|Other names||Lira Calabrese, Lira|
|Classification||Necked bowl lutes|
(Necked bowl lute sounded by a bow)
The lira of Calabria is a bowed string instrument with three strings. Like most bowed liras, it is played upright, usually supported on the knee, held with the left hand touching the strings with the nails laterally while the right hand moves the bow. The repertory of the lira includes accompaniment songs (e.g. serenades and songs of anger) and songs suitable for dancing (tarantellas). The repertory of this traditional instrument is known only through records of older players, or people who have known them. On the other hand, in recent years an increased interest around this instrument has led to its use by music groups of traditional music and to the appearance of new manufacturers in different parts of Calabria.
The Calabrian lira is closely related to the bowed lira (Greek: λύρα) of the Byzantine Empire. The Persian geographer of the 9th century Ibn Khurradadhbih (died 911) was the first to cite the Byzantine lira, as a typical bowed instrument of the Byzantines (Margaret J. Kartomi, 1990). Similar bowed instruments descendants of the Byzantine lira have continued to be played in many post-Byzantine regions until the present day with small changes: the gadulka in Bulgaria, the lyra of Crete and the Dodecanese in Greece, and the classical kemenche (Turkish:Armudî kemençe, Greek:Πολίτικη Λύρα ~ Politiki lira) in Turkey. The Byzantine lira spread westward to Europe, with uncertain evolution; authors in the 11th and 12th centuries use the words fiddle and lira interchangeably (Encyclopædia Britannica. 2009).
Antonino Fusca, from Ciano di Gerocarne, Calabria (Italy), was born on January 17, 1962. A mason by trade, Antonino became very passionate about the "Lira Calabrese," or Calabrian Lira. After studying the construction technique as well as the various models and designs, Antonino was able to create many Calabrian Liras using the "old-fashion" technique, carving the wood by hand using chisels. Today, Antonino continues to make Calabrian Liras in hopes of making this instrument known throughout Italy and the United States. https://www.facebook.com/liracalabreseus
- Margaret J. Kartomi: On Concepts and Classifications of Musical Instruments. Chicago Studies in Ethnomusicology, University of Chicago Press, 1990
- La lira calabrese, supplemento a Calabria, Catanzaro, maggio 1987, quaderno n. 2, anno XV, n. 25.
- libricino del cd La lira in Calabria - RLS 002 - Coop. "R.L.S.", Catanzaro, 1994.
- La lira, di Goffredo Plastino, Edizioni Monteleone (VV).
- "lira." Encyclopædia Britannica. 2009. Encyclopædia Britannica Online. 28 February 2009