Brian Rutenberg

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Brian Rutenberg
Born Brian Christopher Rutenberg
(1965-09-18) September 18, 1965 (age 49)
Myrtle Beach, South Carolina, United States
Nationality American
Education BFA from College of Charleston, MFA School of Visual Arts, New York
Known for Abstract painting
Movement Abstraction,[1] Landscape Painting[2]
Awards Basil H. Alkazzi Award, Fulbright Scholarship

Brian Christopher Rutenberg (born September 18, 1965, in Myrtle Beach, South Carolina), is an American abstract painter.

Rutenberg received his BFA from the College of Charleston in 1987 and his MFA from the School of Visual Arts in New York City in 1989. He currently lives and works in New York City with his wife Kathryn and two children.

Early life[edit]

Brian Rutenberg was born on September 18 in Myrtle Beach, South Carolina, the first of three sons, to John and Sandra Rutenberg. He attended private school at Myrtle Beach’s Coastal Academy from 1974 through 1983. After demonstrating a long-term interest in drawing, Rutenberg began after school watercolor classes, and conducted his own experiments with acrylic paints. In 1983 Rutenberg began his studies at the College of Charleston, where he met and studied under abstract painter William Melton Halsey. Also during college, Rutenberg took classes with British abstract painter Michael Tyzack, who became his faculty advisor and close friend. In 1986 Rutenberg listened for the first time to Glenn Gould’s 1981 second recording of J.S. Bach’s Goldberg Variations, which launched the artist’s deep and lasting interest in the late Canadian pianist’s music and philosophy. Rutenberg graduated with honors from College of Charleston in 1987 and moved to New York, where he entered the MFA program at the School of Visual Arts, New York.

Career[edit]

In 1987 he met painters Gregory Amenoff and Darby Bannard who became important inspirations. He also met sculptor and collector John Raimondi who helped bring the artist's work to a wider audience. In 1989 Francis Marion University Art Gallery in Florence, South Carolina presented the artist's first solo exhibition. Rutenberg was awarded the Basil H. Alkazzi Award in 1991, which enabled him to study in Rome, Bologna and Venice, Italy for three weeks where he studied the works of Annibale Carracci, Bernini and Tiepolo. Inspired by 17th- and 18th-century Italian ceiling paintings and the Villa d'Este near Rome, Rutenberg began his River Paintings series.

In 1992 Rutenberg was awarded a year-long Marie Walsh Sharpe Art Foundation Grant. One year later, the artist had his first New York solo exhibition, River Paintings, at Cavin-Morris Gallery. During the same year the Greenville County Museum of Art in Greenville, South Carolina organized Rutenberg’s first museum exhibition.

In 1994, Rutenberg started to take trips to Toronto and Ottawa, Canada to closely study Glenn Gould’s life and career. He traveled to Canada annually for this purpose until 2002. Inspired by Gould and his music, Rutenberg enrolled in music history classes at New York’s Juilliard School. During one of his trips to Canada, Rutenberg discovered and became intrigued with the work of Canada’s Group of Seven painters.

In 1997 Rutenberg received a Fulbright Fellowship which afforded him the opportunity to spend a year in Ireland. While in Ireland, Rutenberg was honored with studio space at the Irish Museum of Modern Art, Dublin. He lectured at universities and art schools around Ireland. During his travels around Ireland, the artist’s work became shaped by Celtic Culture, specifically the La Tene Period, 600-400 BC.

Rutenberg had his first solo exhibition with Forum Gallery in Los Angeles in 2000. Forum Gallery, New York [3] became Rutenberg’s primary representative.

Major exhibitions[edit]

  • 1993 The Greenville County Museum of Art in Greenville, South Carolina organized the artist's first museum exhibition.
  • 2001 The Butler Institute of American Art in Youngstown, Ohio created the solo exhibition: Brian Rutenberg: A Ten-Year Survey.
  • 2006 The South Carolina State Museum in Columbia, South Carolina, organized a major retrospective, Brimming Tides: Paintings and Drawings by Brian Rutenberg. [4]
  • 2009 The Gibbes Museum of Art in Charleston, South Carolina organized Brian Rutenberg: Tidesong,[5]
  • 2009 Radius Books [6] published the artist's monograph Brian Rutenberg, featuring written contributions from Martica Sawin and artist Gregory Amenoff.
  • 2011 Rutenberg's work was the subject of an exhibition at the Burroughs-Chapin Museum of Art, Myrtle Beach, South Carolina.[7]

Awards[edit]

 Sea Island Trust Visiting Artist
  • 1997 Fulbright Scholarship
 Artists Work Programme Studio Grant, Irish Museum of Modern Art
 Ragdale Foundation Fellowship
  • 1988 MFA Scholarship Award, School of Visual Arts
  • 1987 Laura Bragg Memorial Award

Technique[edit]

Rutenberg has long placed primary importance on surface and material. His works from 1983 to 1989 included non traditional materials like cardboard, wire, masking tape, and were fashioned into shaped three-dimensional paintings and environments. From 1990 to 1995 he experimented with puncturing the picture plane with various sized holes in homage to the paintings of Lucio Fontana. Rutenberg is known for his liberal use of oil paint, sometimes up to three inches thick, and believes that a painting must address the physical presence of the viewer first.

Selected collections[edit]

Selected bibliography[edit]

  • Baker, Kevin. Brian Rutenberg is on a brave quest for freedom in color" (review). San Francisco Chronicle, February 11, 2006.
  • Bendin, Dariel. "Local Boy Makes Good". Myrtle Beach Alternatives, February 27, 2009.
  • Brownfield, Paul. "Gould variations". Sun News (Myrtle Beach, South Carolina), January 5, 1997.
  • Day, Jeffrey. "Going with the Flow" (review). The State (Columbia, South Carolina). January 17, 1993.
  • De Santis, Solange. "A Glenn Gould Gathering". The Wall Street Journal, October 7, 1999.
  • Drake, Nicholas. "Rutenberg’s Imagination Soars with Oil and Canvas". The Post and Courier, (South Carolina), March 21, 1996.
  • Ebony, David. (review). Art in America, May 1994.
  • Johnson, Ken. "For a Broad Landscape, an Equally Wide Survey". The New York Times, May 31, 2006.
  • Lang, Sandy. "MB Artist wins Alkazzi Award". The Sun News, December 21, 1991.
  • Lucas, Scott. "Lush, Lusty Landscapes". Creative Loafing Magazine, 2003.
  • Melrod, George. "Abstract Visions". Art & Antiques, November 1996.
  • Sawin, Martica. Brian Rutenberg. Preface by Gregory Amenoff, Introduction by Walter Darby Bannard. Radius Books. 2009. ISBN 9781934435090
  • Smith, Nick. "For painter Brian Rutenberg, the waiting isn't the hardest part: The Prince of Tides". Charleston City Paper, November 9, 2009.
  • Sozanksi, Edward J. "Uncommon Dignity for Common People". The Philadelphia Inquirer, February 18, 2000.

References[edit]

External links[edit]