|Controlled by||Provincial Gallery of Art|
The castle originated from a fortified building erected in the 13th century next to the city's walls. This first edifice was called Castelvecchio ("Old Castle"), and was the seat of the Bishopric of Trent from the 13th century onwards.
Bishop George of Liechtenstein was the first to enlarge the castle, in the late 14th century, turning it into a well-styled residence. The Castelvecchio was further modified by Johannes Hinderbach, who had the double loggiato and the Gothic entrance gate built. In the first decades of the 16th century Bishop Bernardo Clesio had a new residence, called Palazzo Magno ("Grand Palace") built in Renaissance style alongside the old castle. The last great addition was the so-called Giunta Albertiana, from the name of Bishop Francesco Alberti Poja (1686), with which the Castelvecchio and the Palazzo Magno were united
The castle remained the seat of the Prince-Bishops until 1803. Used by the Austrians as military barracks and, later, as a jail, it decayed. In the 1920s, when Trento was returned to Italy, it became seat of a National Museum and was restored. Since 1992 it is home to the Provincial Gallery of Art.
The interior halls have precious frescoes, including those in the Torre Aquila ("Eagle Tower"), which are one of the most noteworthy examples of International Gothic art in Europe: they represent the "Cycle of the Months" (15th century) and were made by an unknown artist from Bohemia. The cycle is interesting also for its accurate portrayal of the landscape, the economic activities, the habits and the fashion of Medieval Trentino. The walls of Torre del Falco (late 16th century) have frescoes with hunting scenes, also a rare example of German landscape painting in northern Italy.
The Palazzo Magno (Big Palace) section was decorated in the early 16th century by order of prince-bishop Bernardo Clesio. Dosso Dossi and his brother Battista were entrusted the decoration of the Sala Grande, Sala degli Specchi, the Camera del Camin Nero, the Stua della Farnea (the refectory), the Library and others. Girolamo Romanino frescoed, among the others, the loggia in the Lions' Court (Cortile dei Leoni) with typical Renaissance themes, such as mythological or ancient Roman episodes, as well as biblical ones, and others from daily life. He also painted a portrait of Bernardo Clesio in the Sala delle Udienze ("Audience Hall"), accompanied by those of members of the Habsburg family (for which Clesio had worked as a diplomat).
- Neri, Mauro (October 1996). "Passaggi segreti". Mille leggende del Trentino. Secondo volume: valle dell'Adige e Trentino meridionale. Trento: Panorama. pp. 53–54.
- Gorfer, Aldo (1992). I castelli di Trento (in Italian). Trento: Arti Grafiche Saturnia.
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- Official website (Italian) (English)