Brother (1997 film)

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For other uses, see Brat (disambiguation).
Brother
BrotherPoster.jpg
Russian poster
Directed by Aleksei Balabanov
Produced by Sergei Selyanov
Written by Aleksei Balabanov
Starring Sergei Bodrov, Jr.
Viktor Sukhorukov
Vyacheslav Butusov
Distributed by Kino International Corp.
Release dates May 17, 1997
(Cannes)
Running time 99 minutes
Country Russia
Language Russian
Budget $10,000[citation needed]

Brother (Russian: Брат, translit. Brat) is a 1997 Russian crime film directed by Aleksei Balabanov and starring Sergei Bodrov, Jr. The sequel Brother 2 was released in 2000. It was screened in the Un Certain Regard section at the 1997 Cannes Film Festival.[1]

Plot[edit]

The film begins after the protagonist, Danila Bagrov (Sergei Bodrov Jr.) returns to his small hometown following the demobilisation from the Russian Army. Yet even before he reaches home, he ends up in a fight with security guards, when he accidentally walks onto a film set. The local police release him, on the condition he finds work, and we learn that his late father, once a classmate of the precinct, became a theif in-law and died in prison. His mother, not wishing for him to share his father's fate, insists he travels to St. Petersburg to seek out his successful older brother Viktor, whom his mother is confident will help him make a living.

Danila travels to the city, yet his first attempts to make contact with Viktor are unsuccessful. Instead, he travels around the city and befriends several people from a very wide urban spectrum: Kat, an energetic drug addict, and Nemets (literally "German") Hoffman (Yury Kuznetsov), a kind, homeless man whom Danila rescues from a thug.

Unbeknownst to their mother, Viktor (Viktor Sukhorukov) is an accomplished hitman who goes under the street name Tatarin, who is is growing too independent and irritating his mob boss Krugly (literally: "Round"). His latest target is a Chechen mafia boss who was recently released from prison and who runs an open-air market. Krugly, who is unhappy with the amount of money that Viktor asked for the hit, orders his thugs to secretly watch Viktor.

Viktor thus welcomes Danila, when they finally meet up. To avoid exposure, Viktor passes his assignment to his brother, gives him money to settle into the city, and then lies to him that the Chechen has been extorting him, and asks Danila to perform the hit. Although he claims that his Army service was spent at the headquarters as a clerk, Danila carries out the task professionally. First he asks Nemets to find him a room in a communal flat in the city centre (much to the dismay of the old alcoholic landlord who threatens to shoot Nemets with his vintage hunting rifle, in revenge for World War II). He then constructs a makeshift silencer out of a plastic soda bottle, and a decoy firecracker out of a matchbox. Finally he follows the Chechen and, despite his security, takes him out without being spotted by the latter. As Danila makes his exit, Krugly's thugs spot him, and chase him. Making his escape, Danila jumps into a freight tram, and despite being wounded in his palm, manages to kill one of his pursuers.

The tram driver, a woman named Sveta, helps Danila escape. Later, despite her marriage to an abusive husband, the two begin an affair. After Danila recovers, he begins to enjoy St. Petersburg, gives his provincial image a makeover that includes buying some expensive clothing, goes to a concert with Sveta to his favourite band Nautilus Pompilius, and manages to scare her husband away from her. He meets up with Kat to go to a night club and then smokes pot in an afterparty where he taunts a French tourist, who he mistakes for an American. The night ends with him sleeping with Kat.

Krugly's loss of a thug, and that Tatarin employed a substitute to carry out the hit (i.e. Danila), aggravates him even more. He decides to draw him into a combined raid. Once again Viktor, suspecting a trap, passes the job to Danila. The two thugs raid the apartment, but their main target is away. While they wait, by coincidence, in the apartment a floor above, a house party is taking place with several well known Russian Rock stars. A young radio director mistakes the raided flat for the party flat and is almost killed by the thugs, who take him as a hostage. Vyacheslav Butusov, Nautilus Pompilius's lead singer, makes the same mistake and almost shares the same fate, but Danila instead ventures above and for a moment relaxes in a friendly music atmosphere. Realising the balance between right and wrong, he comes downstairs, and finds that the thugs have just killed their main target and are about to do the same with Stepan, the radio director. Instead, Danila kills both thugs. Once again, Nemets helps Danila by disposing of the bodies.

