The Brian Jonestown Massacre
| The Brian Jonestown Massacre | |
|---|---|
Anton Newcombe & BJM - Live at Coachella |
|
| Background information | |
| Also known as | BJM The BJM |
| Origin | San Francisco, California, United States |
| Genres | neo-psychedelia, indie rock, psychedelic rock, shoegazing, folk rock, experimental rock |
| Years active | 1990–present |
| Labels | Bomp! Records TVT Records Tee Pee Records |
| Associated acts | Black Rebel Motorcycle Club The Out Crowd The Dilettantes The Dandy Warhols Darker My Love |
| Website | http://www.brianjonestownmassacre.com |
| Members | |
| Anton Newcombe Matt Hollywood Frankie "Teardrop" Emerson Collin Hegna Ricky Maymi Daniel Allaire Joel Gion Rob Campanella |
|
| Past members | |
| see below | |
The Brian Jonestown Massacre is an American eclectic musical group led by Anton Newcombe, whose music spans multiple genres including psychedelia, electronica, folk music, blues, experimental music, and many others.
The group was founded by Newcombe, Matt Hollywood, Ricky Rene Maymi, Patrick Straczek and Travis Threlkel in the early 1990s in San Francisco.
The name "Brian Jonestown Massacre" is a portmanteau of The Rolling Stones' founder and guitarist Brian Jones and the infamous mass cult suicide in Jonestown, Guyana.[1][2]
Contents |
[edit] Music
Anton Newcombe has been the band's only constant member; other key members have been Matt Hollywood, Joel Gion, Ricky Maymi and Jeff Davies. Newcombe and Hollywood have served as the group's primary songwriters.
1995's Methodrone approximates the UK shoegazing sound of the time. Their Satanic Majesties' Second Request, one of three new albums released by the group in 1996, reflects a pastiche of 1960s psychedelia that continues to characterize the BJM sound to the present day. Newcombe defines the term 'psychedelic' as "mind-expanding," and BJM's output is generally referred to as such because of the revivalist nature of the music.[3][4] Elements of Middle Eastern and Brazilian music are also apparent, along with influences by 1960s artists such as The Beatles, Os Mutantes, The Velvet Underground, Donovan, Love Band, The Byrds, Bob Dylan, and The Rolling Stones. In fact, Their Satanic Majesties' Second Request is an homage to the Rolling Stones' 1967 album, Their Satanic Majesties Request.[5] The second album they released in 1996, Take It from the Man!, was recorded in the Rolling Stones' mid-1960s style of rock rooted in rhythm and blues.[6]
Thank God for Mental Illness, their third record released in 1996, displays a country and rhythm and blues oeuvre with voice and acoustic guitar dominating the overall sound. This is a format that Newcombe occasionally resorts to when presenting live material during times of transition in the band. A further country/folk approach was applied to the Bringing It All Back Home - Again, the title itself an homage to Bob Dylan's Bringing It All Back Home.
Electronic music crept into 2003's And This Is Our Music, evidencing more contemporary influences as well as name-checking the identically-titled albums This Is Our Music, each by the artists Galaxie 500 and Ornette Coleman. In 2005 the band released the EP We Are the Radio on Newcombe's label The Committee to Keep Music Evil, which featured a close collaboration with indie singer-songwriter Sara Beth Tuceck.
My Bloody Underground was released on Cargo Records in 2008, and demos were available since September 2007 from the band's website.[7] The title has been interpreted[by whom?] to be a name-check to the bands My Bloody Valentine, and The Velvet Underground as well as referencing BJM's endless procession of bandmates and the "scene" they collectively created.[original research?] Newcombe has down-played such interpretations, however.[8] Music videos of the songs on the album have also been released, including a music video compilation DVD entitled 'Book of Days'.
As of 2008, Newcombe has become increasingly interested in pastiches. The percussion featured in the song "Amazing Electronic Talking Cave" from the Just Like Kicking Jesus EP for example, was derived from The Rolling Stones' "Jumping Jack Flash". "Þungur Hnífur" was adapted from Goldfrapp's "Ooh La La". The percussion for "Feel It" was based on that of Anita Ward's song "Ring My Bell". "This Is the One Thing We Did Not Want to Have Happen" draws elements from Joy Division, combining the percussion on "She's Lost Control" with the lyrics to "I Remember Nothing" (both of which are featured on Joy Division's 1979 album Unknown Pleasures), as well as fashioning grating guitar-effects reminiscent of the anarchist-punk band Crass, which, for example, are found on the latter's "Mother-Earth" (from their 1979 album Stations of the Crass). "This Is the First of Your Last Warning" loosely derives its percussion from Michael Jackson's "Rock With You" (or Public Image Ltd.'s "Albatross" from their 1979 album Metal Box).
