Castle of the Moors
|Castle of the Moors (Castelo dos Mouros)|
The north-facing wall of the Castle of the Moors, perched on top of the Sintra Mountains, showing the rectangular towers, including the Royal Tower (top left)
|Official name: Castelo dos Mouros|
|Named for: the Moors that built and defended the castle during the Reconquista|
|Location||Santa Maria e São Miguel|
|- elevation||420 m (1,378 ft)|
|Length||155.83 m (511 ft), Southwest-Northeast|
|Width||152.98 m (502 ft), Northwest-Southeast|
|Architects||unknown, Ferdinand II of Portugal, Baron von Eschewege|
|Materials||Granite, Limestone with "mixtum vittatum"|
|- Constructed||8th century|
|- Completed||9th century|
|Visitation||Closed (Mondays and on 1 January, Easter Sunday, 1 May and 25 December)|
|Easiest access||Rampa da Pena, São Pedro de Sintra or Abelheira, in the Sintra Mountains|
|Management||Instituto Gestão do Patrimonio Arquitectónico e Arqueológico|
|Operator||Parques de Sintra Monte da Lua S.A.|
|Hours||9:30 a.m.-6:00 p.m.|
|Listing||Decree 16 June 1910; DG 136, 23 June 1910|
|Wikimedia Commons: Castelo dos Mouros|
The Castle of the Moors (Portuguese: Castelo dos Mouros) is a hilltop medieval castle located in the central Portuguese civil parish of Santa Maria e São Miguel, in the municipality of Sintra. Taken by Christian forces from the Moors after the fall of Lisbon, it was an important strategic point during the Reconquista, and classified as a National Monument, part of the Sintra Cultural Landscape, a UNESCO World Heritage Site.
The castle was constructed during the 8th to 9th century, during the period of Muslim Iberia, as the central place in an territory that was immeniently agricultural, and which was necessary to protect its population
In 1031, after the loss of Córdoba to the Almoravid dynasty, the king of Badajoz opted to transfer to Alfonso VI of León and Castile, a few territories on the Iberian peninsula (among them Sintra) in order to gain an alliance with the Christian king. This transfer did not result in any security, and the castle was lost to the invading Almovorid.
After the conquest of Lisbon (1147) by forces loyal to Afonso Henriques, the castle surrendered voluntarily to Christian forces. Afonso Henriques confided the castle's security to 30 inhabitants, conceding them privileges across the foral (charter) signed by the monarch in 1154. The charter suggested the that settlers should occupy and inhabit the castle, as a mechanism for guaranteeing the regions security and development.
During the second half of the 12th century, the chapel constructed within the walls of castle became the parish seat. This was followed by the remodeling and construction under the initiative of King Sancho I of Portugal.
In 1375, King Ferdinand I of Portugal, under the counsel of João Annes de Almada, ordered the rebuilding of the castle. While the structure was well fortified by 1383, its military importance was progressively diminishing, as more and more, the inhabitants were abandoning the castle for the old village of Sintra.
While the chapel was still being used a centre of religious activities at the beginning of the 15th century, by 1493, this chapel was abandoned and later only used by the small Jewish community of the parish. This was followed in the 16th century by the transfer of the ecclesiastical parish of São Pedro, from the castle to the new parochial church in the village. The Jews occupying and using the structures in the castle were expelled by Manuel I of Portugal, and the castles was completely abandoned.
The 1755 Lisbon earthquake caused considerable damage to the chapel and affected the stability of the castle. Visiting the chapel, Francisco de Almeida Jordão described the chapel (in 1768) as having a "principal door in the east, and in the south another smaller door, and a window...An addition to a painted image on the altar, there was another of rock which, already exists in the hermitage of Santa Eufémia, where they took it". An 1830 lithograph by Burnett immortalized the chapels place in the Castle.
By 1838, the towers were already in ruins, when in 1840 Ferdinand II of Portugal took up the task of conserving and improving the condition of the castle, in which he committed 240 réis annually. He consolidated the walls, reforested the spaces, created nooks and manicured spaces and conserved the chapel. Along the south flank of the chapel he built a monument to collect the bones discovered during the public works, planting a tree in the central nave of the chapel. These reforms in the enclosure were oriented by Baron von Eschewege, but likely made the archaeological recuperation of the territory considerably difficult.
At the end of the 19th century, the administrator of the Forestry Service, Carlos de Nogueira, authorized several projects in the castle and chapel.
In 1939, the DGEMN becomes involved in a reconstruction of the castle walls, in addition to the lateral door of the chapel.
With an eye towards a fledgling tourist market, dfdafd1954 a few of the cliffs were cleared to establish a picnic area near the castle, and in 1965, a transformer was installed to provide illumination.
