Brute Force (1947 film)

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Brute Force
Bruteforcedvd.jpg
Theatrical release lobby card
Directed by Jules Dassin
Produced by Mark Hellinger
Screenplay by Richard Brooks
Story by Robert Patterson
Starring Burt Lancaster
Hume Cronyn
Charles Bickford
Music by Miklós Rózsa
Cinematography William Daniels
Editing by Edward Curtiss
Studio Mark Hellinger Productions
Distributed by Universal Pictures
Distributors Corporation of America
(1956 re-release)
Release dates
  • June 30, 1947 (1947-06-30) (United States)
Running time 98 minutes
Country United States
Language English

Brute Force is a 1947 film noir starring Burt Lancaster, Hume Cronyn and Charles Bickford. It was directed by Jules Dassin, with a screenplay by Richard Brooks and the cinematography by William H. Daniels.[1]

The film was among several films noir made by Dassin during the postwar period. The others were Thieves' Highway, Night and the City and The Naked City.

Plot[edit]

The men in prison

The film opens on a dark, rainy morning at Westgate Prison. Prisoners crammed into a small cell watch through the window as Joe Collins (Burt Lancaster) leaves his term in solitary confinement. Joe is angry and talks about escape. The beleaguered warden is under pressure to improve discipline. His chief of security, Capt. Munsey (Hume Cronyn), is a sadist who manipulates prisoners to inform on one another and create trouble so he can inflict punishment. The often drunk prison doctor (Art Smith) warns that the prison is a powder keg and will explode if they are not careful. He denounces Munsey's approach and complains that the public and government officials fail to understand the need for rehabilitation.

Joe's attorney visits and tells Joe his wife Ruth (Ann Blyth) is not willing to have an operation for cancer unless Joe can be there with her. He takes his revenge on fellow inmate Wilson (James O'Rear), who at Munsey's instigation had planted a weapon on Joe that earned him a stay in solitary. Joe has organized the brutal attack on Wilson in the prison machine shop but provides himself with an alibi by talking with the doctor in his office while the murder occurs.

Joe presses another inmate, Gallagher (Charles Bickford), to help him escape but Gallagher has a good job at the prison newspaper and Munsey has promised him parole soon. Munsey then instigates a prisoner's suicide, giving higher authorities the opportunity to revoke all prisoner privileges and cancel parole hearings. Gallagher feels betrayed and decides to join Joe's escape plan. Joe and Gallagher plan an assault on the guard tower where they can get access to the lever that lowers a bridge that controls access to the prison.

While the escape plan is taking shape, each of the inmates in cell R17 tells a story via flashback. In every case, his love for a woman got him in trouble with the law. Munsey learns the details of the escape plan from an informer, one of the men in cell R17, and the break goes badly. The normally subdued prison yard turns into a violent and bloody riot.

Cast[edit]

Context[edit]

The direct inspiration for the unremitting desperate violence was the recent "Battle of Alcatraz" (May 2–4, 1946) in which prisoners fought a hopeless two day battle rather than surrender in the aftermath of a failed escape attempt.[2] The film has a number of brutal scenes including the crushing of a stool pigeon prisoner under a stamping machine and the beating of a prisoner bound to a chair by straps. Film writer Eddie Muller wrote that "the climax of Brute Force displayed the most harrowing violence ever seen in movie theaters."[3]

Reception[edit]

Critical response[edit]

When released, the staff at Variety magazine gave the film a positive review, writing, "A closeup on prison life and prison methods, Brute Force is a showmanly mixture of gangster melodramatics, sociological exposition, and sex...The s.a. elements are plausible and realistic, well within the bounds, but always pointing up the femme fatale. Thus Yvonne De Carlo, Ann Blyth, Ella Raines and Anita Colby are the women on the 'outside' whose machinations, wiles or charms accounted for their men being on the 'inside'...Bristling, biting dialog by Richard Brooks paints broad cameos as each character takes shape under existing prison life. Bickford is the wise and patient prison paper editor whose trusty (Levene), has greater freedom in getting 'stories' for the sheet. Cronyn is diligently hateful as the arrogant, brutal captain, with his system of stoolpigeons and bludgeoning methods."[4]

Film critic Bosley Crowther wrote, "Not having intimate knowledge of prisons or prisoners, we wouldn't know whether the average American convict is so cruelly victimized as are the principal prison inmates in Brute Force, which came to Loew's Criterion yesterday. But to judge by this 'big house' melodrama, the poor chaps who languish in our jails are miserably and viciously mistreated and their jailers are either weaklings or brutes...Brute Force is faithful to its title—even to taking law and order into its own hands. The moral is: don't go to prison; you meet such vile authorities there. And, as the doctor observes sadly, 'Nobody ever escapes.'"[5]

More recently, critic Dennis Schwartz wrote, "Jules Dassin (Rififi and Naked City) directs this hard-hitting but outdated crime drama concerned about prison conditions... The point hammered home is that the prison system reflects the values of society, as Dassin castigates society for creating and then turning a blind eye toward the brutality and insensitivity of a prison system that offers no chance for rehabilitation." [6]

Notable quotes[edit]

  • Gallagher: Those gates only open three times. When you come in, when you've served your time, or when you're dead!
  • Dr. Walters: Force does make leaders. But you forget one thing: it also destroys them.

References[edit]

  1. ^ Brute Force at the American Film Institute Catalog.
  2. ^ http://www.nfsa.gov.au/calendar/event/4120-brute-force/
  3. ^ Muller, Eddie. The Art of Noir, 271 pages; Overlook Hardcover, 2002. ISBN 1-58567-073-1.
  4. ^ Variety. Staff film review, 1947. Last accessed: March 30, 2008.
  5. ^ Crowthr, Bosley. The New York Times, film review, July 17, 1947. Last accessed: March 30, 2008.
  6. ^ Schwartz, Dennis. Ozus' World Movie Reviews, film review, October 23, 2004. Last accessed: March 30, 2008.

External links[edit]