The Brian Jonestown Massacre recorded both One EP and Who Killed Sgt. Pepper? in Iceland and Berlin in 2009. The One EP was released in November 2009. It features the songs "One" and "This Is the First of Your Last Warning" (which would also appear on Sgt. Pepper), an English version of "This Is The First Of Your Last Warning", and an exclusive track "Bruttermania". Who Killed Sgt. Pepper? was released in February 2010. The album features musicians such as Unnur Andrea Einarsdottir (who recorded vocals on the previous BJM album) and Felix Bondareff from the Russian band Amazing Electronic Talking Cave, as well as other musicians from France, Germany, and Iceland. Will Carruthers also appeared on the album. Soon after the album's release, it was confirmed that Matt Hollywood had returned to the band after an eleven year absence. According to Anton Newcombe, he will feature on their next album and is currently touring with the band. The group was scheduled to play the ATP New York 2010 music festival in Monticello, New York in September 2010, in support of the album, but canceled the appearance.
Newcombe's interest in cults like that of Jim Jones and Charles Manson is well known[citation needed] (and made apparent by the band's name), and songs such as "The Ballad of Jim Jones" (from Thank God for Mental Illness) and "Arkansas Revisited" (from Bringing It All Back Home – Again), which is a rework of Charles Manson's song "Arkansas" (which appeared on the album Lie: The Love & Terror Cult). Similar interests include a fascination with the Freemasons, Aleister Crowley, and Sufi mysticism.[citation needed]
[edit] Dig!
Along with The Dandy Warhols, BJM were the subjects of the 2004 documentary film Dig!. The film captured a love-hate relationship between both bands, highlighting the interaction of BJM frontman Anton Newcombe and Warhols' Courtney Taylor-Taylor. It was recorded over the course of seven years by Ondi Timoner, and won the Documentary Grand Jury Prize at the 2004 Sundance Film Festival.[9] Newcombe distanced himself from the film, stating that it's portrayal of him was unfair.
[edit] Members
The BJM has undergone many personnel changes, with Anton Newcombe being the only consistent member.
Current collaborators:
- Will Carruthers – bass. Member from 2006–present. Formerly of Spacemen 3 and Spiritualized.
- Matt Hollywood – guitar, bass, vocals. A founding member from 1990–1999, then from 2009–present. Also founder of the drone group Rebel Drones.
- Jón Sæmundur Audarson – guitar, artwork. Collaborates with Newcombe on installations, videos, and recording. Currently heads the DEAD clothing store in Reykjavik, Iceland, as well as leading the drone/experimental group Dead Skeletons.
- Henrik Baldvin Bjornsson – guitar. Collaborates with Newcombe with recordings. Also of the Icelandic band Singapore Sling and Dead Skeletons.
- Constantine Karlis – drums. Formerly of the New Zealand rock bands High Dependency Unit and Dimmer.
Current touring members:
- Joel Gion – percussion. (1994–1999, 2001, 2004–present). Also leads the San Francisco-based band, The Dilettantes.
- Ricky Maymi – guitar (formerly drums & bass). (1990–1993, 2003–present).
- Frankie Emerson – six and twelve string guitar. (2000–present). Also of the Spaghetti Western band, Spindrift.
- Rob Campanella – keyboard, organ (and occasionally guitar). (2000–present). Also of the psychedelic band, The Quarter After.
- Dan Allaire – drums. (2002–present). Also of Spindrift.
- Collin Hegna – bass/guitar. (2004–present).
- Matt Hollywood – guitar, vocals.
Notes on some former BJM members:
- Patrick Straczek - guitar. Founding member but left in 1991. Did not record any material with the band. Replaced by Jeff Davies in 1992.
- Jeff Davies – guitar, organ. A member of BJM from 1992–1999 and 2001–2003. Currently with the country-pop/folk rock band The Burlington Family. Previously with The Tulips and Smallstone.
- Dean Taylor – guitar. (1996–1999). Currently contributes to Tokyo Raid (formerly The Mandarins). Left BJM permanently in 1999.
- Peter Hayes – guitar. A member in 1997. Toured in 1998. A founding member of alternative rock trio Black Rebel Motorcycle Club.
- Travis Threlkel – guitar. A founding member. Currently the creative director of multi-media design company, Obscura Digital, as well as the leader of psychedelic/experimental band The Imajinary Friends.
