Bryher

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Bryher (September 2, 1894 – January 28, 1983) was the pen name of the novelist, poet, memoirist, and magazine editor Annie Winifred Ellerman. She was born in September 1894 in Margate. Her father was the shipowner and financier John Ellerman, who at the time of his death in 1933, was the richest Englishman who had ever lived.[1] He lived with her mother Hannah Glover, but did not marry her until 1908.

Early life[edit]

She traveled in Europe as a child, to France, Italy and Egypt. At the age of fourteen she was enrolled in a traditional English boarding school and at around this time her mother and father married. On one of her travels, Ellerman journeyed to the Isles of Scilly off the southwestern coast of Great Britain and acquired her future pseudonym from her favourite island, Bryher.

During the 1920s, Bryher was an unconventional figure in Paris. Among her circle of friends were Ernest Hemingway, James Joyce, Gertrude Stein, Sylvia Beach and Berenice Abbott.[2] Her wealth enabled her to give financial support to struggling writers, including Joyce and Edith Sitwell. She also helped with finance for Sylvia Beach's bookshop Shakespeare and Company and certain publishing ventures, and started a film company Pool Group. She also helped provide funds to purchase a flat in Paris for the destitute Dada artist and writer Baroness Elsa von Freytag-Loringhoven.

Lifelong relationship and later life[edit]

Bryher knew from an early age that she was lesbian.[3] In 1918 she met and became involved in a lesbian relationship with poet Hilda Doolittle (better known by her initials, H.D.). The relationship was an open one, with both taking other partners. In 1921 she entered into a marriage of convenience with the American author Robert McAlmon, whom she divorced in 1927. [1]

That same year she married Kenneth Macpherson, a writer who shared her interest in film and who was at the same time H.D.'s lover. In Burier, Switzerland, overlooking Lake Geneva, the couple built a Bauhaus-style style structure that doubled as a home and film studio, which they named Kenwin. They formally adopted H.D.'s young daughter, Perdita. In 1928, H.D. became pregnant with Macpherson's child, but chose to abort the pregnancy. Bryher divorced MacPherson in 1947, she and Doolittle no longer lived together after 1946, but continued their relationship until Doolittle's death in 1961.

Filmmaking and film criticism[edit]

Bryher, H.D., and Macpherson formed the film magazine Close Up, and the Pool Group. Only one POOL film, Borderline (1930), starring H.D. and Paul Robeson, survives in its entirety. In common with the Borderline novellas, it explores extreme psychic states and their relationship to surface reality.[4] Bryher herself plays an innkeeper.[5]

Bryher's most notable non-fiction work was Film Problems of Soviet Russia (1929). In Close Up she compared Hollywood unfavorably with Soviet filmmaking, arguing that the studio system had "lowered the standards" of cinema.[6] Her writings also helped to bring Sergei Eisenstein to the attention of the British public.

World War II and after[edit]

In a 1933 article in Close up entitled "What Shall You Do in the War?", Bryher wrote about the situation of Jews in Germany, urging readers to take action. Starting that year, her home in Switzerland became a "receiving station" for refugees; she helped more than 100 people escape Nazi persecution before she was forced to flee herself in 1940[why?]. This experience influenced her 1965 "Science Fantasy" novel Visa for Avalon, about a group of people trying to escape an unnamed country for a place called Avalon on the eve of revolution.[7]

From 1940 to 1946 she lived in London with H.D. and supervised the literary magazine Life and Letters To-day. She later wrote a memoir of these years entitled The Days of Mars, as well as a novel, Beowulf (1948), set during the Blitz.

Starting in 1952, she wrote a series of historical novels. Most are set in Britain during various eras; Roman Wall (1954) and The Coin of Carthage (1963) are set in the Roman Empire; Ruan (1960) is set in a post-Arthurian Britain. They are well researched and vivid, typically set in times of turmoil and often seen from the perspective of a young man. Ruan portrays the adventures of a Druid Novice who yearns to escape the confines of his surroundings and upbringing to become a sea captain.

Acclaimed in her own time, her historical novels have now fallen out of print but used copies are readily available. Since 2000, Visa for Avalon, her early semi-autobiographical novels Development and Two Selves, her memoir The Heart to Artemis, and her historical novel The Player's Boy have been republished.

Selected works[edit]

Poetry[edit]

  • Region of Lutany (1914)
  • Arrow Music (1922)

Novels[edit]

  • Development (1920)
  • Two Selves (1923)
  • West (1925)
  • Civilians (1927)
  • Manchester (serialized, 1935-1936)
  • Beowulf (1948)
  • The Fourteenth of October (1952)
  • The Player's Boy (1953)
  • Roman Wall (1954)
  • Gate to the Sea (1958)
  • Ruan (1960)
  • The Coin of Carthage (1963)
  • Visa for Avalon (1965)
  • This January Tale (1966)
  • The Colors of Vaud (1969)

Nonfiction[edit]

  • Amy Lowell: A Critical Appreciation (1918)
  • A Picture Geography for Little Children: Part One - Asia (1925)
  • Film Problems of Soviet Russia (1929)
  • The Light-hearted Student: I German (1930 - grammar text)
  • The Heart to Artemis: a Writer's Memoirs (1963)
  • The Days of Mars: a Memoir, 1940–1946 (1972)

References[edit]

Notes
  1. ^ Rubinstein, W.D. Men of Property (2006), page 60. ISBN 1-904863-12-4
  2. ^ Van Vechten, Carl. "Extravagant Crowd". Retrieved 2009-03-23. 
  3. ^ Benstock, Shari (1986). Women of the Left Bank: Paris, 1900–1940. Texas: University of Texas Press. p. 312. ISBN 0-292-79040-6. 
  4. ^ "H.D. - Art History Online Reference and Guide". Retrieved 2009-03-23. 
  5. ^ Latimer, Tirza True (2005). Women Together / Women Apart: Portraits of Lesbian Paris. New Brunswick, NJ: Rutgers University Press. p. 36. ISBN 0-8135-3595-6. 
  6. ^ Williams, Deane (December 8, 1997). "Screening Coldicutt: Introduction". Screening the Past (2). Retrieved 2006-11-01. 
  7. ^ McCabe, Susan. "Introduction," xiii-xviii. Bryher (2004). Visa for Avalon. Ashfield, Mass.: Paris Press. ISBN 1-930464-07-X. 
Bibliography
  • H.D. (Hilda Doolittle), Bryher, and Susan Stanford Friedman (Editor). Analyzing Freud: The Letters of H.D., Bryher, and Their Circle. New Directions Publishing Corporation, 2002. ISBN 0-8112-1499-0.
  • E. D. Lloyd-Kimbrel. “Come Again? The Contexts of Bryher’s Visa for Avalon.” Topic: The Washington and Jefferson College Review (#56: Utopias and Dystopias, 2010), 49-66.
  • E. S. Wojcik. “No Compromise with the Public Taste”?: Women, Publishing, and the Cultivation of Transatlantic Modernism. Ph.D. Diss. University of Connecticut, 2011. UMI Number: 3485426.

External links[edit]