Bronze is an alloy consisting primarily of copper, usually with tin as the main additive. It is hard and tough, and it was so significant in antiquity that the Bronze Age was named after the metal. However, historical pieces were often made interchangeably of brasses (copper and zinc), and bronzes with different compositions, so modern museum and scholarly descriptions of older objects increasingly use the more inclusive term "copper alloy" instead. Historically the term latten was used for such alloys.
- Ravenna *bróntion, back-formation from Byzantine Greek brontēsíon (11th century), perhaps from Brentḗsion ‘Brindisi’, reputed for its bronze; or
- early Persian birinj, biranj (برنج) "brass" (modern berenj), piring (پرنگ) "copper", from which also came Serbo-Croatian pìrinač "brass", Georgian brinǰao "bronze", Armenian płinj "copper".
The discovery of bronze enabled people to create metal objects which were better than previously possible. Tools, weapons, armor, and various building materials, like decorative tiles, made of bronze were harder and more durable than their stone and copper ("Chalcolithic") predecessors. Initially bronze was made out of copper and arsenic to form arsenic bronze, or directly from naturally or artificially mixed ores of those. It was only later that tin was used, becoming the sole type of major non-copper ingredient of bronze in the late 3rd millennium BC. Tin bronze was superior to arsenic bronze in that the alloying process itself could more easily be controlled and the alloy was stronger and easier to cast. Also, unlike arsenic, tin is not toxic.
Ores of copper and (far rarer) tin are rarely found together (exceptions include one ancient site in Thailand and one in Iran), so serious bronze work has always involved trade. Tin sources and trade in ancient times had a major influence of the development of cultures. In Europe, a major source for tin was England's deposits of ore in Cornwall, which were traded as far as Phoenicia in the Eastern Mediterranean.
Though bronze is generally harder than wrought iron, with Vickers hardness of 60–258 vs. 30–80, the Bronze Age gave way to the Iron Age because iron was easier to find and to process into a poor grade of metal; although it can be made into higher grades, doing that takes significantly more effort and skill. Bronze was still used during the Iron Age. For example, officers in the Roman army had bronze swords while foot soldiers had iron; but, for many purposes, the weaker wrought iron was found to be sufficiently strong. Archaeologists suspect that a serious disruption of the tin trade precipitated the transition. The population migrations around 1200–1100 BC reduced the shipping of tin around the Mediterranean (and from Great Britain), limiting supplies and raising prices.
As ironworking improved, iron became cheaper; and as cultures advanced from wrought iron (typically forged by hand - wrought - by blacksmiths) to machine forged iron (typically made with trip hammers powered by water), they learned how to make steel, which is stronger than bronze and holds a sharper edge longer.
There are many different bronze alloys, but typically modern bronze is 88% copper and 12% tin. Alpha bronze consists of the alpha solid solution of tin in copper. Alpha bronze alloys of 4–5% tin are used to make coins, springs, turbines and blades. Historical "bronzes" are highly variable in composition, as most metalworkers probably used whatever scrap was on hand; the metal of the 12th-century English Gloucester Candlestick is bronze containing a mixture of copper, zinc, tin, lead, nickel, iron, antimony, arsenic with an unusually large amount of silver – between 22.5% in the base and 5.76% in the pan below the candle. The proportions of this mixture may suggest that the candlestick was made from a hoard of old coins. The Benin Bronzes are really brass, and the Romanesque Baptismal font at St Bartholomew's Church, Liège is described as both bronze and brass.
In the Bronze Age, two forms of bronze were commonly used: "classic bronze", about 10% tin, was used in casting; and "mild bronze", about 6% tin, was hammered from ingots to make sheets. Bladed weapons were mostly cast from classic bronze, while helmets and armor were hammered from mild bronze.
Commercial bronze (90% copper and 10% zinc) and architectural bronze (57% copper, 3% lead, 40% zinc) are more properly regarded as brass alloys because they contain zinc as the main alloying ingredient. They are commonly used in architectural applications.
Bismuth bronze is a bronze alloy with a composition of 52% copper, 30% nickel, 12% zinc, 5% lead, and 1% bismuth. It is able to hold a good polish and so is sometimes used in light reflectors and mirrors.
Typically bronze only oxidizes superficially; once a copper oxide (eventually becoming copper carbonate) layer is formed, the underlying metal is protected from further corrosion. However, if copper chlorides are formed, a corrosion-mode called "bronze disease" will eventually completely destroy it. Copper-based alloys have lower melting points than steel or iron, and are more readily produced from their constituent metals. They are generally about 10 percent heavier than steel, although alloys using aluminium or silicon may be slightly less dense. Bronzes are softer and weaker than steel—bronze springs, for example, are less stiff (and so store less energy) for the same bulk. Bronze resists corrosion (especially seawater corrosion) and metal fatigue more than steel and is a better conductor of heat and electricity than most steels. The cost of copper-base alloys is generally higher than that of steels but lower than that of nickel-base alloys.
