Caligula (film)

From Wikipedia, the free encyclopedia
  (Redirected from Caligula (movie))
Jump to: navigation, search
Caligula

US release poster
Directed by Tinto Brass
(later disowned)
Giancarlo Lui
Bob Guccione
(Additional scenes)
Produced by Bob Guccione
Franco Rossellini
Written by Gore Vidal (Disowned)
Malcolm McDowell
Massolino D'Amico
Tinto Brass
Ted Whitehead (Uncredited)
Starring Malcolm McDowell
John Gielgud
Peter O'Toole
Helen Mirren
Teresa Ann Savoy
Music by Sergei Prokofiev
Aram Khachaturyan
Paul Clemente
Cinematography Silvano Ippoliti
Editing by Nino Baragli
Enzo Micarelli (1984)
Russell Lloyd (Uncredited)
Studio Penthouse
Distributed by Produzioni Atlas Consorziate (Italy)
Analysis Film Releasing (US)
Release date(s) August 14, 1979 (1979-08-14) (Italy)
February 1, 1980 (1980-02-01) (United States)
Running time See alternate versions
Country Italy
United States
Language Italian
English
Budget $17.5 million (Initial)
$22 million (Final)
Box office $23,438,120 (US)

Caligula is a 1979 US-produced Italian biographical film directed by Tinto Brass, with additional scenes filmed by Giancarlo Lui and Penthouse founder Bob Guccione. The film concerns the rise and fall of Roman Emperor Gaius Caesar Germanicus, better known as Caligula. Caligula was written by Gore Vidal and co-financed by Penthouse magazine, and produced by Guccione and Franco Rossellini. It stars Malcolm McDowell as the Emperor.

Caligula was the first major motion picture to feature eminent film actors (John Gielgud, Peter O'Toole, Malcolm McDowell, Helen Mirren) in a film with explicit sex scenes.[1]

Contents

[edit] Plot

Caligula (Malcolm McDowell), the young heir to the throne of the syphilis-ridden, half-mad Emperor Tiberius (Peter O'Toole), thinks he has received a bad omen after a blackbird flies into his room early one morning. Shortly afterward, Macro (Guido Mannari), the head of the Praetorian Guards, appears to tell the young man that his great uncle (Tiberius) demands that he report at once to the Island of Capri, where he has been residing for a number of years with close friend Nerva (John Gielgud), Claudius (Giancaro Badessi), a dim-witted relative, and Caligula's younger stepbrother, Gemellus (Bruno Brive), Tiberius' favorite. Fearing assassination, Caligula is afraid to leave, but his beloved sister Drusilla (Teresa Ann Savoy) convinces him to go.

At Capri, Caligula finds his uncle has become depraved, showing signs of advanced venereal diseases, and embittered with Rome and politics. Tiberius enjoys watching degrading sexual shows, often including children and various freaks of nature. Caligula observes with a mixture of fascination and horror. Tensions rise when Tiberius jokingly tries to poison Caligula in front of Gemellus. After Nerva commits suicide on the prospect of Caligula's rule, Tiberius collapses from a stroke, leaving Macro and Caligula planning a way to hasten the latter's ascent to the throne.

Late one night, Macro escorts all the spectators out of Tiberius' bedchamber to allow Caligula the opportunity to murder his uncle, but when he fails, Macro finishes the deed himself by strangling Tiberius with a scarf. Caligula triumphantly removes the imperial signet from Tiberius' finger and suddenly realizes that Gemellus has witnessed the murder. Tiberius is buried with honours and Caligula is proclaimed the new Emperor, who in turn proclaims Drusilla his equal, to the apparent disgust of the senate. Afterwards, Drusilla, fearful of Macro's influence, convinces Caligula to get rid of him. Caligula obliges by setting up a mock trial, in which Gemellus is intimidated into testifying that Macro alone murdered Tiberius. With the powerful Macro gone, Caligula appoints Tiberius's former adviser Longinus (John Steiner) as his right-hand man, and pronounces the docile Senator Chaerea (Paolo Bonacelli) as the new head of the Praetorian Guard. Drusilla endeavours to find Caligula a wife amongst the priestesses of the goddess Isis, the mystery cult they secretly practice. Caligula only wants to marry Drusilla, but when she refuses because she is actually his sister, he spitefully marries Caesonia (Helen Mirren), a known courtesan, but only after she bears him an heir.

