Brother Sun, Sister Moon
|Brother Sun, Sister Moon|
|Directed by||Franco Zeffirelli|
|Written by||Suso Cecchi d'Amico
|Music by||Riz Ortolani
|Edited by||Reginald Mills|
|Distributed by||Paramount Pictures (USA), Cinema International Corporation (non-U.S.A.)|
|135 /122 min.|
|Country||Italy / United Kingdom|
|Box office||$1,200,000 (US/ Canada rentals)|
Brother Sun, Sister Moon (Italian: Fratello Sole, Sorella Luna) is a 1972 film directed by Franco Zeffirelli and starring Graham Faulkner and Judi Bowker. The film is a biopic of Saint Francis of Assisi.
Francesco, the spoiled son of Pietro Bernardone, a wealthy textile merchant, returns home from fighting in the war between Assisi and Perugia. Struck by a feverish illness that has forced him to leave the war, Francesco lies on his bed tormented by visions of his past when he was a boisterous, arrogant youth. During a long recovery process, he slowly finds God in the midst of all, in poverty, chastity and obedience, experiencing a recovery not only of his body but of his soul.
Healthy again, Francesco returns to his normal life as a rich young man. However, to the consternation of his parents, he begins to spend most of his time surrounded by nature, flowers, trees, animals and poetry as he becomes more and more reluctant to resume his prior life style. Pietro's obsession with gold now fills Francesco with revulsion, creating an open confrontation between Francesco and Pietro. Francesco rebuffs offers to take over the family business and throws the textiles out of the window. Pietro, frustrated, beats Francesco and humiliates him in front of the city's Bishop and population. Francesco renounces all his worldly possessions and his "noble" family name Bernardone and leaves Assisi naked and free from his past to live an ascetic and simple life as a man of God and nature.
Francesco goes to the ruins of the chapel of San Damiano, where he hears God's voice asking him to "restore My church on earth". Much to the dismay of his family, friends and the local bishop, Francesco gradually gains a following amongst the poor and the suffering. His friend Bernardo happily joins him after returning from a Crusade that left him in sorrow and emptiness. Two other friends, Silvestro and Giocondo, admiring Francesco's new vocation, help to rebuild the chapel of San Damiano.
Clare, a beautiful young woman also from a wealthy family, serves and cares for lepers of the community. She joins the brothers in their life of poverty. Meanwhile in Assisi, the high classes of nobility, including the Bishop, protest against Francesco and his group, worried about them "corrupting" the whole of Assisi's youth and they command Francesco's friend Paolo to hinder and stop the so-called "minor brothers".
One day the rebuilt chapel is set on fire, and one of Francesco's followers is killed. Francesco blames himself but cannot understand what he has done wrong and decides to walk to the Vatican in Rome to seek answers from Pope Innocent III. In Rome, Francesco is stunned by the enormous wealth and power that surrounds the throne of St. Peter. When granted an audience with the Pope, Francesco breaks from reciting Paolo's carefully prepared script and calmly protests against pomp and worldliness, reciting the scriptures (which was not allowed) to protest that Christ's teachings are totally opposite to Rome's obsession with wealth. Francesco and his friends are expelled and finally accepting his admiration toward Francesco, Paolo decides to join them.
Apparently convinced by the sincerity of Paolo's conversion, the Pope orders Francesco and his friends to be brought back. The Pope says that in our obsession with original sin we have forgotten original innocence and to everyone's astonishment, kisses Francesco's feet and blesses him and his companions, wishing for them a long world-wide society of men and women willing to serve God in just that way. Some of the final lines from Rome (in juxtaposition to the well-established tone of the film) place the sincerity of the Pope's response in question when an unnamed observer says: "Don't be alarmed, his holiness knows what he is doing. This is the man who will speak to the poor, and bring them back to us." The film finishes with the sight of Francesco slowly walking alone into the distance in the countryside.
The film features a cast of newcomers and screen veterans:
- Graham Faulkner - Francesco di Bernardone (St Francis of Assisi)
- Judi Bowker - Clare Offreduccio
- Leigh Lawson - Bernardo di Quintavalle
- Kenneth Cranham - Paolo
- Lee Montague - Pietro di Bernardone
- Valentina Cortese - Pica di Bernardone
- Alec Guinness - Pope Innocent III
- Michael Feast - Silvestro
- Nicholas Willatt - Giocondo
- John Sharp - Bishop Guido
- Adolfo Celi - Consul
- Francesco Guerrieri - Deodato
Featuring Zeffirelli's signature lush photography, Brother Sun, Sister Moon was conceived and executed in much the same visual manner as his Academy Award-winning adaptation of Romeo and Juliet (1968). The film attempts to draw parallels between the work and philosophy of Saint Francis and the ideology that underpinned the worldwide counterculture movement of the 1960s and early '70s. The film is also known for the score composed by Riz Ortolani.
The romantic soundtrack was by Riz Ortolani with songs by the Scottish singer-songwriter Donovan, which reflected the 'flower power' mood of Zeffirelli's film and the cinematography in particular. Donovan also sang all the songs on the soundtrack itself. The composer Leonard Bernstein had originally been approached to provide a score but the plans fell through. However Bernstein used some of the planned material in his Mass. The soundtrack album mainly featured Riz Ortolani's music.