Bullocks Wilshire from the street
|Location:||3050 Wilshire Blvd
Los Angeles, California, United States
|Architect:||John and Donald Parkinson|
|Architectural style:||Art Deco|
|Added to NRHP:||May 25, 1978|
The building was designed by Los Angeles architects John and Donald Parkinson; the interior design was by Eleanor Lemaire and Jock Peters of the Feil & Paradise Company; the ceiling mural of the porte-cochère was painted by Herman Sachs.
The building was completed in 1929 as a luxury department store for owner John G. Bullock (owner of the more mainstream Bullock's in Downtown Los Angeles). The exterior is notable for its 241-foot (73 m) tower whose top is sheathed in copper, tarnished green. At one time, the tower peak had a light that could be seen for miles around. Bullocks Wilshire's innovation was that it was one of the first department stores in Los Angeles to cater to the burgeoning automobile culture. It was located in a then-mostly residential district, its objective to attract shoppers who wanted a closer place to shop than Downtown Los Angeles. Traditional display windows faced the sidewalk, but they were decorated to catch the eyes of motorists. Since most customers would arrive by vehicle, the most appealing entrance was placed in the rear. Under the city's first department store porte cochere, valets in livery welcomed patrons and parked their cars.
Shoppers entered a foyer with travertine floors and elevators finished in nickel, brass, and gunmetal. Ahead on the first floor was the vaulted Perfume Hall, awash in natural light muted by walls of St. Genevieve marble. Other floors displayed clothes and accessories in low glass cases on rosewood stands or on live mannequins, to prevent hanging racks from cluttering sight lines. Upstairs showrooms and salons functioned almost as discrete boutiques. The Louis XVI Room sold designer dresses, the Directoire formal wear and later furs. Later still came the couture Chanel Room and the Irene Salon, enclave of future Hollywood costume designer Irene Lentz, reputed to be the first boutique devoted to a single designer inside a major U.S. department store. Lentz designed custom wardrobe for celebrities, leading to a career in design at major film studios, including MGM. Other departments included toys, a mezzanine Doggery for canine accessories, and the city's first leisurewear merchandise on the Playdeck. The women's shoe salon was paneled with the wood from a single Central American tree. Cork in exotic shades lined the walls in the furs atelier. The Saddle Shop featured vermillion floor tiles, wall cases of deep red oak, and a life-size plaster likeness of a horse, Bullock's Barney.
For refreshment, there was the top-floor desert-themed tearoom and the adjoining lounge where society women gathered for luncheon fashion shows. Truly elite service was reserved for the selected men invited to shop in the privacy of J.G. Bullock's wood-paneled private suite on the fifth floor. Titans of business and politics relaxed over cocktails and hors d'oeuvres as sales associates modeled potential gifts.
Clientele and notable employees 
The department store served the upper crust of Los Angeles society. In its heyday, Bullocks Wilshire patrons included Mae West, John Wayne, Marlene Dietrich, Alfred Hitchcock, Greta Garbo, ZaSu Pitts, Walt Disney and Clark Gable. While struggling to become an actress, a teen-aged Angela Lansbury worked as a sales clerk. Future First Lady Patricia Nixon also served a stint on the floor. From his studio, next to the Chanel department, Neil Gittings photographed many celebrities who frequented Bullocks Wilshire.
In the early 70's, this sub-division of Bullock's dropped its apostrophe and began opening separate branch locations so as to separate its decidedly luxury identity from its larger yet more upper-moderate/better parent. Branches were located in Palm Springs, Woodland Hills (The Promenade), Newport Beach (Fashion Island), La Jolla, Palos Verdes, and Palm Desert (formerly Bonwit Teller). Over the years, a shift by other luxury stores and boutiques to the west side of the city/county resulted in the primary Bullocks Wilshire trading area's fall, yet the main store held on as a destination until 1988, when it began its own precipitous decline, hastened under operation by its final owners, Macy's, who had acquired the chain from the Campeau Corporation. The Wilshire Boulevard store suffered severe damage during day 2 of the Los Angeles riots of 1992; looters broke in and shattered every display case on the first floor. The upper floors were not damaged because fleeing staffers shut off the elevators; the original decision to build the store without escalators may have actually saved the landmark from ruin. At least three fires were set by arsonists, but they did not spread. Bullocks Wilshire finally closed in 1993 with legal battles ensuing as Macy's stripped the store of its historic artifacts, furnishings and fixtures for other locations (bowing to pressure, almost all the 1929 fixtures were returned). Its locations had been converted around 1990 to I. Magnin, a San Francisco-based luxury chain which in turn was shuttered by Federated Department Stores in January 1995 upon its acquisition of Macy's.
Current use of building 
In 1994, the building was acquired by Southwestern Law School - its long-time neighbor. The school restored the building to its original 1929 state, adapting the building for use as an integral part of the school (adaptive reuse). A historic-cultural monument of the City of Los Angeles, on May 25, 1978 it was listed in the National Register of Historic Places as No.78000685.
The Southwestern Law School Office of Administrative Services is responsible for all arrangements pertaining to commercial photography and filming on Southwestern's campus, and works with Unreel Locations. Scenes filmed at the building include:
- A scene in The Aviator, a 2004 film with Leonard DiCaprio, was filmed near the Bullocks Wilshire entrance
- Featured in the 1996 film Dunston Checks In
- The final scene in the 1984 film Ghostbusters was filmed on top of the building
- A scene in Moonlighting (TV series) (Ep#7, "Brother, Can You Spare a Blonde?", 1985)
- Featured setting in Topper, a 1937 film starring Cary Grant
- Featured in Aerosmith's 1989 "Love in an Elevator" video
- Public Enemy's video for "By the Time I Get to Phoenix" was filmed in front of the school
- Part of the background on the set of The Tonight Show with Conan O'Brien
See also 
- National Register of Historic Places listings in Los Angeles
- List of Los Angeles Historic-Cultural Monuments in the Wilshire and Westlake areas
- Moore, Charles; Becker, Peter; Campbell, Regula (1984). The City Observed: Los Angeles; A Guide to its Architecture and Landscapes (trade paperback ed.). New York: Vintage Books, a division of Random House. p. 147. ISBN 0-394-72388-0.
- Roderick, Kevin; Lynxwiler, J. Eric. Wilshire Boulevard: Grand Concourse of Los Angeles. Angel City Press. p. 71. ISBN 1-883318-55-6.
- Roderick, p. 71
- Roderick, p. 75
- "His wife and daughters found it impossible to buy clothes for him, except for sweaters and handkerchiefs. He preferred to choose his own outfits, and every two years he went to Bullock's Wilshire in Los Angeles and bought a supply." Thomas, Bob. Walt Disney: An American Original. Disney Editions, 1994. p.226. ISBN 0-7868-6027-8
- Roderick, p. 76
Further reading 
- Davis, Margaret Leslie. A History of the Bullocks Wilshire. ISBN 0-9643119-3-3.
|Wikimedia Commons has media related to: Bullocks Wilshire|
- Southwestern's Official page about the Bullocks Wilshire building, complete with virtual tour and historic pictures
- National Register of Historic Places listing
- NRHP Nomination