Copper and its alloys have a huge variety of uses that reflect their versatile physical, mechanical, and chemical properties. Some common examples are the high electrical conductivity of pure copper, the low-friction properties of bearing bronze, the resonant qualities of bell bronze, and the resistance to corrosion by sea water of several bronze alloys.
The melting point of bronze varies depending on the ratio of the alloy components and is about 950 °C (1,742 °F). Bronze may be nonmagnetic, but certain alloys containing iron or nickel may have magnetic properties.
Bronze was especially suitable for use in boat and ship fittings prior to the wide employment of stainless steel owing to its combination of toughness and resistance to salt water corrosion. Bronze is still commonly used in ship propellers and submerged bearings.
In the 20th century, silicon was introduced as the primary alloying element, creating an alloy with wide application in industry and the major form used in contemporary statuary. Sculptors may prefer silicon bronze because of the ready availability of silicon bronze brazing rod, which allows color-matched repair of defects in castings. Aluminium is also used for the structural metal aluminium bronze.
It is also widely used for cast bronze sculpture. Many common bronze alloys have the unusual and very desirable property of expanding slightly just before they set, thus filling in the finest details of a mold. Bronze parts are tough and typically used for bearings, clips, electrical connectors and springs.
Spring bronze weatherstripping comes in rolls of thin sheets and is nailed or stapled to wood windows and doors. There are two types, flat and v-strip. It has been used for hundreds of years because it has low friction, seals well and is long lasting. It is used in building restoration and custom construction.
Bronze also has very low metal-on-metal friction, which made it invaluable for the building of cannon where iron cannonballs would otherwise stick in the barrel. It is still widely used today for springs, bearings, bushings, automobile transmission pilot bearings, and similar fittings, and is particularly common in the bearings of small electric motors. Phosphor bronze is particularly suited to precision-grade bearings and springs. It is also used in guitar and piano strings.
Unlike steel, bronze struck against a hard surface will not generate sparks, so it (along with beryllium copper) is used to make hammers, mallets, wrenches and other durable tools to be used in explosive atmospheres or in the presence of flammable vapors.
Indian Hindu artisans from the period of the Chola empire in Tamil Nadu, used bronze to create intricate statues via the lost wax casting method with ornate detailing depicting the deities of Hinduism mostly, but also the lifestyle of the period. The art form survives to this day, with many silpis, craftsmen, working in the areas of Swamimalai and Chennai.
In antiquity other cultures also produced works of high art using bronze. For example: in Africa, the bronze heads of the Kingdom of Benin; in Europe, Grecian bronzes typically of figures from Greek mythology; in east Asia, Chinese bronzes of the Shang and Zhou dynasty — more often ceremonial vessels but including some figurine examples. Bronze sculptures, although known for their longevity, still undergo microbial degradation; such as from certain species of yeasts.
Bronze continues into modern times as one of the materials of choice for monumental statuary.
Nearly all professional cymbals are made from bronze, which gives a desirable balance of durability and timbre. Several types of bronze are used, commonly B20 bronze, which is roughly 20% tin, 80% copper, with traces of silver, or the tougher B8 bronze which is made from 8% tin and 92% copper. As the tin content in a bell or cymbal rises, the timbre drops.
Bronze is also used for the windings of steel and nylon strings of various stringed instruments such as the double bass, piano, harpsichord, and the guitar. Bronze strings are commonly reserved on pianoforte for the lower pitch tones, as they possess a superior sustain quality to that of high-tensile steel.
Bronzes of various metallurgical properties are widely used in struck idiophones around the world, notably bells, singing bowls, gongs, cymbals and other idiophones from Asia. Examples include Tibetan singing bowls, temple bells of many sizes and shapes, gongs, Javanese gamelan and other bronze musical instruments. The earliest bronze archeological finds in Indonesia date from 1–2 BCE, including flat plates probably suspended and struck by a wooden or bone mallet. Ancient bronze drums from Thailand and Vietnam date back 2,000 years. Bronze bells from Thailand and Cambodia date back to 3,600 BCE.