Krugly becomes incensed upon finding out what happened. Instead of going after Tatarin, he decides to track Danila and intercepts Sveta's tram. Later they raid her apartment, and his men beat and rape her, and learn his phone number, and thus his address. A henchman nicknamed Krot ambushes Danila near his apartment building, but luckily for Danila, the bullet hits his music player, giving him a chance to fire back and kill Krot. Realising it is not safe to stay at home, he travels to Sveta's and is shocked at her state. Initially thinking it was her husband, he is then shocked to learn who was responsible and realises the only way they could have tracked Sveta was when he returned a phone call from her home telephone to his brother.

At the same time, Krugly raids Viktor's apartment and at gunpoint makes him call Danila so that he comes to pick his payment. Realising the depth of the situation, Danila decides to end it all in one go. He goes back to the communal room that he was renting, buys the rifle from the old man, converts it into a sawn-off shotgun, and replaces the duck-hunting pellets with nail heads. At Viktor's apartment, he makes easy work of Krugly and two of his henchmen, and tells the surviving one to warn the rest of the gang that he keeps his word (not killing him) and that anyone who hurts his brother will be killed. In reply, the thug tells him that it was Viktor who turned him in.

Despite this, Danila forgives his brother, gives him some of the money from Krugly's suitcase (keeping the rest for himself) and then tells him to return home. Danila decides to go to Moscow, as St. Petersburg, to quote Viktor "is a pretty town, but provincial nonetheless". Once again he visits Sveta, intending to take her with him, but her husband has returned and is beating her. Seeing Danila, he challenges him to a fight, but before he can come closer, Danila empties a shot into his thigh. Sveta rushes to her husband and begins to treat his wound. Danila urges her to come with him, but she tells him to get out and never come back. Danila leaves her a Nautilus Pompilius CD. Danila then meets up with Nemets, converses with him about the influence of the city on its residents, saying that everyone is weak here, to which Nemets replies that the city is an evil that drains the strength from those who enter it. Before he leaves the city, he finds Kat to say goodbye. She is indifferent to his departure, but he gives her money to go to a concert.

The last scene of the film shows Danila walking out of a snow-covered forest. He hitches a ride to Moscow on a passing truck. As he chats up with the driver, the final shot is of the winter road stretching far into the wilderness.

Cast[edit]

Production crew[edit]

  • Aleksei Balabanov – director, screenwriter
  • Sergei Selyanov – producer
  • Sergei Astakhov – cinematorapher
  • Vyacheslav Butusov – composer
  • Vladimir Kartashov – production designer
  • Nadezhda Vasilyeva – costumer

Impact of the film[edit]

The film became an instant hit, and raised the fortunes of both Sergey Bodrov and director Aleksei Balabanov.[citation needed] The story's depiction revolves around the problems and attitudes of the 1990s Russia: crime, poverty (for example, as with the homeless Nemets), the disaffection of the Russian youth (as with the character Kat), and failing families (as with Sveta and her abusive husband) and of course, betrayal and hypocrisy even towards the most closest of relatives (such as Viktor first using Danila as cover, and then turning him over). All this was brought about in the aftermath of the Soviet collapse, which took place only six years prior. Yet, despite such negative connotation that it illustrates it shows there is still courage and good in the face of Danila, who is portrayed as having an acute sense of right and wrong, and appears to follow some semblance of a moral code. As such it carries a powerful psychological message to the Russian audience that even in such gloomy times there is still hope.

Literature[edit]

  • Florian Weinhold (2013), Path of Blood: The Post-Soviet Gangster, His Mistress and Their Others in Aleksei Balabanov's Genre Films, Reaverlands Books: North Charleston, SC: pp. 39–65.

References[edit]

  1. ^ "Festival de Cannes: Traveling Companion". festival-cannes.com. Retrieved 2009-09-26. 

External links[edit]