Caligula proves to be a popular, yet eccentric ruler, cutting taxes and overturning all the oppressive laws that Tiberius enacted. The senate begins to dislike the young emperor for his eccentricities and various insults directed towards them. Darker aspects of his personality begin to emerge as well; he rapes a bride and groom on their wedding day because of a minor fit of jealousy and orders the execution of Gemellus merely to provoke a reaction from Drusilla.

After he discovers Caesonia is pregnant, Caligula suffers severe fever, but Drusilla nurses him back to health. Right after he fully recovers, Caesonia bears Caligula a daughter, Julia Drusilla, and Caligula marries her on the spot. During the celebration, Drusilla collapses in Caligula's arms from the same fever he'd suffered. Soon afterwards, Caligula receives another ill omen in the guise of a black bird. He rushes to Drusilla's side and watches her die. Caligula experiences a nervous breakdown; he smashes a statue of Isis and drags Drusilla's body around the palace while screaming hysterically. Now in a deep depression, Caligula walks the Roman streets, disguised as a beggar. After a brief stay in a city jail, Caligula becomes determined to destroy the senatorial class, which he has come to loathe. His reign becomes a series of humiliations against the foundations of Rome; senators' wives are forced to work in the service of the state as prostitutes, estates are confiscated, the old religion is desecrated, and he initiates an absurd war on Britain to humiliate the army. It is obvious to the senators and the military that Caligula must be assassinated, and Longinus conspires with Chaerea to carry out the deed.

Caligula wanders into his bedroom where a nervous Caesonia awaits him. The blackbird makes a final appearance, but only Caesonia is frightened of it. The next morning, after rehearsing an Egyptian play, Caligula and his family are attacked as they leave the stadium in a coup headed by Chaerea. His wife and daughter are brutally murdered and Chaerea himself stabs Caligula in the stomach, to which he defiantly whimpers "I live!"

As Caligula and his family's bodies are thrown down the marble steps and their blood is washed off the marble floor, Claudius is proclaimed the new Emperor.

[edit] Cast

[edit] Production

Gore Vidal developed a Caligula screenplay from Roberto Rossellini's unproduced television mini-series. Franco Rossellini, nephew of Roberto, and Vidal's original intent was to create a modestly-budgeted historical drama. When the pair could not obtain financing, Vidal contacted media mogul and Penthouse founder and publisher Bob Guccione. Guccione agreed to finance the project on two conditions: that the film would be transformed into a flamboyant, luxurious spectacle akin to Hollywood's sword-and-sandal epics of the 1950s and 1960s, and that extra sex and nudity would be added to the script in order to promote Guccione's magazine. Vidal and Rossellini agreed and the project was launched.

Federico Fellini's art director, Danilo Donati, was hired to build the expensive and complex sets and costumes. Renowned acting talent, including Malcolm McDowell, Helen Mirren, Peter O'Toole, and Sir John Gielgud were cast. Maria Schneider was originally cast as Caligula's doomed sister Drusilla, but later dropped out and was replaced by Teresa Ann Savoy. After Guccione was unable to come to an agreement with more established directors John Huston and Lina Wertmuller,[2] Tinto Brass, a relatively young Italian director, was selected by Guccione to direct the film. Guccione was impressed by Brass' previous work, the 1976 controversial film Salon Kitty, which fused explicit sex with a big budget historical drama. Caligula production was housed in Dear Studios, Rome, where the infamous Cleopatra was filmed thirteen years earlier. Shooting commenced in September 1976, with plans for a 1977 release.

From the start, Caligula was plagued by difficulties. According to Guccione in a 1980 Penthouse magazine interview, Vidal (whom Guccione called a "prodigious talent")[2] started trouble with a Time magazine interview in which he called directors parasites living off writers, and that the director need only follow the directions as provided by the author of the screenplay. According to Guccione, an enraged Brass responded to Vidal's comments by throwing Vidal out of the studio. Guccione was forced to side with Brass (whom he called "a megalomaniac") because "Gore's work was basically done and Tinto's work was about to begin."[2]

