Buck and the Preacher
|Buck and the Preacher|
|Directed by||Sidney Poitier|
|Produced by||Joel Gilckman|
|Written by||Ernest Kinoy|
|Music by||Benny Carter|
|Cinematography||Alex Phillips Jr.|
|Editing by||Pembroke J. Herring|
|Distributed by||Columbia Pictures|
|Release dates||April 28, 1972 (USA)|
|Running time||102 minutes|
Buck and the Preacher is a 1972 American Western film starring Sidney Poitier as Buck and Harry Belafonte as the Preacher. Buck is a trail guide leading groups of former slaves trying to homestead in the West, immediately after the American Civil War. The Preacher is a swindling minister of the "High and Low Order of the Holiness Persuasion Church". Together, they protect a wagon train from bounty hunters.
||This article's plot summary may be too long or excessively detailed. (October 2013)|
Buck and the Preacher opens with deep rhythm and blues soundtrack reminiscent of a modern John Wayne Western that was given deep soul and harmony from the 1970s. The camera then switches scenes into a camp of African Americans who were just freed from slavery and are traveling West for a better life. Suddenly, a band of men on horseback terrorize the camp by burning wagons and tents and killing men, women and children. The leader of these white bandits, DeShay (Cameron Mitchell), is wearing an old cavalry jacket hinting at his military past.
Buck (Sydney Poitier) enter the scene and dismounts his horse about to walk up to his home. DeShay makes Buck's wife, Ruth (Ruby Dee), wave to him as if everything is all right. Buck begins to approach the house and is then engulfed in a firefight between DeShay's posse. He gets on his horse and flees the scene after being chased by the posse and stops at an apparently empty campsite that has a campfire, food and a horse. A naked man, the Preacher (Harry Belafonte), is washing at the stream below and approaches the campsite to dress, but Buck stops him and steals his horse and breakfast at gunpoint.
The Preacher dresses and takes Buck's horse to the nearest town where he grabs a drink and finds out the location of the nearby camp from an African American boy working at the general store. The Preacher is approached by DeShay and is told that any information leading to finding Buck or bringing Buck in dead or alive will be a five hundred dollar reward. The Preacher is excited about this because he has a good feeling Buck is out by the African American wagon camp the little boy spoke of earlier.
Buck returns to the camp to be told by the men that the elder wise man thinks they should continue West and not turn back. The elder is shown using animal teeth and throwing them on a towel, which the audience assumes to be a prediction of the future. Buck agrees to further helping the group when the Preacher appears and punches Buck in the face. Buck agrees to feeding the Preacher and giving his horse back, after which the Preacher must depart and leave their camp. Buck does this because he is fearful of the Preacher's motives for wanting to stay after he is caught looking at the women folk and wondering where the money was kept.
The Preacher leaves the group and stalks Buck when he leaves to make a deal with the Native Americans. The Native Americans pursue the Preacher and Buck bargains with them for protection of the wagon group. The Native Americans are portrayed as shrewd bargainers who constantly haggle for a better deal with Buck. After reaching an agreement, the Preacher has a newfound respect for Buck because of his hard work effort and desire to help the traveling freed slaves.
While the two protagonists were negotiating, DeShay and his men strike the camp again and do similar damage. The Preacher turns cheek at this point in the film and stops attempting to corner and kill Buck for the reward because of Buck's compassion towards the wagon camp. The Preacher tells Buck where DeShay and his men are quartered at and suggests an ambush.
Buck agrees to the Preacher's plan and they ambush DeShay and kill him and most of his men. The sheriff in the town pursues the two, but they make a dramatic escape on horseback. The two then decide with Buck's wife to rob the bank at the town where they murdered DeShay's men with hopes of gaining more money for the African Americans in the camp so they have a better chance of surviving the winter West. The three rob the mail office first unsuccessfully and then cross the street and rob the actual bank. The entire scene is a comedy because of the daunting risks being taken while still doing so in a relaxed manner. The sheriff returns during the robbery and chases the three money filled robbers out of town.
Buck, the Preacher and Ruth ride hard for the Indian Territory and reach it just in time. The Native Americans are formed in columns on horseback defending their boundary and do not permit entry to the sheriff and the posse. The sheriff continues the search and finds the wagon camp and decides not to attack it. One of the men in the posse suggests they attack the camp to bring out Buck, but the sheriff disagrees arguing that the African Americans did no harm.
The man kills the sheriff and orders the posse to attack. Buck approaches the wagon camp and lures the posse away to the mountains. A gunfight ensues and the Preacher is wounded, but the posse is defeated. The Native Americans who said they would not help fight Buck's battle did send several men to help and ended up being the force that turned the tide of the shootout in Buck's favor.
The movie ends with Buck, the Preacher and his wife riding happily into the prairie.
The film is set in the Kansas Territory immediately following the Civil War. Late 1860s.
Buck and the Preacher was one the first films directed by an African American and to be based on a band of African Americans fighting against the White Majority. Sidney Poitier directed the film and it was produced by Belafonte Enterprises, Columbia Pictures Corporation and E & R Productions Corp. The film was recorded in Durango, Mexico, as well as in Kenya. It was released in the United States in 1972.
Buck and the Preacher was received warmly at first because of the first time a leading black character was able to exact violent revenge on a white hegemony. Black Westerns, and Westerns in general, declined after that because 1970s audiences became indifferent to the excitement of the Wild West.
- Sidney Poitier as Buck
- Harry Belafonte as The Preacher
- Ruby Dee as Ruth
- Cameron Mitchell as Deshay
- Denny Miller as Floyd
- Nita Talbot as Madame Esther
- John Kelly as Sheriff
- Tony Brubaker as Headman
- Bobby Johnson as Man Who Is Shot
- James McEachin as Kingston
- Clarence Muse as Cudjo
- Lynn Hamilton as Sarah
- Doug Johnson as Sam
- Errol John as Joshua
- Jullie Robinson as Indian Renzi
- Canby, Vincent (1972-04-29). "Poitier Directs 'Buck and the Preacher'". New York Times. Retrieved 2008-08-07.
- Canby, Vincent (1991-02-08). "Critic's Notebook; Black Films: Imitation Of Life?". New York Times. Retrieved 2008-08-07.
- Pareles, Jon (1996-02-19). "Brownie McGhee, 80, Early Piedmont Bluesman". New York Times. Retrieved 2008-08-07.
- Goldstein, Laurence. "Mama" How Come Black Men Don't Get to Be Heroes?": Black Poets and the Movies: Invitation to a Gunfighter". The Iowa Review. Vol. 23 No. 3: 1993