Caroline Webster Schermerhorn Astor
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|Caroline Webster Schermerhorn|
September 21, 1830|
New York City, U.S.
|Died||October 30, 1908
New York City, U.S.
|Known for||self-proclaimed The Mrs. Astor, matriarch of male line of American Astors|
|Net worth||$1 million US $1 million (equivalent to approximately $26,248,148 in 2014 dollars)|
|Spouse(s)||William Backhouse Astor, Jr.
(m. 1853–1892; his death)
|Parents||Abraham Maus Schermerhorn
Caroline Webster "Lina" Schermerhorn (September 21, 1830 – October 30, 1908) was a prominent American socialite of the last quarter of the 19th century. Famous for being referred to later in life as "the Mrs. Astor" or simply "Mrs. Astor", she was the wife of businessman, racehorse breeder/owner, and yachtsman William Backhouse Astor, Jr. (1829–1892). Their son Colonel John Jacob Astor IV perished on the RMS Titanic. Through her marriage, she was a prominent member of the Astor family and matriarch of the male line of American Astors.
Childhood and youth
Lina was born into New York City's Dutch aristocracy, descendants of the city's original settlers. Her father, Abraham Maus Schermerhorn (1791–1855), served as the third Mayor of Rochester, New York in 1837 and as a member of the United States House of Representatives from New York from 1849 to 1853. Her uncle and the extended Schermerhorn family were engaged in shipping. Lina's mother was Helen White. At the time of her birth, her family lived at 1 Greenwich Street, near the Bowling Green, but the population growth and increasing urbanization of lower Manhattan in the 1830s led her family to move farther north to 36 Bond Street, near the then-ultra fashionable "Lafayette Place," which had been developed by her future husband's paternal grandfather, fur-trader John Jacob Astor. She married William Backhouse Astor, Jr. in 1853. Her husband was the middle son of real estate businessman William Backhouse Astor, Sr. (1792–1875) and Margaret Rebecca Armstrong (1800–1872).
Although popularly imagined as wholly preoccupied with "Society", for the first several decades of her married life Lina Astor was principally occupied with raising her five children and running her household, typical of women of her class in mid 19th century New York City. In 1862 she and her husband built a four-bay townhouse in the newly fashionable brownstone style at 350 Fifth Avenue, the present site of the Empire State Building, next door to her husband's older brother, John Jacob Astor III; the two families were next-door neighbors for 28 years although the Astor brothers did not get along.
In the decades following the Civil War the population of New York City grew almost exponentially, and immigrants and arrivistes from the Midwest began challenging the dominance of the old New York Establishment of which Astor and her family were part. Her desire to be the unchallenged grande dame of New York society was as much about preserving the heritage and traditions of her native New York, a conflict dramatized by Edith Wharton in The Age of Innocence, as it was about excluding those whom she deemed inferior.
Aided by the social arbiter Ward McAllister, whose life work was the codification and maintenance of the rules of social intercourse, Astor attempted to codify proper behavior and etiquette, which had formerly been a lingua franca among the city's Establishment, as well as determine who was acceptable among the arrivistes for an increasingly heterogeneous city. McAllister once stated that, amongst the vastly rich families of Gilded Age New York, there were only 400 people who could be counted as members of Fashionable Society. He did not, as is commonly written, arrive at this number based on the limitations of Mrs. Astor's New York City ballroom. (McAllister, an Astor cousin by marriage, referred to her as the "Mystic Rose".) Her husband's lack of interest in the social whirl did not stop but instead fueled her burgeoning social activities, which increased in intensity as her children grew older.
Lina was the foremost authority on the "Aristocracy" of New York in the late nineteenth century. She held ornate and elaborate parties for herself and other members of the elite New York socialite crowd. None was permitted to attend these gatherings without an official calling card from her. Lina's social groups were dominated by strong-willed "aristocratic" females. These social gatherings were dependent on overly conspicuous luxury and publicity. More so than the gatherings themselves, importance was highly placed upon the group as the upper-crust of New York's elite. She and her ladies therefore represented the "Aristocratic", or the Old Money, whereas the newly wealthy Vanderbilt family would establish a new wave of New Money.
