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Cangaço (Portuguese pronunciation: [kɐ̃ˈɡasu]) is the name given to a form of "social banditry" in the Northeast of Brazil in late 19th and early 20th centuries. This region of Brazil is known for its aridness and hardships, and in a form of reaction against the domination of the land owners and the government, many men and women decided to become nomadic bandits, roaming the hinterlands seeking money, food and revenge.
Origin of the word
By 1834, the term cangaceiro was already used to refer to bands of poor peasants who inhabited the northeastern deserts, wearing leather clothing and hats, carrying carbines, revolvers, shotguns, and long narrow knives known as peixeiras.
"Cangaceiro" was a pejorative expression, meaning a person who could not adapt himself to the coastal lifestyle.
By this time in that region, there were two main groups of loosely organized armed outlaws: the jagunços, mercenaries who worked for whoever paid their price, usually land-owners who wanted to protect or expand their territorial limits and also deal with farm workers; and the cangaceiros, "social bandits", who had some level of support from the poorest population: the bandits sustained some beneficial behaviors such as acts of charity, buying of goods for higher prices and giving free parties ("bailes"), and the population provided shelter and information which helped them escape from police forces, known as volantes, sent by the government to stop them.
The most famous cangaceiro of them all, the one who is often associated with the whole history of the cangaço, was a man called Virgulino Ferreira da Silva, also known as "Lampião" ("Oil Lamp", according to his fellows, he could shoot so quickly that he could illuminate the place). He began when he was just a boy, amongst vendetta plots of the Pereira and Nogueira-Carvalho families. When his parents were killed because of these disputes, some of his brothers ran away, but Antônio, Livino, and Ezequiel followed Virgulino into the cangaço.
Seen as a mixture of hero and bandit, Lampião became one of the most representative icons of Brazil.
Wandering around Santa Brígida, in the state of Bahia, he met Maria Alia da Silva (a.k.a. Maria de Déia), wife of shoemaker Zé de Nenê. Later she would be better known as Mrs. Lampião, Maria Bonita (literally "Pretty Maria").
Lampião was killed by the police in 1938, in a region between the state limits of Bahia and Alagoas, when an informer, Pedro de Cândida gave away their location to the police. A massive offensive led to bloodshed, and the eleven of the band was killed: Lampião, Maria Bonita, Luís Pedro, Mergulhão, Enedina, Elétrico, Quinta-Feira, Moeda, Alecrim, Colchete and Macela.
Coiteiros were people who helped the cangaceiros, giving them shelter and food. They did this for many reasons – they could be relatives of a cangaceiro, friends, ex-neighbours, or simply had some interest in their power, or they were afraid of them.
Volantes and monkeys
The volantes were small and special band of troops – around 20 to 60 – from every state of the Brazilian federation, formed by the government Law Enforcement agencies sent to seek and destroy the cangaceiros. The cangaceiros often referred to them as "monkeys", because of their brown uniforms and their willingness to obey their orders. Some of them carried modern (back then) Hotchkiss machine guns, weapons that the cangaceiros quickly learned to fear – but were always willing to steal for their own use.
The cangaceiros had very specific notions of how to behave and dress. First of all, most of them knew how to sew quite well. Living in the desert lands of the northeast of Brazil, they had to survive amidst spiky dry bushes. Despite the heat during the day, the cangaceiros preferred to wear leather clothing, embellished with all kinds of coloured ribbons and metal pieces.
They also used leather gloves with coins and other pieces of metal sewn onto them, almost like armour.
Because of the heat and the absence of water some cangaceiros -–especially Lampião-– wore French perfume. They often stole it from rich people's houses, and used it in large quantities.
The weapons of the Cangaceiros were mostly revolvers, shotguns, and the famous "pára belo". It is claimed that like 'macaco' (monkey), 'belo' (beautiful) was another slang term for the policemen. Hence, pistols and Winchester-like rifles were called "pára belo" (belo stopper). However, the name seems to be actually a derivation of the Latin expression para bellum, which means "prepare for war" and was used to refer to the then official sidearm used by the Brazilian governmental troops and by some of the law enforcement soldiers, the Luger pistol, which was produced by the German arms maker DWM.
They also made famous a thin, long, and very sharp knife called a "peixeira", a fish-cleaning knife, used mostly to torture or cut the throats of their victims.
- Adolfo Meia-Noite
- Antônio Silvino
- Diogo da Rocha Figueira aka "Dioguinho" (in São Paulo)
- Jesuíno Brilhante
- Lucas da Feira
- Sinhô Pereira
The Cangaço in film
- O Cangaceiro, Lima Barreto 1953 (original score by Riz Ortolani)
- A Morte Comanda o Cangaço, Walter Guimarães Motta 1961
- Deus e o Diabo na Terra do Sol, English title: "White God, Black Devil" Glauber Rocha 1963
- O Dragão da Maldade Contra o Santo Guerreiro, Glauber Rocha 1968
- Baile Perfumado, Paulo Caldas and Lírio Ferreira 1997
Cangaceiros - Leather Men #1 - (Cangaceiros - Homens de Couro #1) - CLUQ-2004 - Brazil - written by Wilson Vieira - designed by Eugenio Colonnese - cover by Mozart Couto. The wasteland, an arid and scorching climate a mystical and feudal surrounding where the might and greed of a few dominated many for martyrized and famishing generations. An outcry for justice abruptly broke the limits of reason, giving rise to a caste of nomad, strong, warring backwoodsmen; the Leather Men who for decades sustained the meaning of the word: FREEDOM. A ravishing period, yet obscure, in the records of the history of a Nation and its people, seen as an ephemeral episode, but which truyl goes much, much beyond...BRAZIL(Northeast - 1897/1940). Synopsis of the first story - In the first story we introduce the twenty-one items which describe the life of a common Brazilian citizen by the name of Virgulino Ferreira da Silva, who, by the age of twenty-two, in 1920, became the famous "cangaceiro" known as "Lampião". Presentation: Map and manuscript, epoch description, baptism/prophecy, childhood, northeastern games, the hunt to the "suçuarana", encounter with the "cangaceiros", faith healers, nickname, "the vaquejada" - (cattle round-up), the persecution to his family, first moving, separation from the family, second moving, mother's death, father's murder and revenge oath: poem written by Lampião (manuscript). We will also describe the reasons and circumstances which led him to become an undisputed leader who commanded for many years an incredible and real crusade against the "coronéis", - (the landlords), in the most desolated and mystic region of Brazil, the northeast. Action, suspense, adventure, mysticism, love, treason and death. The narration of the daily life of men and women shaped by the climate, the misery and above all the by the will to lead a free life, the Leather Men.
- History of Brazil
- Land reform
- Landless Workers' Movement
- The epic cycle of the cangaceiros in popular poetry from northeastern Brazil - thesis by Ronald Daus, Free University of Berlin: see bibliography.
- Marcelo Naranjo, sobre o press release (2004-08-26). "Homens de Couro é o novo álbum do CLUQ". Universo HQ.
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