Casting and logistical issues were problems. Uncomfortable with the sex and nudity in the script, the female lead Schneider quickly resigned from the film.[3] It was soon apparent to the filmmakers that the aggressive shooting schedule developed by the inexperienced Rossellini and Guccione was unrealistic for a film of such scope. Donati had to scrap some of his more elaborate original ideas for the sets and replace them with such surreal imagery as bizarre matte paintings, blacked-out areas, silk backdrops and curtains. This resulted in significant script changes, with Brass and the actors improvising scenes written to take place in entirely different locations, and sometimes shooting entirely new scenes (such as the frolicking scene that opens the film) in order to show progress while the incomplete or redone sets were unavailable. The production was plagued by delays due to disagreements between Brass and Donati over Brass not using Donati's completed sets,[2] as well as Brass and Guccione disagreeing over the sexual content of the film.

Brass was similarly unhappy with Vidal's script. "It was the work of an aging arteriosclerotic. Vidal redid it five times, but it was still absurd."[3] With the help of McDowell, Brass rewrote some of the screenplay.

Malcolm McDowell as Caligula

By the time the principal photography on Caligula was completed, Vidal (having a previous issue with his involvement in the infamous Myra Breckinridge) was concerned about being associated with such an out-of-control production. Fearing the film would turn out incoherent, Vidal distanced himself from the project. Of Vidal, Brass concluded, "If I ever really get mad at Gore Vidal, I'll publish his script."[4]

As the film entered post-production, Guccione took control of the film footage, fired Brass for running up huge costs (Guccione claims Brass shot enough film to "make the original version of Ben-Hur about 50 times over"),[2] casting actual criminals as Roman senators,[5] and using what Guccione considered "fat, ugly, and wrinkled old women"[2] in the sex scenes instead of his Penthouse Pets. Guccione hired friend Giancarlo Lui to reedit the film. Lui was instructed to refashion the film into something more in keeping with what Vidal had first scripted, while delivering the sexual content demanded by Guccione. In their most controversial move, the pair shot extra scenes of hardcore sexual material[5] which would be used to replace scenes shot by Brass.

With much footage improvised and rewritten from the original draft of the film, Lui further scrambled, re-cut, and deleted scenes altogether. Many of the disturbing sexual images shot by Brass were removed, replaced by approximately six minutes of hardcore sex shot by Guccione and Lui. In the end, the final cut of the film had strayed far afield from what Brass had intended. Ironically, perhaps, it bore little resemblance to what Vidal had scripted as well.

In the unpleasant aftermath, both Brass and Vidal launched independent tirades against the film and lawsuits against Guccione, delaying the release of Caligula. Vidal, who was paid $200,000 for his script, agreed to drop his contractual claim for 10% of the film profits in exchange for having his name removed from the title of the film (original billing was to have been Gore Vidal's Caligula).[2] In 1981, Anneka Di Lorenzo, who played Messalina, sued Guccione, claiming that he damaged her career by using hardcore sexual scenes in the final cut of Caligula without her knowledge, thereby associating her with a pornographic film. After a protracted litigation, in 1990 a New York state court awarded her $60,000 in compensatory damages and $4,000,000 in punitive damages. On appeal, the punitive damages were determined to be not recoverable and the court vacated the award.[6]

In late 1979, three years after production began, Caligula made its debut.

[edit] Critical reception

The film was panned by critics; Roger Ebert gave it zero stars, describing it as "sickening, utterly worthless, shameful trash."[7] Perhaps the most scathing comment to ever appear in one of Ebert's reviews is attributed to a third party: "'This movie', said the lady in front of me at the drinking fountain, 'is the worst piece of shit I have ever seen.'" Caligula is only one of two films Ebert ever walked out of ("two hours into its 170 minute length"), the other being Tru Loved.[8][9][10]

Reviewer Leonard Maltin said the film was little more than "chutzpah and six minutes of not-bad hardcore footage."

