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Burkhanism or Ak Jang is a new religious movement that flourished among the indigenous people of Russia's Gorno Altai region (okrug) between 1904 and the 1930s. Czarist Russia was suspicious of the movement's potential to stir up native unrest and perhaps involve outside powers. The Soviet authorities ultimately suppressed it for fear of its potential to unify Siberian Turkic peoples under a common nationalism.
Originally millenarian, charismatic and anti-shamanic, the Burkhanist movement gradually lost most of these qualities—becoming increasingly routine, institutionalized (around a hierarchy of oral epic singers), and accommodating itself to the pre-existing Altaian folk religion. It exists today in several revival forms.
Origins of the name
Burkhanism is the usual English-language scholarly name. One of the Burkhanist deities is Ak-Burkhan, or "White Burkhan." Burkhan means "god" or "buddha" in Mongolic languages, yet Burkhanism is not considered Buddhist, as the term is also used in shamanistic nomenclature. For example in Mongolian Shamanism, the name of the most sacred mountain, the rumored birthplace and final resting spot of Genghis Khan, is also Burkhan Khaldun. Ak-Burkhan is only one of a pantheon of deities worshiped by Burkhanists (see list below), but Ak-Burkhan nevertheless provides the name of the religion in Russian, and thence into other languages.
The Altaian name for the religion is Ak Jang ("White Faith"). "White" refers to its emphasis on the upper world (in the three-world cosmology of the Turkic and Mongolian Tengriism). Alternatively, the name may also allude to Ak Jang's rejection of animal sacrifices in favor of offerings of horse milk or horse-milk alcohol. "Jang" means authority; faith; custom; law or principle; and canon or rules of ensemble. In more colloquial settings, the term may also be used as a "way of doing things" and is used in reference to religions as well as political systems.
In April 1904 Chet Chelpan (or, Chot Chelpanov) and his adopted daughter Chugul Sarok Chandyk reported visions of a rider dressed in white, and riding a white horse. This figure, whom they called Ak-Burkhan ("White Burkhan"), announced the imminent arrival of the mythical messianic hero Oirat Khan who was actually a real historical figure—Khoit-Oirat prince Amursana. Chet and Chugul gathered thousands of Altaians for prayer meetings, initially in the Tereng Valley. These were violently suppressed by mobs of Russians. Chet and Chugul were arrested, then released in 1906 after the faith was shown to be no threat to the czarist government.
Researcher Andrei A. Znamenski (see article below) compares the Burkanist movement to other indigenous revitalizing movements around the world, such as the Native American Ghost Dance or the Melanesian Cargo Cult. In this case, he says, the prime motivating factor was Altaians' fear of displacement by Russian colonists, Russification, and subjection to taxation and conscription on the same basis as Russian peasants.
Andrei Vinogradov (thesis linked below) sees Burkhanism as a typical nomadic Turko-Mongolian mobilization pattern—aiming to link families and clans (seok) into a steppe empire (which in this case never materialized). The Burkhanists' veneration of heroes from oral epics, he says, serves much the same cultural centralizing function as the veneration of other divine heroes such as Gesar, Manas, or Genghis Khan. As such it constitutes a major aspect of Turko-Mongolic religion, distinct from shamanism.
After the arrest of Chet and Chugul, Tyryi Akemchi arose to become the most prominent iarlikchi, and helped organize the movement. Having been exposed to Buddhism through his years as a translator in Mongolia, Tyryi added a number of Buddhist trappings to Burkhanist ritual, such as bells. Within a decade, most of the Altaian population had joined the new faith.
In 1918 Gregorii Choros-Gurkin and other Altaian leaders declared the formation of something called the "Karakorum Regional Committee" (Karakorumkaia Okruzhnaia Uprava), with the object of establishing an "Oirat Republic". This was intended to include not only Altai but also neighboring republics of Tuva and Khakassia. It was forcibly dissolved with arrival of Bolshevik power in 1921.
Burkhanism accepts the "three worlds" of Mongolic and Turkic tradition. (These are the upper, middle, and lower worlds—in other words heaven, earth, and the underworld.) However, it rejects worship of traditional deities associated with the underworld. In addition, it imports into cultic worship many figures from Altaian oral epic lore, which were not worshipped in the "shamanic" part of the Altaian religion.
Uch Kurbustan--"Uch" means "three," while "Kurbustan" comes from the Soghdian "Khormazta" (and thence from the Avestan "Ahura Mazda"). Thus, a triune God. Though imported from oral epics, Uch Kurbustan is a generalized spirit rather than a hero of stories with a personality. He may be analogous with the Turko-Mongolian High God Tengri ("Heaven").
Rather than an import from Buddhism, Christianity, or Turkic Islam, this particular trinity is likely to have been inspired by other triune gods and heroes from Turkic culture (sometimes in the form of a god with three sons). Uch Kurbustan is connected with the following three messianic heroes, also from Altaian oral epic lore:
- Oirat or Galden-Oirat--mythological ancestor of the Western Mongols. A conflation / dim historical memory of a number of real-life Western Mongolian leaders from around the seventeenth century including Galdan Tseren.
- Shunu ("Wolf")--the Altaian version of Ashina, the totemic lupine ancestor recognized by various Turkic peoples.