The Vanderbilts, as members of socialite New York through the copious amounts of money that her family had earned rather than inherited, represented a type of wealth that was abhorrent to Astor and her group. For this reason, Astor was reluctant to call upon the Vanderbilt girls. In 1883, however, Astor was forced to formally socially acknowledge the wealthy socialite Alva Erksine Smith, first wife of horse breeder/railroad manager William Kissam Vanderbilt, thereby providing the Vanderbilts, the greatest "new" fortune in New York, entrance into the highest rungs of society. An oft-repeated New York legend has it that Alva Vanderbilt had planned an elaborate costume ball with entertainments given by young society figures for her housewarming, but at the last minute notified young Caroline Astor (Lina's youngest daughter) that she could not participate, because Astor had never formally called on Vanderbilt. Also likely, Astor had noted the rising social profile of the Vanderbilt family, led by Alva and Willie, and viewing them as useful allies in her efforts to keep New York society exclusive had called formally on the Vanderbilts prior to Alva's lavish ball which Astor herself attended. The Vanderbilts were subsequently invited to Astor's annual ball, a formal acknowledgement of their full acceptance into the upper echelon of New York society.
- Emily Astor (1854–1881), who married sportsman/politician James John Van Alen and had three children
- Helen Schermerhorn Astor (1855–1893), who married diplomat James Roosevelt "Rosey" Roosevelt (half-brother of President Franklin Delano Roosevelt) and had two children
- Charlotte Augusta Astor (1858–1920), who married James Coleman Drayton and had four children, later married George Ogilvy Haig
- Caroline Schermerhorn "Carrie" Astor (1861–1948), who married Marshall Orme Wilson (brother of banker Richard Thornton Wilson, Jr. and socialite Grace Graham Wilson) and had two sons
- John Jacob "Jack" Astor IV (1864–1912), who married socialite Ava Lowle Willing and had two children, later married socialite Madeleine Talmage Force (sister of real estate businesswoman/socialite Katherine Emmons Force) and had one son
Head of the family: the Waldorf-Astoria
Until 1887, Lina Astor had been formally known as "Mrs. William Astor", but with Charlotte Augusta Gibbes' death that year, she shortened her formal title to "Mrs. Astor", as she was then the senior Mrs. Astor, the only remaining one in her generation. Charlotte's son, William Waldorf Astor, felt that his own wife, Mary Dahlgren Paul, should be technically "the Mrs. Astor", as he was the only son of Lina's husband's elder brother John Jacob Astor III, and he insisted Lina resume use of "Mrs. William Astor". She refused, and the press sensationalized the family conflict and famously began referring to her as "The Mrs. Astor".
On the death of John Jacob Astor III in 1890, William Waldorf Astor inherited his father's share of the Astor holdings and, titularly, became the head of the Astor family. His further attempts at challenging Lina's preeminence in New York society, however, were thwarted, and he soon moved with his family to England, where he later became a viscount.
William Waldorf Astor, in his absence, commissioned his mansion on Fifth Avenue and Thirty-third Street to be torn down. In retaliation for his aunt's intransigence, William Waldorf Astor had his father's house torn down and replaced by the first Waldorf Hotel. The hotel was specifically designed to overshadow Mrs. Astor's mansion which was right next door, in an attempt to overshadow her status with it. Lina Astor and her son, Jack, first contemplated tearing down her house and replacing it with livery stables. The Waldorf Hotel was thirteen stories tall, and was built in the form of a German Renaissance chateau; and thus not only overshadowed Lina, but all other structures in the neighborhood as well. She famously stated "There's a glorified tavern next door". Until the opulence of the Waldorf Hotel revolutionized how New York socialized publicly, polite society did not gather in public places, especially hotels. Unwilling to live next door to New York's latest sensation and public draw, she and Jack tore her house down and erected another hotel at its site, the Astoria, and soon the two hotels merged and became the original Waldorf-Astoria Hotel, which was torn down in 1928 to make way for the Empire State Building.
Death, grave, and legacy
By the time she moved into her new house facing Central Park, at the corner of 65th Street, her husband had died, and she lived with her son and his family. Astor spent her last several years suffering from periodic dementia, and she died at age 78 in 1908 and was interred in the Trinity Church Cemetery located in the far northern section of Manhattan. In addition to her uptown burial plot, a commemorative 39 foot tall (11.9 m) cenotaph erected in her memory by her youngest daughter Carrie (according to the inscription dated A.D. MDMXIV) is located within the small churchyard cemetery at the intersection of Broadway and Wall Street, in which many prominent early Americans are buried.
- Consumer Price Index (estimate) 1800–2014. Federal Reserve Bank of Minneapolis. Retrieved February 27, 2014.
- Frederic Cople Jaher. "Nineteenth-Century Elites in Boston and New York". Journal of Social History, Vol. 6, No. 1 (Autumn, 1972), pp. 32-77.
- Annabel Wharton. "Two Waldorf-Astorias: Spatial Economies as Totem and Fetish". The Art Bulletin, Vol. 85, No. 3 (Sep., 2003), pp. 523-543.
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