Burning Witch

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Burning Witch
Origin Seattle, Washington, United States
Genres Doom metal
Sludge metal
Drone metal
Years active 1995–1998
Labels Southern Lord Records
Hydra Head Records
Slap-a-Ham Records
Merciless Records
Associated acts Thorr's Hammer
Goatsnake
Sunn O)))
Teeth of Lions Rule the Divine
Asva
Past members Stephen O'Malley
Greg Anderson
George Stuart Dahlquist
Edgy 59
Jamie Sykes
B.R.A.D

Burning Witch was an American doom metal band from Seattle, Washington, active between 1995 and 1998.

History[edit]

Burning Witch formed on Capitol Hill, Seattle in early 1995. After the breakup of the doom/death band Thorr's Hammer in 1995, Stephen O'Malley, Greg Anderson and Jamie Sykes formed Burning Witch. The band then added G. Stuart Dahlquist and vocalist Edgy 59, rounding out their lineup. Anderson left the band before they had recorded any real Burning Witch songs to start the band Goatsnake.

In 1996, the band in this incarnation recorded songs with renowned indie producer Steve Albini, which would become the Towers... EP. This collection would actually not see a formal release until 1998 on Slap A Ham Records. After the sessions for these songs, Sykes left the band and was replaced by B.R.A.D.

The sessions that followed the Albini recordings resulted in the Rift.Canyon.Dreams EP, which would prove to be the final recordings by the band, as they broke up soon after the disc was completed. It was released on Merciless Records, but like its predecessor, did not receive much attention outside its scene.[1]

Post-breakup[edit]

Crippled Lucifer, a compilation CD of the two EPs, was released soon after on Southern Lord Records, the label founded by Anderson and O'Malley. Burning Witch performed their last shows in the fall of 1998 after which Edgy 59 left for Sinisstar, O'Malley reunited with Anderson to form Sunn O))), and Dahlquist joined Anderson in Goatsnake. Currently, O'Malley is in various projects including Sunn O))). Dahlquist and B.R.A.D are in Asva, and Edgy 59 has a project also with G. Stuart Dahlquist called The Poisoned Glass.

Sound[edit]

"Country Doctor" by Burning Witch, taken from the album Crippled Lucifer (1998)

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Most of the music of Burning Witch is very slow and heavy with the drums slowly plodding along with the bass and guitar playing minimalist riffs. Emphasis is usually put on spaces between notes, allowing the bass and guitar to resonate before proceeding to the next note. There are occasional bursts of feedback and noise from O'Malley, but for the most part the guitar and bass follow each other. One of the qualities of Burning Witch is Edgy 59's vocals which alter between a nasal and melodic singing voice to a brutal, tortured, and demented scream or shriek.

There are noticeable differences between the songs on Towers... and Rift. Canyon.Dreams with Towers... being more intense and aggressive and Rift.Canyon.Dreams being more morose and brooding.

The Crippled Lucifer compilation contains all but one song from their two LPs. The Goatsnake / Burning Witch split contains two songs, one from each of the LP recording sessions (and the one omitted from Crippled Lucifer), and the Asva / Burning Witch split contains the song "Rift. Canyon.Dreams".

A lot of terms have been used to describe Burning Witch's highly untraditional sound. Among these are "suicide doom", "transdimensional drone doom", "true blackened doom", and "molasses sludge". Stephen O'Malley has said these descriptions are "ridiculous", insisting Burning Witch is just slow and heavy doom with unique vocals. There is a natural progression in the sound of Burning Witch to the pair's later project Sunn O))), especially on Black One. Comparisons can also be made to O'Malley's later project Khanate.

Discography[edit]

References[edit]

External links[edit]