C. Cameron Macauley
|Charles Cameron Macauley|
October 20, 1923|
Grand Rapids, Michigan
|Died||May 17, 2007
El Cerrito, California
|Education||University of Wisconsin, MFA (Creative Photography), 1958|
|Notable work(s)||Baboon Ecology (1962)
Baboon Social Organization (1963)
|Awards||American Indian Film Festival Blue Ribbon Award
Columbus International Film & Video Festival Award
Berlin International Film Festival Award
Charles Cameron Macauley (October 20, 1923 – May 17, 2007) was a photographer, filmmaker and educator noted for his prize winning still photographs, his ethnographic films and his expertise on historic films and photographs. His career spanned over 75 years.
Charles Cameron Macauley was born on October 20, 1923 in Grand Rapids, Michigan. He was the younger brother of the noted editor and novelist Robie Macauley. Both boys took an interest in photography, and at the age of ten Macauley purchased his first Norton camera, a prototype of the highly successful Univex Model A, which sold for 39 cents and was among the first inexpensive cameras marketed for the general public.
Macauley entered Kenyon College in Gambier, Ohio in 1942 and in December hitchhiked to New York to meet Alfred Stieglitz. Although Stieglitz refused to comment on Macauley’s photographs, he permitted the young man to photograph him reclining on a couch.
Macauley returned to Kenyon and enlisted in the Navy in 1943. He completed a 4-month course at the U.S. Naval Photographic School at NAS Pensacola, Florida and then a graduate course in photolithography at the Naval Photographic Science Laboratory in Anacostia, Washington, D.C.. He was assigned to a Photographic Squadron which made mosaic maps of all coastlines in the Western Hemisphere including Greenland. During the war Macauley completed courses in photogrammetry, operational mapping, and hydrography. He later served on board the USS Tangier in the South China Sea.
Macauley returned to Kenyon College in 1946 and graduated in 1949 with a B.A. in English. As a student during the summer of 1947, accredited as a foreign correspondent, he traveled through Central America and photographed the events of Costa Rican Civil War. He went on to study at the California School of Fine Arts (now the San Francisco Art Institute) under Minor White. He was employed as an instructor at the University of Wisconsin from 1952 to 1957 and completed his MFA in Creative Photography there in 1958. During this period he worked with Dorothea Lange, Ansel Adams, Man Ray, Imogen Cunningham, Lisette Model, Edward Weston and Edward Steichen.
Macauley became interested in anthropological, primatological, archeological and ethnographic films and from 1956 to 1964 was involved with William Heick in the American Indian Film Project, a project to document Native American cultures through film and sound recordings. Macauley worked closely with Alfred Kroeber and Samuel Barrett, writing scripts, filming and recording, and editing many of the 105 films produced during the project, using 16mm color Ektachrome footage.
In 1983 he stepped down from this position to found his own media appraisal group, Media Appraisal Consultants. In 1996 he was contracted by the JFK Presidential Library to appraise a series of documentary films which Ernest Hemingway co-produced, narrated and appeared in.
In 1997 Macauley was appointed by the United States Department of Justice to appraise the Zapruder film of the assassination of President John F. Kennedy. Macauley and other film experts contracted by the US Government assessed the film's value at $750,000. Following arbitration with the Zapruder heirs, the government purchased the film in 1999 for $16 million.
During his career Macauley participated as an awards juror in 85 national and international film festivals and was scriptwriter/cinematographer for 33 films, producer/director of 8 films, and production manager or film animator for 9 films.
He died in California on May 17, 2007.
During the 1940s Macauley took photographs of Ansel Adams, Anthony Hecht, Arthur Koestler, Dorothea Lange, Robert Lowell, Flannery O'Connor, Mamaine Paget, John Crowe Ransom, Peter Taylor, Eleanor Ross Taylor, Dody Weston Thompson, Brett Weston, and Edward Weston. He is also known for a series of portraits he produced mostly in the 1950s, including photographs of Jack Benny, Aldous Huxley, Frank Lloyd Wright, Count Basie, Buster Keaton and John Houseman.
- C. Cameron Macauley, "Ingrid Bergman: An Intimate Portrait by Joseph Henry Steele," (review); Film Quarterly, Vol. 12, No. 4 (Summer, 1959), pp. 58-60.
- C. Cameron Macauley
- Heick – Macauley Photo Show, Jan 14th, 2006.
- Hammond, A., Ansel Adams: Divine performance. New Haven: Yale University Press, 2002, p. X.
- Weber, Linda, "C. Cameron Macauley," Black & White Magazine, Oct 2002, p. 76.
- Basketry of the Pomo
- Baboon Ecology
- Baboon Social Organization
- Program in Ethnographic Film Newsletter, Vol 3, No. 3, Spring 1972, p. 16.
- The Fishing Voyage of the Good Ship Anita.
- Robert S. Bennett, In the Ring: The Trials of a Washington Lawyer, Three Rivers Press, 2009, pp. 281-87. ISBN 978-0-307-39444-6
- "Figurehead Gallery," Cameron Macauley
- Reproduced in Ian Hamilton, Robert Lowell: A Biography, Faber Faber Inc; First UK edition, May 1983. ISBN 978-0-571-13045-0
- Cameron Macauley, 7 Portraits of Photographers at Wildcat Hill, 1949
- Exhibited at "Faces and Figures of the Twentieth Century" at California State University, Chico, and Prague, Czech Republic, 2000-2001. 
- "Faces and Figures of the Twentieth Century," Prague, 2000-2001.
- Historical Photographs: C. Cameron Macauley and William R. Heick
- The Golden Decade: Photography at the California School of Fine Arts, 1945-55; Selected photographs from The Golden Decade..
- Film Study: A Guide to Film Analysis and Appreciation by C. Cameron Macauley (1957).
- Women's Film: A New Category in EMC Films, 1973-1974, by C. Cameron Macauley (1973).
- "Leslie W. Boyer, James F. Guinane, Charles C. Macauley: Our Final Salutes," by Guy Miller, The Fossil, Volume 104, Number 1, Whole Number 334, Glenview, Illinois, October 2007.
- C. Cameron Macauley
- Karel Reisz, Gavin Millar, C. Cameron Macauley, "The Technique of Film Editing," Film Quarterly, April 1969, Vol. 22, No. 3, Pages 50–55 , DOI 10.1525/fq.1969.22.3.04a00130; Posted online on August 9, 2007.
- C. Cameron Macauley: San Francisco Photographs
- George Snyder, "Photographer Captures Spirit Of Indian Life," San Francisco Chronicle, Friday, October 30, 1998, p. EB-1.