Butterfly Lovers' Violin Concerto

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The Butterfly Lovers' Violin Concerto (simplified Chinese: 梁祝小提琴协奏曲; traditional Chinese: 梁祝小提琴協奏曲) is one of the most famous modern works of Chinese music. It is an orchestral adaptation of an ancient legend, the Butterfly Lovers. Written for the western style orchestra, it features a solo violin played using some Chinese techniques.

The Butterfly Lovers' Violin Concerto is written in traditional 5-note technique (pentatonic scale), it uses many Chinese melodies, chord structures and patterns. This gives the piece a distinctive "Chinese" sound, though it uses tonal harmonies.

The Butterfly Lovers' Violin Concerto was written in 1959 by two Chinese composers, Chen Gang (陈钢, born 1935) and He Zhanhao (何占豪, born 1933), while they were students at the Shanghai Conservatory of Music.[1] The music did not attain popularity before the late 1970s, when China loosened its restrictions after the Cultural Revolution. Once released from censorship, it became an embodiment of China in transition. The work is a common feature in figure skating and in concert halls worldwide. This concerto is now often performed with Chinese instruments playing the violin part, the most common being Erhu, Pipa and Liuqin. In such cases the soloist is often accompanied by an orchestra consisting of Chinese instruments.

He Zhanhao is more widely credited for the composition of the concerto. However, his main contribution was the famous opening theme while most of the development was in fact written by Chen Gang. This was revealed in an exclusive interview with the latter.

The 1959 premiere of the Butterfly Lovers' Violin Concerto featured 18-year violinist Yu Lina and took place in Shanghai as part of the celebration of the 10th anniversary year of the founding of the People's Republic of China. It was first recorded in 1959 with soloist Shen Rong on violin and the Symphony Orchestra of Shanghai Music Conservatory conducted by Fan Cheng-wu.

Story and Musical Elements[edit]

The concerto is in one movement, but is broken into distinct sections. Each tells a different part of the story of the Butterfly Lovers. Some of the melodies come from the Chinese Opera of the same name or from traditional Chinese folk songs. The solo violin of the concerto is symbolic of Zhu Yingtai, the story's protagonist, and the cello part is symbolic of Liang Shanbo, her lover.

The concerto begins with two fifths in D by the harp, after which a solo flute opens with a flowery melody, setting the scene of the story. A solo oboe enters with the strings in G major, after which the solo violinist enters and begins a simple melody. This melody comes from a Chinese folk song of the Yellow River (Huanghe), and tells the story of Zhu Yingtai's childhood. The solo violin is accompanied by a harp and other elements of the orchestra. On the road to Hangzhou for her studies, Zhu (disguised as a man) meets Liang for the first time; a cello solo intertwines with the violin, bringing a new, but still melodious theme and modulating to D major. As the cello exits, the orchestral tutti plays the same melody of the solo violin, with occasional violin entrances in between. As the first buds of love begin to blossom, a short violin cadenza using mostly the G-pentatonic scale expresses Zhu's joy of her and Liang's oath of fraternity.

The orchestra begins the next section in E major, the violin entering with a fast and jovial melody, representing Zhu and Liang's busy three years of school. Many examples of violin technique are represented, namely spiccato, quick shifts in high positions, and even riccochet bowing. When Zhu must return home following her father's instruction, Zhu invites Liang to visit her family and to court her sister. He doesn't know that Zhu is really inviting him to marry her. Liang promises to see Zhu again, but Liang waits before doing so. When Liang arrives, he sees Zhu and realizes that she is a woman, and they fall in love. The solo violin and cello parts play a sad duet that is the most famous and powerful of the work.

The love duet between the two is replaced by anger as Liang learns that in his absence, Zhu has been betrothed to another. The two solo parts contrast the rest of the orchestra. Several melodies are used in this section, the orchestra plays loud and accented chords in between the softer cello and violin parts and the parts are often intertwined. Liang becomes sick and dies as the music replays the duet of their love. Zhu and the orchestra continue to play their contrasting parts. The section ends with the suicide of Zhu Yingtai as the solo violin plays an overarching high note. The lovers' parts are overcome by a final orchestral section. In the legend, Liang's grave opens and Zhu throws herself into the chasm. The Concerto ends bittersweetly, portraying the lovers' transformation into butterflies, never to be separated again.

Instrumentation[edit]

Solo violin

2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 3 percussion instruments (gu ban, cymbal, tam-tam), harp, piano, with strings

References[edit]

  1. ^ "Seen and Heard International Concert Review". 

External links[edit]

Historical Recordings