Newsweek magazine called Caligula "a two-and-one-half-hour cavalcade of depravity that seems to have been photographed through a tub of Vaseline."[5]

[edit] Alternate versions

Caligula was shown in various versions:

  • The unrated version, available in the US and mainland Europe, running 156 minutes (NTSC) and 150 minutes (PAL), is the most widely seen cut of the film. It enjoyed a limited, albeit highly profitable, run in U.S. cinemas. This version contains the unedited sequences of both simulated and un-simulated scenes of sexual depravity and extreme violence and gore.
  • The UK version, running 149 minutes. Aside from removing eight minutes of explicit footage, the censors substituted some replacement shots, derived from Brass' principal shoot, as well as some remainder footage from Guccione's reshoots. It seems that the alternate footage was inserted carelessly, resulting in glaring continuity errors (especially obvious during the Rape of Proculus and Livia and the Temple of Isis scenes). This version is out-of-print, and was eventually replaced by the uncut version, which was finally granted classification in July 2008, 29 years after its initial release.[11]
  • The rumored 210-minute unreleased version, shown as part of a private trade show for investors and distributors in Cannes, France (not to be confused with the Cannes Film Festival). This version was determined to have never existed, and that the extra hour was a behind-the-scenes featurette included during the screening, which created the rumor of an extended cut when the total screening time reported from the screening included the length of the featurette, thus creating the confusion that the actual film had a running time of 210 minutes.[12]
  • Guccione eventually authorized an R-rated cut released in 1981, 105 minutes long, which earned the film a wider distribution. In this version the hardcore, bloody and violent footage was either trimmed or replaced with yet another set of alternate shots and angles.
  • In 1984, Franco Rossellini, unhappy with Guccione's final edit of the film, re-edited an alternate pre-release print of Caligula and spliced in some minor scenes and shots that were found in the Italian post-production labs that housed the materials before the production moved to England. This new edition of the film, re-titled as Io, Caligola clocked in at 133 minutes and contains material not present in any other versions of the film, but the Italian censors had it cut down to only 86 minutes; after a public backlash, the film was restored to 123 minutes. The missing ten minutes are no doubt responsible for a few jump cuts that occur throughout the film. This version has been released on DVD, albeit available only in Italy.
  • When Io, Caligola was released on video, the distributor put back in some of the hardcore material shot by Guccione (it was deleted by Franco Rossellini) in order to boost the sales. This version is available on DVD.
  • A second R-rated version was released in 1999. It was released straight to DVD and contained no alternate angles. Various shots simply repeated themselves (instead of using the different takes of scenes seen in the R-rated theatrical release), resulting in continuity problems. Otherwise, this version is based on the 1981 censored release. This DVD version ran a total of 102 minutes and was released with a red cover.
  • In 1999, the FilmFour channel, frustrated by the lack of any extended version of the film available in the UK (only the low quality 1981 censored version was still in print), released their own cut of Caligula, running approximately 143 minutes (the missing 13 minutes can be mostly attributed to the PAL overspeeding and time compression). It was essentially the same as the 156 minute version, with most of Guccione's explicit sexual material removed, including a lesbian tryst and a handful of sexual inserts during the imperial bordello sequence.
  • A 150-minute Italian cut; it was basically a shortened version of the U.S. edition. It was eventually pulled out of release in favor of Franco Rossellini's re-edited version, but a briefly released VHS tape exists, though it is now out-of print. Raro Video announced that it would release a re-mastered edition of this cut on December 5, 2006, along with an interview by Tinto Brass, in which he would discuss for the first time where the editing of the film went wrong. This release never came to fruition as Raro Video's distributor backed out, and the company replaced it with a remastered print of Franco Rossellini's edit.
  • The uncut Twentieth Anniversary Edition DVD was refused classification in November 2005 by Australia's OFLC; effectively banning the film in its uncensored form (although a 102-minute version was passed with an R-rating in 2004). The OFLC deemed the film too sexually explicit to fall within the R18+ classification (despite sexually explicit mainstream films such as 9 Songs receiving this rating). The film could not be accommodated in the X classification (for explicit sex) as it contains depictions of violence (although a 143-minute version of the film had, in fact, been granted an X rating for video release in 1984, when the X rating had only just been introduced and still permitted depictions of violence; the 156-minute version was passed with an X rating in January 1985).[13] Although the film's sexual content was permissible in the X category, the OFLC's classification guidelines unambiguously state "No depiction of violence, sexual violence, sexualised violence, or coercion is allowed in the category."[14] The film was once again refused classification in July 2010; the version was presumably the Imperial Edition, as it is mentioned as having a running time of 930 minutes and many special features.[15]
  • In October, 2007 Image Entertainment released a 3-disc special edition known as the Imperial Edition. It features two cuts of the film, the 156-minute print and a new edit created from an alternate pre-release version which re-arranges some scenes and does not include most of the explicit sexual inserts added by Guccione (a few shots were left in by mistake and various outtakes from Brass' shoot and a handful of 16 mm behind-the-scenes footage were used to fill in for the deleted material). Both versions have been digitally remastered. Commentary tracks featuring McDowell and Mirren are included on the non-hardcore, pre-release version, and the DVD includes interviews with Tinto Brass, who discusses the film's hectic production and botched editing; and Penthouse Pet Lori Wagner, who discusses the addition of the hardcore footage, including the lesbian sex scene in which she participated. DVD-ROM content includes Gore Vidal's original screenplay, an interview with Bob Guccione, and several hundred production photographs. Other extras include more than two hours of deleted and alternate footage. The DVD set was to carry a fourth disc with the film's complete musical soundtrack, but Penthouse later pulled the soundtrack, along with any mention of the music (and the people behind it) in the behind the scenes featurettes. The 156-minute and 102-minute versions will be released separately in new collectible packaging.[16] The booklet included with the 3-disc set includes a discussion of the many different versions of the film, and states that a significant amount of footage remains unaccounted for; the notes include a plea to viewers to contact Image if they are in possession of any footage not included in the DVD set.
  • The Imperial Edition was released in the UK (Region 2) in September 2008 by Arrow Films. This edition contains four discs, retaining the three from the Region 1 Imperial Edition, and including a newly discovered half hour of deleted and alternate footage not present in the US release, and a fourth disc (third in order of the set) claiming to feature the 1981 R-rated version, but it ended up being the 1999 version. The set does not feature the booklet from the US Imperial Edition; it does, however, include the CD-ROM features on the fourth disc.
  • A Japanese special edition was released, containing the newly discovered deleted footage, but without the R-rated release.
  • The Imperial Edition was released on Blu-ray on January 6, 2009 in the US and Canada.

