Casio SK-5

From Wikipedia, the free encyclopedia

Jump to: navigation, search
SK-5
Casio sk-5.jpg
Manufactured by Casio
Dates 1987–?
Technical specifications
Polyphony 4
Timbrality Monotimbral
Oscillator 5 PCM
Synthesis type Sampling
Attenuator ADSR, 6 preset envelopes
Memory 8 preset tones
4 samples (0.7 second)
2 samples (1.4 second)
496-step sequencer
Effects sample reversal
sample looping
6 envelopes
Input/output
Keyboard 32 mini-keys
4 built-in sample pads
4 sample-trigger pads
Left-hand control none
External control none

The Casio SK-5 is a sampling keyboard introduced by Casio in 1987. Samples may be gathered from a built-in microphone or a line-level input from another source.

The keyboard was rebranded as the Realistic Concertmate-650 for sale at Radio Shack stores.

Contents

[edit] Casio SK-5 specifications

[edit] Presets

[edit] Sampling and playback

  • Sampling rate: 8-bit, 9.38 kHz
  • Tuning control: ±30 cents
  • Built-in speaker: 8 cm diamter / 1 watt output
  • Inputs: microphone jack (1/4th inch), line-in minijack (1/8th inch)
  • Outputs: audio-out minijack (1/8th inch)

[edit] Power

  • Auto power off time: 7 minutes since last operation
  • Power: 5 AA batteries or 7.5 volt negative tip polarity AC adapter
  • Power consumption: 1.8 watts

[edit] In popular culture

The distinctive Lion sample has been used in several commercial recordings. It can be heard at the very end of Ghetto Thang on De La Soul's 3 Feet High and Rising album, and also during A Shropshire Lad (at 1:27) by Half Man Half Biscuit.

[edit] See also

[edit] External links