The gods of the upper world, or aru tos ("pure ancestors"), are considered fragments or eminations of Uch Kurbustan. Burkhanism calls these Burkhans. Among them are:
- Ak-Burkhan ("White Burkhan)--depicted as an old man with white hair, a white coat, and white headgear, who rides a white horse. Possibly analogous to the Mongolian "white old man," Tsagan Ebugen. A symbol of good fortune.
- Jajyk--a formless spirit-mediator, assists with human-divine communication. Vinogradov compares with the Holy Spirit. Altaians distinguished between an Ak-Jajyk ("White Jajyk") who carried messages to the gods of the upper world, and a Sary-Jajyk ("Yellow Jajyk") who did the same for gods of the middle world, and is identified with the hearth.
- Umai--the goddess of childbirth and children. Other Turkic lore--but not the Altaian--makes her the consort of the High God Tengri, and thus a primordial mother figure.
- Ot-ene, the "Mother of Fire"--worshipped before every sacrifice, but especially during one of the three major Burkhanist festivals
Gods of the "middle world"—i.e. the familiar spheres of nature and human affairs—include numerous local spirits, such as spirits associated with mountains (taika-eezi) or springs (arzhans), or "masters of the game". They may also be associated with particular clans (seok). More generalized ones include:
- Altai-eezi, the "Master of Altai"--a sort of genius loci, suitably adapted for an Altaian national consciousness.
- Ul'gan--a spiritual ancestor of several Altaian clans. Originally a proper name, now generalized. Some sources describe Ul'gan as the creator of the universe in Burkhanist theology; this is probably a misunderstanding.
Historically, Burkhanism rejected the traditional gods of the underworld, notably Erlik (Yerlik), its chief. This rejection is closely related to Burkhanism's rejection of Altaian shamanism, and corresponding elevation of oral epic singers (yarlikchi). (By "shaman" is here meant manjaktu kams, i.e. the "costume-wearing" specialists who communicate with the underworld gods.) Both rejections are likely to have been inspired by oral epic lore, which regularly features shamans as villains.
- Burning juniper (archyn) for blessing, purification, or healing
- Home or hilltop altars (kure or murgul), with candles and milk-offerings
- Erecting of cairns (oboo)
- Recitation / composition / patronage of oral epics
- Divination and weather-control
- Display of white and yellow ribbons or streamers (from trees or strings, or dangling from the back of one's headgear)
- Prayer while standing, with hands raised; or with prostrations
- Celebration of festivals:
- Shuten or Murgul—a semiannual (spring and fall) festival dedicated to Uch Kurbustan
- Chok or Jajyk Choktor—a fall festival dedicated to jajyks
- Ot Takyr—dedicated to Ot-Ene
Some sources speak of a list of "Twenty Commandments" for Burkhanism. The evidence for this is sparse. Alcohol and tobacco were proscribed in the early years.
Chugul came to be venerated as the main recipient of the original message. This was much less true of Chet, although both were addressed with honorific titles.
Grigorii Choros-Gurkin, a Soviet landscape artist and leader of the Karakorum Executive Committee.
(Note that the painting's title apparently gets the theology backward—it was rather White Burkhan who was the messenger for Oirat.) Followers of Agni Yoga, an esoteric movement founded by the Roerichs, have encouraged a recent revival of interest in Burkhanism among non-Altaians. At the same time they have insisted on a link with Tibetan Buddhism and a veneration of Mount Belukha, elements not found in traditional Burkhanism.
A number of Burkhanist revival organizations emerged during the 1990s, mostly as attempts to formulate or preserve an Altaian ethno-nationalist identity. To that end many of them have been persuaded to reconsider earlier Burkhanism's vexed relationship with shamanism and / or Buddhism. A list of movements follows, with the name of a founder or leading supporter in parenthesis. For more information see Agniezka Halemba's article (linked below).
- Ak Jang (Altaichy Sanashkin)
- Ak Sanaa (Dzhana Alekseeva)
- Teneri (Nina Antonova and Danil Mamyev)
- Ak Suus (Nikolai Shodoev)
- Ak Jang (Sergei Kysnev)
- Agaru Jan (no single leader)
- Andrei Znamenski, "Power of Myth"
- David Johnson, "What Was and Is Burkhanism?"
- Andrei Vinogradov, "Ak Jang in the Context of Altai Religious Tradition"
- Agniezka Halemba, "Contemporary Religious Life in the Republic of Altai"
- Nikolai Shadoev, "Altai Biliks about the sky and Burkhans"
- Reinhold Neumann-Hoditz; Dschingis Khan, published by Rowohlt Verlag GmbH; trans. 2005 by Piet de Moor, ISBN 90-5466-910-1
- Agnieszka Helmba, 2003. "Contemporary Religious life in the republic of Altai: The Interaction of Buddhism and Shamanism", Sibirica 3(2):165-182, p.4
- Andrei A. Znamenski. "Power for the Powerless : Oirot/Amursana Prophecy in Altai and Western Mongolia, 1890s-1920s". Millénarismes et innovation rituelle en Asie du Nord. revues.org. Retrieved 19 August 2014.