- Miranda Lee Richards – guitar and vocals. Currently a solo recording artist.
- Brian Glaze – drums (1994–1996) and toured (1997–1998). Currently a solo recording artist and member of The Gris Gris.
- Matthew J. Tow – guitar. Leader of Australian band The Lovetones. Previously with indie rock bands Drop City and Colorsound.
- Brad Artley – drums. Was a member from 1996-97. He has also played drums for The Richmond Sluts.
[edit] Comprehensive line-up history
| Guitar | Bass | Drums | Vocals | Miscellaneous, Guests, Etc. | |
|---|---|---|---|---|---|
| 1990–1991 | Anton Newcombe Matt Hollywood |
Matt Hollywood |
Ricky Maymi | Anton Newcombe |
|
| 1992 | Anton Newcombe Matt Hollywood |
Matt Hollywood |
Ricky Maymi | Anton Newcombe |
|
| 1993 | Anton Newcombe Matt Hollywood |
Matt Hollywood Ricky Maymi |
Ricky Maymi Brant Graff |
Anton Newcombe |
Ian Sefchik - Guitar |
| 1994 | Anton Newcombe Matt Hollywood |
Matt Hollywood Chris Dupré |
Brian Glaze Milo Warner Martin |
Anton Newcombe | Joel Gion - Tambourine/Maracas Sophie Guenan - Tambourine |
| 1995 | Anton Newcombe Matt Hollywood |
Matt Hollywood | Brian Glaze Milo Warner Martin Graham Bonnar |
Anton Newcombe |
Joel Gion - Tambourine/Maracas Sophie Guenan - Tambourine |
| 1996 | Anton Newcombe | Matt Hollywood | Brian Glaze Mike Burns |
Anton Newcombe Matt Hollywood |
Joel Gion - Tambourine/Maracas Derek Hoeckel - Guitar/Tambourine/Maracas |
| 1997 | Anton Newcombe Matt Hollywood |
Matt Hollywood | Brad Artley Jussi Tegelman |
Anton Newcombe Matt Hollywood |
Joel Gion - Tambourine/Maracas Robert Desmond - Cello |
| 1998 | Anton Newcombe |
Matt Hollywood |
Norm Block Adam Hamilton |
Anton Newcombe |
Joel Gion - Tambourine/Maracas Miranda Lee Richards - Flute |
| 1999 | Anton Newcombe Jeff Davies |
Charles Mehling |
Anton Newcombe | Joel Gion - Tambourine/Maracas
Christof Certik - Keyboards |
|
| 2000 | Anton Newcombe Frankie Emerson aka Frankie Teardrop |
Bobby Hecksher |
Hunter Crowley Greg Epman |
Anton Newcombe | Mara Keagle - Vocals |
| 2001 | Anton Newcombe |
Dave Koenig | Hunter Crowley | Anton Newcombe | Mara Keagle - Vocals on Bravery, Repetition and Noise (appears as "Mara") Joel Gion - Tambourine/Percussion |
| 2002 | Anton Newcombe Jeff Davies |
Dave Koenig | Dan Allaire | Anton Newcombe | Rob Campanella - Organ |
| 2003 | Anton Newcombe Frankie "Teardrop" Emerson |
Dave Koenig |
Dan Allaire | Anton Newcombe | Rob Campanella - Organ/Dobro/Piano/Mandolin Ed Harcourt - Vocals on "Here It Comes" |
| 2004 | Anton Newcombe |
Collin Hegna |
Dan Allaire Ryan Sumner |
Anton Newcombe | Joel Gion (on and off)- Tambourine/Maracas Rob Campanella - Organ |
| 2005 | Anton Newcombe Frankie "Teardrop" Emerson |
Collin Hegna |
Dan Allaire | Anton Newcombe | Joel Gion (on and off)- Tambourine/Maracas Rob Campanella - Organ |
| 2006 | Anton Newcombe Frankie "Teardrop" Emerson |
Collin Hegna |
Dan Allaire | Anton Newcombe | Joel Gion - Tambourine/Maracas
Rob Campanella - Organ/Mellotron |
| 2007 | Anton Newcombe |
Collin Hegna |
Dan Allaire | Anton Newcombe | Joel Gion - Tambourine/Maracas
Rob Campanella - Organ/Mellotron |
| 2008 | Anton Newcombe |
Collin Hegna |
Dan Allaire | Anton Newcombe | Joel Gion - Tambourine/Maracas
Rob Campanella - Organ/Mellotron |
| 2009-2010 | Anton Newcombe |
Collin Hegna |
Dan Allaire | Anton Newcombe | Joel Gion - Tambourine/Maracas
Rob Campanella - Organ/Mellotron |
[edit] Related acts
- The Dandy Warhols
- The Black Angels
- Black Rebel Motorcycle Club
- Dead Meadow
- The Dilettantes
- The Quarter After
- Miranda Lee Richards
- Spindrift
- Sky Parade
- The Parties
- The Out Crowd
- The Warlocks
- MOTH
- Molecular
- Thee International Molecules
- Astral
- The Lovetones
- Sarah Beth Tuceck
- The Cindys
- The Morning After Girls
- The Three 4 Tens
The band has also influenced many other indie bands noted in the Brian Jonestown Massacre Covers Project.[10]
[edit] Discography
- 1993 Spacegirl & Other Favorites
- 1995 Methodrone
- 1996 Take It from the Man!