Some companies are now making saxophones from phosphor bronze (3.5 to 10% tin and up to 1% phosphorus content). Bell Bronze is used to make the tone rings of many professional model banjos. The tone ring is a heavy (usually 3 lbs.) folded or arched metal ring attached to a thick wood rim, over which a skin, or most often, a plastic membrane (or head)is stretched-it is the bell bronze that gives the banjo a crisp powerful lower register and clear, bell-like treble register-especially in bluegrass music.
Bronze has been used in the manufacture of various types of medals for centuries, and are known in contemporary times for being awarded to the second-runner up in sporting competitions and other events. The later usage was in part attributed to the choices of gold, silver and bronze to represent the first three Ages of Man in Greek mythology: the Golden Age, when men lived among the gods; the Silver age, where youth lasted a hundred years; and the Bronze Age, the era of heroes, and was first adopted at the 1904 Summer Olympics. At the 1896 event, silver was awarded to winners and bronze to runners-up, while at 1900 other prizes were given, not medals.
- Bronze Age
- List of copper alloys
- Art object
- Bronze and brass ornamental work
- Bronze medal
- Bronze sculpture
- Chinese bronze inscriptions
- French Empire mantel clock
- Seagram Building
- Dezincification Resistant Brass
- UNS C69100
- Yoruba traditional art
- British Museum, "Scope Note" for "copper alloy". Britishmuseum.org. Retrieved on 2012-06-09.
- Henry and Renée Kahane, "Byzantium's Impact on the West: The Linguistic Evidence", Illinois Classical Studies 06 (2) 1981, p. 395.
- Originally M.P.E. Berthelot, "Sur le nom du bronze chez les alchimistes grecs", in Revue archéologique, 1888, pp. 294-8.
- Originally Karl Lokotsch, Etymologisches Wörterbuch der europäischen Wörter orientalischen Ursprungs. (Heidelberg: Carl Winter’s Universitätsbuchhandlung, 1927), p. 1657.
- Wolfgang Pfeifer, ed., Etymologisches Wörterbuch des Deutschen, s.v. “Bronze” (Munich: Deutscher Taschenbucher Vertrag, 2005).
- Precious Metals: Bronze Jewelry. Allaboutgemstones.com. Retrieved on 2012-06-09.
- Smithells Metals Reference Book, 8th Edition, ch. 22
- Clayton E. Cramer. What Caused The Iron Age? claytoncramer.com. December 10, 1995
- Oleg D. Sherby and Jeffrey Wadsworth. Ancient Blacksmiths, the Iron Age, Damascus Steels, and Modern Metallurgy. Tbermec 2000, Las Vegas, Nevada December 4–8, 2000. Retrieved on 2012-06-09.
- Knapp, Brian. (1996) Copper, Silver and Gold. Reed Library, Australia.
- Copper alloys. Copper.org (2010-08-25). Retrieved on 2012-06-09.
- CDA UNS Standard Designations for Wrought and Cast Copper and Copper Alloys: Introduction. Copper.org (2010-08-25). Retrieved on 2012-06-09.
- Bismuth Bronze. Southerncrossmetalrecyclers.com.au. Retrieved on 2012-06-09.
- Bronze Disease, Archaeologies of the Greek Past. Proteus.brown.edu. Retrieved on 2012-06-09.
- A. Alavudeen; N. Venkateshwaran; J. T. Winowlin Jappes (1 January 2006). A Textbook of Engineering Materials and Metallurgy. Firewall Media. pp. 136–. ISBN 978-81-7008-957-5. Retrieved 25 June 2013.
- for a translation of his inscription see the appendix in Stephanie Dalley, (2013) The Mystery of the Hanging Garden of Babylon: an elusive World Wonder traced, OUP. ISBN 978-0-19-966226-5
- Francesca Cappitelli; Claudia Sorlini (2008). "Microorganisms Attack Synthetic Polymers in Items Representing Our Cultural Heritage". Applied Environmental Microbiology 74.
- Von Falkenhausen, Lothar (1993). Suspended Music: Chime-Bells in the Culture of Bronze Age China. Berkeley and Los Angeles: University of California Press. p. 106. ISBN 978-0-520-07378-4.
- McCreight, Tim. Metals technic: a collection of techniques for metalsmiths. Brynmorgen Press, 1992. ISBN 0-9615984-3-3
- LaPlantz, David. Jewelry – Metalwork 1991 Survey: Visions – Concepts – Communication: S. LaPlantz: 1991. ISBN 0-942002-05-9
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- Bronze bells
- "Lost Wax, Found Bronze": lost-wax casting explained
- "Flash animation of the lost-wax casting process". James Peniston Sculpture. Retrieved 2008-11-03.
- Viking Bronze – Ancient and Early Medieval bronze casting