakfast at Tiffany's: The Making of a Classic
- Magagnini, Stephen (September 28, 2008). "Mickey Rooney upset about claims his 'Tiffany's' role is racist". Sacramento Bee. Scripps Howard News Service. Archived from the original on December 5, 2008. Retrieved 2010-10-03.
- "NY Times: Breakfast at Tiffany's". NY Times. Retrieved 2008-12-24.
- "Empire: Features". Empireonline.com. Retrieved 2009-05-16.
- AFI's 100 Years...100 Movies Nominees
- AFI's 100 Years...100 Laughs Nominees
- AFI's 100 Years...100 Movie Quotes Nominees
- AFI's 100 Years of Film Scores Nominees
- AFI's 100 Years...100 Movies (10th Anniversary Edition) Ballot
- examiner.com, Digital restoration will celebrate Breakfast at Tiffany’s 50th
- oscars.org, Academy to Celebrate 50th Anniversary of "Breakfast at Tiffany's"
- "Show Archives". The Muny. Retrieved 2009-05-16.
- "Entertainment | West End Breakfast for Anna Friel". BBC News. 2009-05-15. Retrieved 2009-05-16.
- "Beakfast At Tiffany's—The Official Broadway Site". Retrieved 12 April 2013.
- Breakfast at Tiffany's, by George Axelrod. Published by Paramount Home Entertainment (UK), 1960. (film script)
- Breakfast at Tiffany's: A Short Novel and Three Stories, by Truman Capote. Published by Random House, 1958.
- Breakfast at Tiffany's: Complete Dialogues
- Breakfast at Tiffany's: 50 years on
- Wasson, Sam. Fifth Avenue, 5 A.M.: Audrey Hepburn, Breakfast at Tiffany's, and the Dawn of the Modern Woman. ISBN 978-0061774164.
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