[edit] In popular culture

  • In 2005, a fake trailer for Gore Vidal's Caligula was produced by artist Francesco Vezzoli for an alleged remake as a promotion for Versace's new line of accessories. It was a parody, "ostensibly [promoting] a film about a mad Roman emperor who sleeps with his sister, executes his critics and presides over a crowd of ambisexual extras dressed only in the occasional accessory." The trailer features Courtney Love as Caligula, Benicio del Toro as Macro, as well as Helen Mirren (making a guest cameo) as Tiberius. Milla Jovovich and Gerard Butler appear as Drusilla and Chaerea respectively. Vidal appears as himself.[17] The trailer screened worldwide, including a showing at New York City's Whitney Museum of American Art's 2006 Whitney Biennial.[18]
  • During the 2006 Mark Foley scandal, the American satirical television program The Daily Show aired a brief snippet of an orgy scene from Caligula, represented by a correspondent as security camera footage from congressional page dormitories. Deadpanning, host Jon Stewart then identified the video as "Bob Guccione's Caligula."
  • Matthew Sweet used dialogue from the movie on his album Altered Beast in 1993. Swedish melodic death metal band Arch Enemy used the same Caligula dialog in the title track of their 2007 album Rise of the Tyrant.[19][20]
  • In the animated television show Home Movies, the character Brendon Small asks his father if they can watch Caligula in the season 2 episode "Pizza Club".[21]
  • British band New Order's song "Murder" included a snippet from the film in which the emperor cries out: "Crawl! Crawl! Crawl! I hate them!"
  • Deathgrind band Cephalic Carnage wrote a song about Caligula called "Anthro Emesis" on their Lucid Interval album and recounted his perverse activities. On their most recent album, Xenosapien, the song "Let Them Hate So Long As They Fear" is based on Caligula's line in the film, "Let them hate me, so long as they fear me".
  • In Scott Pendergast's 2008 film Kabluey, a troublemaking child is shown watching the title screen of Caligula.
  • Mentioned in the House episode "House Divided".
  • Referenced briefly in "S+M on the Rocks" by Canadian hip-hop group Swollen Members.
  • Referenced in "To My People" by Busta Rhymes on the album The Imperial by his group, the Flipmode Squad.
  • Referenced in the song "Caligulove" by Them Crooked Vultures.
  • Internet film critc Brad Jones of The Cinema Snob, revealed that Caligula was his favorite film of all time.

