||This biographical article needs additional citations for verification. (December 2012)|
Carl Palmer in 2008
|Birth name||Carl Frederick Kendall Palmer|
20 March 1950 |
England, United Kingdom
|Genres||Progressive rock, art rock, hard rock|
|Labels||Eagle Rock, Geffen|
|Associated acts||The Crazy World of Arthur Brown, Atomic Rooster, Emerson, Lake & Palmer, Asia, 3, Qango|
Carl Frederick Kendall Palmer (born 20 March 1950, Handsworth, Birmingham, England) is an English drummer and percussionist. He is credited as one of the most respected rock drummers to emerge from the 1960s. In addition, Palmer is a veteran of a number of famous English bands, including The Crazy World of Arthur Brown, Atomic Rooster, Emerson, Lake & Palmer, and Asia.
- 1 Career
- 2 Influences
- 3 Equipment
- 4 Discography
- 5 References
- 6 External links
Palmer began taking drum lessons as a young boy, traveling to Denman Street, Piccadilly. His first band, with others from the Midlands area, was originally known as The King Bees, but changed its name to The Craig. They made their first record, "I Must Be Mad", produced by Larry Page, in 1966; the flip side was "Suspense". At this time, Palmer also did his first session work, playing on the song "Love Light" by The Chants, a group from Liverpool. Later in 1966, he was then invited to join Chris Farlowe and The Thunderbirds.
The Crazy World of Arthur Brown
Drachen Theaker was the original drummer for The Crazy World of Arthur Brown, founded by Arthur Brown, and played on the band's eponymous album, including the song Fire. However, Theaker's behavioral problems led to conflicts and hostility from other band members, especially with keyboardist Vincent Crane, and Theaker abruptly left the band during a U.S. tour in 1969. Carl Palmer was quickly recruited as a replacement and became a permanent band member.
Vincent Crane was the keyboard player with The Crazy World of Arthur Brown, and both he and Palmer left that group in the Summer of 1969 to strike out musically on their own as Atomic Rooster, a trio formed with vocalist/bassist Nick Graham. There were several personnel changes in the band, and their first album was released in early 1970. Meanwhile, Palmer received a call from Keith Emerson to audition for a new group and left Atomic Rooster in the Summer of 1970.
Emerson, Lake & Palmer
Palmer met up with two other young English musicians, Greg Lake, and Keith Emerson. Emerson had most recently been a member of The Nice, and Lake was in King Crimson, and both wanted to further expand their musical creativity. After auditioning several drummers, including Mitch Mitchell, they felt an "immediate chemistry" with Palmer, and by the Summer of 1970 they had formed a band. In naming the new group, the trio chose their last names alphabetically - Emerson, Lake & Palmer, also shortened to ELP. The band was arguably the most successful band of Palmer's career and he remained with ELP until when they first disbanded in 1980. They developed a sound that merged art rock, jazz, electronica, pop rock and classical music and found fans within their peers and the public alike. During that time Palmer released only one single as a solo artist but went on to develop a solo career, alongside ELP and his other future bands. Emerson, Lake & Palmer subsequently reunited in the early 1990s and played the progressive rock circuit, especially in outdoor summer concerts. They also released two new studio albums. In 1998 the members of ELP had a rather acrimonious falling-out and Lake left the band.
The jazz trio Back Door toured with ELP circa 1974, and Palmer began to collaborate with them, producing their fourth album, Activate (1976). Two of the members of the group, saxophonist Ron Aspery and bassist Colin Hodgkinson, co-wrote the song Bullfrog with Palmer, also playing (uncredited) on the song, which appears on Works Volume 2.
Recent years and reunions
Palmer rejoined the newly reformed ELP in 1992 for Black Moon, In the Hot Seat, a box set, as well as several DVDs and the subsequent tours. A one-off ELP performance at the 2010 High Voltage Festival celebrated the 40th anniversary of forming the band.
Following the 1998 break-up of ELP, Palmer worked with Asia's John Wetton in the band Qango, and subsequently toured with his 'Carl Palmer Band' featuring Shaun Baxter on guitar and Dave Marks on bass (replaced by Paul Bielatowicz and Stuart Clayton). In addition to these tours, he has released four "new" albums, most notably Working Live Vol. I,II & III as well as an anthology album.
In recent years, Palmer has performed a series of drum clinics across the UK, Europe and United States. Highlights of Palmer's live drum solo over the years have included the use of both gongs and tambourines, and also his ability to extract himself from his t-shirt while playing complex double bass drum patterns; the latter leaving him stripped to the waist to play the final part of his show. The removal of his shirt was a major attraction in Palmer's drum solos during the 1970s, 1980s and 1990s. On recent tours, however, his shirt has remained on throughout his performances. Palmer is a patron of the British 'Classic Rock Society', which promotes Progressive Rock concerts.
