Burning Chrome

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"Burning Chrome"
Burning chrome.JPG
Burning Chrome Cover Art
Author William Gibson
Language English
Genre(s) Cyberpunk
Published in Omni, Burning Chrome
Publication date July 1982
Preceded by "The Belonging Kind"
Followed by "Red Star, Winter Orbit"

"Burning Chrome" is a short story, written by William Gibson and first published in Omni in July 1982. Gibson first read the story at a science fiction convention in Denver, Colorado in the autumn of 1981, to an audience of four people, among them Bruce Sterling (who Gibson later said "completely got it").[1] It was nominated for a Nebula Award in 1983[2] and collected with the rest of Gibson's early short fiction in a 1986 volume of the same name.


"Burning Chrome" tells the story of two hackers who hack systems for profit. The two main characters are Bobby Quine who specializes in software and Automatic Jack whose field is hardware. A third character in the story is Rikki, a girl with whom Bobby becomes infatuated and for whom he wants to become wealthy. Automatic Jack acquires a piece of Russian hacking software that is very sophisticated and hard to trace. The rest of the story unfolds with Bobby deciding to break into the system of a notorious and vicious criminal called Chrome, who handles money transfers for organized crime, and Automatic Jack reluctantly agreeing to help. The break-in is ultimately successful, but Rikki decides to leave the group and go to Hollywood, to the grief of Quine and Jack who have grown to love her.

Connection to other works[edit]

The story was the first of Gibson's to be set in the Sprawl, and functioned as a conceptual prototype for Gibson's Sprawl trilogy of novels.[3]

Bobby Quine is mentioned in Neuromancer as one of the mentors of the protagonist. The Finn, a recurring character in Gibson's Sprawl trilogy of novels, makes his first appearance in this story as a minor figure. The events of the story are referenced in Count Zero, the second entry of the Sprawl trilogy.

Reception and impact[edit]

The word "cyberspace", coined by Gibson, was first used in this story, in reference to the "mass consensual hallucination" in computer networks.[4]

One line from the story — "...the street finds its own uses for things" — has become a widely-quoted aphorism for describing the sometimes unexpected uses to which users can put technologies (for example, hip-hop DJs' reinvention of the turntable, which transformed turntables from a medium of playback into one of production).

Gibson wrote a screenplay for a film adaptation to be directed by Kathryn Bigelow, but the project did not come to fruition.[5]


  1. ^ Mark Neale (director), William Gibson (subject) (2000). No Maps for These Territories (Documentary). Docurama. 
  2. ^ The Locus Index to SF Awards. Archived 31 January 2011 at WebCite
  3. ^ Wills, David (1995). Prosthesis. Stanford: Stanford University Press. p. 83. ISBN 978-0-8047-2459-3. 
  4. ^ Prucher, Jeff (2007). Brave New Words: The Oxford Dictionary of Science Fiction. Oxford University Press. p. 31. ISBN 978-0-19-530567-8. OCLC 76074298. 
  5. ^ Gibson, William (May 1994). Interview with Giuseppe Salza. Cannes http://www.gutenberg.org/etext/235. Retrieved 2007-10-28.  Missing or empty |title= (help) Archived 31 January 2011 at WebCite

External links[edit]