Byrne: A Novel
Composed mostly in the same ottava rima stanzas that Byron used for his Don Juan, the story follows the fortunes of Michael Byrne, an Irishman with Spanish blood in him, as a result of Spanish survivors of the war between England's Royal Navy and the Spanish Armada settling in Ireland and breeding with the Irish in the 16th century.
- He thought he was a kind of living myth
- And hence deserving of ottima rima,
- The scheme that Ariosto juggled with,
- Apt for a lecherous defective dreamer.
- He'd have preferred a stronger-muscled smith,
- Anvilling rhymes amid poetic steam, a
- Sort of Lord Byron. Byron was long dead.
- This poetaster had to do instead.
A painter and composer whose career is never as spectacular as his ambitions, and a determined womanizer who fathers children across the globe, Byrne becomes a servant of the Nazi regime in 1930s Germany.
- A heavy task, but there was light relief
- In the Germanic ambience, boisterous, brash,
- Torchlit parades and pogroms, guttural grief
- In emigration queues, the smash and crash
- Of pawnshop windows by insentient beef
- In uniform, the gush of beer, the splash
- Of schnapps, the joy of being drunk and Aryan,
- Though Hitler was a teetotalitarian.
Eventually he vanishes, presumed dead in Africa. But years later, his twin sons, now middle-aged, one a doubting priest, the other suffering from a debilitating disease, receive from Byrne, who is still alive, an invitation to London, where he will read his last will and testament.
- Birch, Dinah, ed. (2011), "Burgess, Anthony", The Oxford Companion to English Literature (online ed.), Oxford University Press, retrieved 20 June 2011
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