Palmer has been reunited with the original line-up of Asia since 2006. They celebrated their 25th anniversary, and have since released 2 new studio albums, Phoenix, in 2008, and Omega in 2010. A live album and DVD from the 2006 reunion tour, entitled Fantasia was released by Eagle Rock Records. Asia are currently finishing their next studio album entitled XXX (30).
In 2013 Palmer is on world tour, that includes shows in South and North America, and Europe. For example, he played in Montevideo, Uruguay, for the first time on April 7. The Palmer's tour band is a trio, with him on drums and percussion, guitarist Paul Bielatowicz and bassist Simon Fitzpatrick.
On July 19, 2013, it was announced that Carl Palmer will be appearing on the second annual Moody Blues Cruise, April 2–7, 2014 on the cruise ship MSC Ship Divina. On that cruise he'll be presenting instrumental versions of many of ELP's hits.
Having played with a variety of bands, including various anonymous schoolboy bands as a youth, Palmer's style was developed from a wide range of musical influences. Among Palmer's early drumming influences were Joe Morello, Philly Joe Jones, Art Blakey, Gene Krupa and Buddy Rich. Inspiration from their techniques can be heard in his own drumming style, which was initially influenced more from jazz than any other genre. Known for his technical prowess, another of Palmer's trademarks included solos in many of his performances. His later work in Asia saw a more basic approach, although he began to play double bass drums more frequently during that period, and was one of the first drummers to be inducted into the Modern Drummer Magazine Hall of Fame. Palmer was in the top 10 of Rolling Stones: 100 Greatest Drummers of All Time.
- Ludwig signature "Venus" snare drum.
- Stainless steel drum kit
In 1973, Palmer commissioned British Steel to design a custom stainless steel drum kit using one-quarter-inch thick shells, the only off-the-shelf equipment were the hoops manufactured by Gretsch. He also had a jeweller engrave the shells with various animals. The kit, along with other percussion instruments and a rotating platform, had a total weight of approximately 2.5 tons and many of the stages on tour had to be reinforced, with some venues cancelling shows because of it. Also, the kit was electronically designed to be "synthesized" to sound like electronic drums.
- Paiste Brass drum kit Palmer also used a brass drum kit manufactured by Paiste, which is built from 2002 model cymbal brass.
Carl is currently endorsed by Paiste and uses this cymbal setup :
- 5" 2002 Cup Chime
- 13" Signature Heavy Hi-Hat
- 6" 2002 Cup Chime
- 18" Signature Power Crash
- 20" Signature Heavy Bell Ride
- 20" Signature Power Crash
- 13" 2002 Sound Edge Hi-Hat
- 6" 2002 Bell Chime
- 22" 2002 China
Pro-Mark produces his signature drumsticks. They are made of American Hickory, with a quite short length (15 7/8") and a diameter between a 5A and a 5B (0.579").
- 1980 - Carl Palmer's 1:PM
- 2001 - Anthology: Do Ya Wanna Play, Carl?
- 2002 - In a World with Bob Ross The Black Cat Demands the Unknown
- 2003 - Working Live - Volume 1
- 2004 - Working Live - Volume 2
- 2006 - In Concert: Carl Palmer plays the Music of ELP (DVD)
- 2010 - Working Live - Volume 3
With Atomic Rooster
- 1970 - Atomic Roooster
With Emerson, Lake & Palmer
- 2000 - Live in the Hood
- Eder, Bruce (2009 Macrovision Corporation.). "Allmusic Biography of Carl Palmer". Allmusic. Retrieved 2009-03-08.
- Alan Robinson, Liner notes for Carl Palmer, Anthology: Do ya wanna play, Carl? (Sanctuary Records Group, 2001).
- Polly Marshall (2005). The God of Hellfire: The Crazy Life and Times of Arthur Brown. SAF Publishing.
- "Awards". carlpalmer.com. Retrieved 29 January 2012.
- "Rolling Stones: 100 Greatest Drummers of All Time". ranker.com. Retrieved 29 January 2012.
- "Carl Palmer Official Global Web Site - Ludwig Artist Signature Series - Carl Palmer Snare Drum". Carlpalmer.com. 19 February 2011. Retrieved 2011-10-23.
- "Carl Palmer's gear". Brain-salad-surgery.de. Retrieved 2011-10-23.
- "Arizona Bay - Essential Drum Kits". Grahamdaviesarizonabay.com. Retrieved 2011-10-23.
- "Allmusic ((( Carl Palmer > Discography > Main Albums )))".
|Wikimedia Commons has media related to Carl Palmer.|
- 2006 Carl Palmer interview
- Official site
- Official Asia Reunion website
- 2013 Carl Palmer Drum Solo
- Forrester, George, Martyn Hanson and Frank Askew. Emerson, Lake & Palmer, The Show That Never Ends, A Musical Biography. (2001) Helter Skelter Publishing ISBN 1-900924-17-X.