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The cadejo (Spanish pronunciation: [kaˈðexo]) is a character from Salvadoran, Belizean, Nicaraguan, Costa Rican, Honduran, Guatemalan and southern Mexican folklore. There is a good white cadejo and an evil black cadejo. Both are spirits that appear at night to travelers: the white to protect them from harm during their journey, the black (sometimes an incarnation of the devil), to kill them. The colors of the Cadejo are sometimes exchanged according to local tradition. In some places the black cadejo is seen as the good one and the white cadejo the evil one. They usually appear in the form of a large (up to the size of a cow), shaggy dog with burning red eyes and a goat's hooves, although in some areas they have more bull-like characteristics. According to the stories, many have tried to kill the black cadejo but have failed and perished. Also it is said that if a cadejo is killed, it will smell terrible for several days, and then its body will disappear. Some Guatemalan folklore also tells of a cadejo that guards drunks against anyone who tries to rob or hurt them. When the cadejo is near, it is said to bring about a strong goat-like smell. Most people say never to turn your back to the creature because otherwise you will go crazy. Speaking to the Cadejo will also induce insanity.
In popular etymology, the name cadejo is thought to have derived from the Spanish word "cadena", meaning "chain"; the cadejo is at times represented as dragging a chain behind him. There is a fairly large member of the weasel family, the tayra, which in common speech is called a cadejo and is cited as a possible source of the legend.
It ranges in many sizes according to different tales in various regions. It lurks in graveyards and dark alleys, waiting to attack a passing victim. It has a distinctive smell of concentrated urine and burning sulphur. It rattles with a jerking motion contracting its pharynx. Its gaze freezes anyone who makes eye contact. It glitters in the pitch dark with skin and short hair, similar to that of a pig.
There are three types of black cadejos:
The first is the devil himself in the form of a large, wounded dog with hoofed feet that are bound with red-hot chains. It is said that not even the white cadejo is able to completely stop him. Unlike the regular black cadejo it is not likely to pursue and attack a passing human, as it is a scout - the eyes of evil. Instead, anyone who spots him will have a sad event. In the short story "Leyenda del Cadejo" ("Legend of the Cadejo") by Nobel Prize laureate Miguel Ángel Asturias, this variety of cadejo terrorizes a young abbess and robs her of her braid.
The second type of cadejo is the regular cadejo, the mysterious evil dog. It kills and savagely tears through its victim. First it demoralizes him with a series of sounds and other signs that it is nearby. Then, after the victim is scared, it leaps forward, and will kill him if the white cadejo is not near.
The final, and least powerful type of black cadejo is the offspring of a normal dog and the "regular" cadejo. It is a mortal hybrid and can (with difficulty) be killed by a strong man (bearing in mind that most men in those regions only carry a machete for protection). Once dead, it will completely rot in a matter of seconds, leaving behind a stain of evil, on which grass and moss will never grow again. This cadejo will never bite its victim. Instead, he kicks and pecks them with his snout. After this happens, people say "Lo jugó el cadejo" which means "he\she was handled by the cadejo". The victim goes mad. This term is sometimes applied to people that are born with a mental illness.
A fairly popular version of the legend in El Salvador talks about two brothers who walk into the house of a black magician. During a storm, he asks the boys to help him with some logs for a fire. Both boys slack on the job but eat the man's food. Once he finds out the little bit of food he had is missing and that there is not enough wood for his fire, he puts a curse on the road that leads to the boys' village. Voices bother the boys and when they turn their backs on the voices they get turned into creatures: a white Cadejo and a black one. After going back to their village in their cursed form they get kicked out and have no choice but to wander.
In the early 1900s, Juan Carlos was a guardian who lived in a thatched house near Los Arcos, in the country fields near La Aurora in Guatemala. He worked near Parroquia Vieja and arrived to his house at midnight. Almost all the time, his wife and small children spend the whole day alone, in the middle of the fields. Juan found a white dog when he arrived at his house one day. When the dog saw he was coming, he would shake, turn around and disappear. Juan always tried to follow him, but he could never reach the dog. One day, when he arrived, the white dog never moved, and when he approached the dog, it did not make a single sound. But then Juan touched his paw, and all of a sudden it opened his eyes. Juan was scared; the dog said, 'you do not need my help anymore'. Frightened, Juan exclaimed,'what help'? And the dog said, in pain, 'I am a dog sent from above. My mission was to protect you from any danger. But you had showed me you do not need my help anymore.' Right after that, the white dog closed his eyes. Juan buried him, and every time he came home, he remembered the white dog.
El Cadejo portrayed in art
The Guatemalan born artist, Carlos Loarca, born in 1937, was a painter known for utilizing El Cadejo as a main motif in his paintings.
As a child, Loarca was told the legend, and he believed that El Cadejo protected his father, as he always came home from safely from the cantina. As an adult, Loarca felt the protecting spirit, and helped him break his own alcohol habit. El Cadejo first appeared in his paintings in the 1970s, and still is brought into reality through his paintings. Loarca states the "dog" has been a companion, guide, and has grown old with him.
- Burchell, Simon (2007) Phantom Black Dogs in Latin America, Heart of Albion Press