[edit] See also

[edit] References

  1. ^ "Salon Movies | Porn for thought". Salon.com. 1999-11-30. http://www.salon.com/ent/movies/feature/1999/11/30/caligula/print.html. Retrieved 2011-01-19. 
  2. ^ a b c d e f g Bob Guccione Caligula Interview from Penthouse May 1980
  3. ^ a b Monday, Jan. 03, 1977 (1977-01-03). "Will the Real Caligula Stand Up?". TIME. http://www.time.com/time/magazine/article/0,9171,947822,00.html. Retrieved 2011-01-19. 
  4. ^ Monday, Jan. 03, 1977 (1977-01-03). "Will the Real Caligula Stand Up?". TIME. http://www.time.com/time/magazine/article/0,9171,947822-2,00.html. Retrieved 2011-01-19. 
  5. ^ a b c Vinciguerra, Thomas (1999-09-06). "Porn Again". Nymag.com. http://nymag.com/nymag/gotham/lifeincity/1407/. Retrieved 2011-01-19. 
  6. ^ Hancock, J:. "Marjorie Lee Thoreson A/K/A Anneka Dilorenzo, Appellant-Respondent, V. Penthouse International, Ltd. And Robert C. Guccione, Respondents-Appellants". Law.cornell.edu. http://www.law.cornell.edu/nyctap/I92_0250.htm. Retrieved 2011-01-19. 
  7. ^ "Caligula :: rogerebert.com :: Reviews". Rogerebert.suntimes.com. http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19800922/REVIEWS/9220301/1023. Retrieved 2011-01-19. 
  8. ^ ":: rogerebert.com :: Reviews :: Caligula (xhtml)". Rogerebert.suntimes.com. http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19800922/REVIEWS/9220301/1023. Retrieved 2011-01-19. 
  9. ^ http://www.reddit.com/r/IAmA/comments/cekj0/roger_ebert/
  10. ^ Ebert, Roger (2008-08-16). "Don't read me first!" Roger Ebert's Journal. Retrieved 2011-12-15.
  11. ^ Case Study: Caligula, Students' British Board of Film Classification page
  12. ^ "What's the deal with the 210 minute version? Why wasn't it included on the new DVD set?". Caligula (1979) - FAQ. The Internet Movie Database (IMDb). http://www.imdb.com/title/tt0080491/faq#.2.1.5. Retrieved 27 July 2011. 
  13. ^ "Refused-Classification.com's report on ''Caligula''". Refused-classification.com. 2004-12-14. http://www.refused-classification.com/Films_caligula.htm. Retrieved 2011-01-19. 
  14. ^ OFLC Guidelines for the Classification of Films and Computer Games 2005 (PDF document)
  15. ^ CALIGULA: Banned on DVD | Refused-Classification.com. Retrieved August 28, 2010.
  16. ^ Image Entertainment / Feature Film / Caligula (Imperial Edition)[dead link]
  17. ^ "/ Diary". Artforum.com. http://www.artforum.com/diary/id=9133. Retrieved 2011-01-19. 
  18. ^ Yablonsky, Linda (2006-02-26). "'Caligula' Gives a Toga Party (but No One's Really Invited)". The New York Times. http://www.nytimes.com/2006/02/26/arts/design/26yabl.html?ex=1298610000&en=d05471946d7b6eb0&ei=5088&partner=rssnyt&emc=rss. 
  19. ^ "Arch Enemy | Interview | Lords Of Metal metal E-zine - Issue 73: september 2007". Lordsofmetal.nl. http://www.lordsofmetal.nl/showinterview.php?id=1856. Retrieved 2011-01-19. 
  20. ^ Garcia, Guy (1993-08-02). "Rock-'N'-Roll Animal". TIME. http://www.time.com/time/magazine/article/0,9171,978979,00.html?iid=chix-sphere. Retrieved 2011-01-19. 
  21. ^ "Home Movies: Pizza Club Episode Summary on". Tv.com. http://www.tv.com/episode/80116/summary.html. Retrieved 2011-01-19. 

[edit] External links

Personal tools
Namespaces
Variants
Actions
Navigation
Interaction
Toolbox
Print/export
Languages