- 1996 Their Satanic Majesties' Second Request
- 1996 Thank God for Mental Illness
- 1997 Give It Back!
- 1998 Strung Out in Heaven
- 1999 Bringing It All Back Home – Again (EP)
- 2000 Zero (EP)
- 2001 If I Love You (EP)
- 2001 Bravery, Repetition and Noise
- 2003 ...And This Is Our Music
- 2005 We Are the Radio (EP)
- 2008 My Bloody Underground
- 2008 Just Like Kicking Jesus (EP)
- 2009 Smoking Acid (EP)
- 2009 One EP (EP)
- 2010 Who Killed Sgt. Pepper?
[edit] In popular culture
- The BJM and former friends/rivals The Dandy Warhols were the subject of the acclaimed documentary DiG!.[11]
- "Open Heart Surgery" appeared on the soundrack to the TV series Rescue Me.
- A number of Jonestown songs were used in the improvisational film by Zak Penn entitled The Grand.
- All but one song in the 2007 film Broken,[12] consisted of music by The Brian Jonestown Massacre.
- "Straight Up and Down" is used as the opening theme song for the show Boardwalk Empire on HBO.
[edit] References
- ^ Hopper, Kevin (January 2, 2004). "A timeless sound keeps psych-rockers BJM relevant". Albuquerque Journal: p. 15.
- ^ Krause, Charles A (November 19, 2008). "Town Without Pity; 30 Years Later, Memories of Jonestown Evoke Guilt, Anger and Mistrust". The Washington Post: p. C.1.
- ^ Ged M (July 31, 2005). "The Brian Jonestown Massacre, Tepid Peppermint Wonderland: A Retrospective album review". SoundsXP. http://soundsxp.com/artman2/publish/oldalbums/Brian_Jonestown_Massacre_2191.shtml.
- ^ Clegg, Rachel. "Brian Jonestown Massacre Interview". Caught in the Crossfire. http://www.caughtinthecrossfire.com/music/interviews/1792.
- ^ Ankeny, Jason. "Their Satanic Majesties' Second Request". AllMusic. http://www.allmusic.com/album/their-satanic-majesties-second-request-r282345. Retrieved 10 July 2011.
- ^ Ankeny, Jason. "Take It from the Man!". AllMusic. http://www.allmusic.com/album/take-it-from-the-man-r255357. Retrieved 10 July 2011.
- ^ "The Brian Jonestown Massacre official website". The Brian Jonestown Massacre. Archived from the original on 2007-10-22. http://web.archive.org/web/20071022153929/http://www.brianjonestownmassacre.com/bandinfo.html. Retrieved 2008-01-04.
- ^ Gourlay, Dom (March 17, 2008). "The Brian Jonestown Massacre: enraging Anton, unintentionally". Drowned in Sound. http://drownedinsound.com/in_depth/2984902.
- ^ "FILM: DIG!". sundancechannel.com. http://www.sundancechannel.com/films/500015160/. Retrieved 27 September 2011.
- ^ "Brian Jonestown Massacre Covers Project page". N/A. http://hellospaceman.com/bjmcovers/. Retrieved 2008-01-04.
- ^ "Dig! (2004)". IMDb. http://www.imdb.com/title/tt0388888/. Retrieved 2008-01-04.
- ^ "Broken (2006/I) – Soundtracks". IMDb. http://www.imdb.com/title/tt0469045/soundtrack. Retrieved 2010-02-05.
[edit] External links
| Wikimedia Commons has media related to: The Brian Jonestown Massacre |
- Official Website
- MySpace page
- BJM Archives
- BJM Covers Project
- Straight Up And Down - BJM Book Project
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