The summer residence of renowned modernist architect, Lluis Domenech i Montaner (1849-1923) was situated in Canet de Mar. Montaner, himself, married a native of Canet and his family enjoyed many happy times at their Summer residence. Two of Montaner's sons also married girls from Canet. In his later years, Montaner retired to Canet where he worked on many of his research projects and wrote his books from the studio situated at the rear of the Montaner home. During his time in Canet, Montaner constructed a number of important buildings - most of which are still standing and in very good condition. Casa Montaner, the family home, consists of a purpose built home as well as renovations to the 16th century Masia Racosa which would become Montaner's studio. Today this complex houses a museum devoted to Montaner, the so-called "father of Modernism". Other significant works in the central part of town include: Ateneu de Canet and Casa Roura (now a restaurant). The Pantheon of the Montaner family is interesting and further out of town, Montaner's renovations to the Castle of Santa Florentine are worthy examples of his work.
Canet is a municipality of Maresme Coast. Its coast consists of a sandy due to the decomposition of granite rocks which form the basement Canetenc; beaches are flat and with an average width of 50m mainly golden sand and thick, and have easy access on foot or cycling. The quality of the beach strip is the protection of coastal vegetation, where there are native plants of coastal Catalonia and Maresme. They are marked with buoys 200 meters, and there are input and output channel for boats.
Canet Beach It is located between the beach and Cavaió te rocks white. Ago 1,500 m long and is a city beach. It has several places to eat and drink all along the seafront, and in recent years has been classified as blue flag given by the European Union.
Beach Cavaió It is located between the beach of Canet and the municipality of Arenys de Mar A 1000 m long, and is a semi-urban beach. Its composition is sandy, with granite rocks that go down to the basement and streams rials. There is a project for a promenade that links Arenys de Mar, they remodeled the coast will create several breakwaters to protect the beach from storms.
Gothic style building, constructed from 1579 and consecrated in 1591 went to Montserrat, Benedict touch. It has a single nave and transept, apse and side chapels, one of which, most notably, is dedicated to the Blessed Sacrament. The front, engraved, rectangular portal has a niche on it. On the right stands the square tower, three-story elevation between 1793 and 1805. The architect was John Garrido, Barcelona. In 1936 the church was burned. Missed the altarpiece (by 1630) and fell the cruise. The reconstruction was made by Danish Josep Torras between 1939/46.
The devotion to Our Lady of Mercy has been documented since 1520. At that time it took from Trieste (Italy) an image of Mary who chaired the new church that was built in the town in 1591. A century later, in 1703, Mercy was to be named the patron saint of the town. Later, between 1853 and 1857, the current sanctuary was built in a Neo-Gothic building
Baroque chapel that was part of the hospital created in the sixteenth century and rebuilt in the eighteenth. It mixtilini crown with a belfry on top. The door is segmental arch. Inside there is a mural of John Commeleran, painted after the war.
In 1883 Maria Pujadas commissioned Lluís Domènech i Montane to remodel a ballroom in the town as a theater. To inaugurate ot, on October 20, Domenech his Renaixença friends and the play Judith de Welp, by Àngel Guimerà, received its premier.
The building, on the site of an old house, has served as the headquarters of several of the town's political and cultural associations. Building of conservative lines with wrought iron railings, abundant reddish sgraffito and a rose window containing stained glass. A notable feature is the chamfered corner with its dome and the lightning conductor in the form of a wrought-iron dragon. It currently houses the Canet public library.
This castle possibly dates from Roman times, when it would have been a centre of agricultural production. In the 11th century it became a fortified farmhouse, and this was enlarged in the 16th century with the addition of defensive works. In the late 19th century,Ramon Montaner i Vila uncle of Domenech, wanted to adapt the building to the tastes of the time. The architect gave a mediaeval touch to the castle with the introduction of parts of the monastery of Tallat. He also builta crypt for the tomb of Florentina Malató, wife of Ramon Montaner, who died in 1900. It has been listed as an asset of national cultural importance since 1949.
Casa Roura/Ca la Bianga
Riera Sant Domènec, 1
Commissioned in 1889 as a residence for Jacint de Capmany and Paquita Roura, cousins of the architect, shortly after the Universal Exposition. The house is notable for being, along with Castell dels Tres Dragons, one of the first buildings to used exposed brickwork and ironwork, finished with ceramics. The materials came from the workshop of craftsmen that Domènech had in the Castell dels Tres Dragons until 1891.
Creu de Pedracastell
Way of the Cross
In 1901 Pope Leo XIII called on towns and villages to erect crosses to commemorate the new century. In 1902 a cross designed by Lluís Domènech i Montaner and promoted by Marià Serra was erected. It fell in 1926 in a gale and a copy by Pere Domènech was erected in its place, but this was destroyed during the Civil War. The existing cross dates from 1954.
La Creu de Canet de Mar.
Reform to Masia Rocosa
Chamfer rivers Gavarra and Buscarons
The house is originally of the 16th-and 17th and Domènech used of study. Just before them is the Casa Domènech i Montaner, forming in both a combination of traditional and modernist elements.
Pantheon Domènech i Montaner
Commissioned to Domènech by Ricard de Capmany and Júlia Montaner. From 1915 was transferred to Domènech to bury his son there, Ricard Domènech (1892–1915). While Lluís Domènech also said he wanted to be left buried at his death, in 1923 in full dictatorship of Primo de Rivera - the family decided to stand in a niche in the cemetery of Sant Gervasi in Barcelona. Currently in the pantheon of Canet rests there, in addition to his sons Ricard Domènech and Pere Domènech, and his wife Maria Roura. Pantheon of a sobriety virtually rationalist highlighting the sculpture of Josep Llimona although it was damaged during the war.
Pantheon Fountain-Montaner family
While many authors attribute to his son Pere Domènech i Roura, the documentary fund of Lluís Domènech i Montaner listed the project as a work of Lluís Domènech. It is a building flanked by four statues very schematic representing the four evangelists: John, Mark, Luke and Matthew, work by sculptor Pau Gargallo. This central body is crowned by a dome covered in decorative ceramics with predominance of white and yellow. The mosaics draw plant and floral motifs and the dome is supported by an octagonal base, wiath a columns that leave between then each space for interior lighting.
Casa Domènech i Montaner
Chamfer rivers Gavarra and Buscarons
Domènech take an old house to build this building between 1918 and 1920. The outer level is a mixture of styles, as alternate medieval elements with other more moderns. Regarded as the last modernist work of Lluís Domènech i Montaner, is now the House museum Domènech i Montaner.
The knitting factory was originally in 1899. Joan Carbonell Reverter, son of Joan Carbonell continued the business and changed the name to Carbonell Reverter. It was designed in 1897-98 and began production called Carbonell Susagna and was promoted by industrials Frederic Susagna and Joan Carbonell Paloma. The master builders were Martí Isern and Joan Solà. Remains just the form of entry, of brick.