In 1979 archaeological excavations in the Chapel of São Pedro begin by the cultural services of Portugal, which discovered the existence of medieval funerary tombs, dating to the end of the 12th, beginning of the 13th, centuries. A dispatch by the Ministry of Culture, on 26 June 1996, declared the area of the Castle as a zone of special interest (Portuguese: Zona Especial de Protecção do imóvel).
During the summer of 1986, scouts were involved in projects to consolidate the walls with cement and clean the grounds, supported by the CMS.
In 2001 there are various interventions associated with cleaning the property, clearing undergrowth and forest overgrowth, and the installation of an electrical box along one of the walls.
It is situated on the top of the Sintra Mountains, where it has a panoramic view of the municipality of Sintra, and on a clear day Mafra and Ericeira. It is accessible from Santa Maria e São Miguel by a protected gate and turnstile, or across a road accessway to the Palace of Pena. The castle is located in the limits of the Sintra-Cascais Natural Park, in the north flank of the Sintra Mountains, where the slopes are at most 40% gradients, with accented or moderate variation. The Serra da Sintra, known locally, consists of an eruptive massif with an abundance of granite, sienitos, gabros and dioritos rock formations, with soils consisting of litólicos, húmicos, câmbicos, normais, de granito (Mng).
The climate is characterized by low temperatures and elevated precipatation, due to its proximity to the sea, its relief and dense vegetation. The local vegetation is dense and diverse, with a large percentage exotics introduced during the 16th century by D. João de Castro, and in the 19th century by Ferdinand II and Francis Cook. Further, the fauna is characterized by a similar diversity, and was integrated into the royal estates and hunting grounds, including the Tapada dos Bichos, Tapada do Inhaca, Tapada do Borges, Pinhal do Prior and Tapada do Forjaz, Pinhal do Sereno, Pinhal do Tomado and Pinhal do Vale dos Anjos.
Within the proximity of the castle are many other sites, including the Garden of Pena (Portuguese: Parque da Pena), the Estate of Penha Verde (Portuguese: Quinta da Penha Verde), the Estate of Regaleira (Portuguese: Quinta da Regaleira), the Estate of Relógio (Portuguese: Quinta do Relógio) and the Park of Monserrate (Portuguese: Parque de Monserrate), among others. The Moorish Castle and other properties in the region act as a principal focus of tourism, the principal activity in this region.
The castle is an irregularly planned military outpost that follows a 450 metre perimeter on top of a mountainous cliff, oriented southwest to northwest. It consists of a double line of military walls that meanders over the granite terrain of the promontory. Its place on the hilltop, surrounded by and including the natural and exotic vegetation, accentuates the Romantic character of the place. The Moorish Castle, due to its geographic place and design, was considered, along with Santarém, one of the principal points of the military plan of Belata (the Muslim province which corresponds to the Ribatejo and Estremadura). The property was remodelled and expanded over time, resulting in a Romantic-era ruins, that included damage caused over time and the public works of Ferdinand II. The towers, which initially included two floors, has a modified appearance, without many of the internal divisions or roofing typical of the period. However, the location of the turrets seem to coincide with the design represented in the engravings of Duarte de Armas.
The outer walls open near Abelheira (west of Tapada dos Bichos), from a main access door, where several paths wind around the hilltop of the castle. A second ring of walls reinforces the castle with both circular and square turrets, thick wall battlements and railings, and crowned with pyramid-shaped merlons. At this second wall is the main entrance to the castle, protected by two turrets and battlements. Near these secondary walls and entrance are the main ruins of the old buildings, corresponding to the cellars, animal pens and cistern. The subterranean cistern, accessible from a three metre accessway, is 18 metres long by 6 metres wide, and 6 metres in height, where water was collected from openings on its "roof". The interior walls are punctuated by five rectangular towers and one circular tower, surmounted by pyramidal merlons, while surrounding these structures are remnants of older constructions. A small door, normally covered in underbrush, opens to the northern façade of the castle, corresponding to the Traitors Gate, accessing the main "military square" with the structure. In the southwest corner is the highest tower, known as the royal tower.
Along the perimeter of the castle exist various bins or silos, originating from the Arab occupation, many of which are plant covered.
A chapel with rectangular nave and narrow, lower presbytery lies outside the secondary wall, not too far from the entrance. These ruins were constructed of limestone and masonry, and the interior is accessible from the western or southern façades. The southern wall is highlighted by an arched doorway, supported by colonnades and decorative capitals, with vegetation or fantastical animal motifs (gryphons and basilisks). The northern façade, with a 1-5 metre opening, corresponds to a primitive door, elevated owing to the accentuated terrain. A triumphal arch based on double columns, based on the similar portal in the south, includes carved capitals with phytomorphic bezels and vestiges of a door. The main chapel has a cradle vault with remains of frescoes, representing a halo in the sky with a figure corresponding to the patron saint,surrounded by floral and geometric motifs, all surrounded by a frieze with geometric designs. Alongside the area designated for the oratory, is a small rectangular niche for religious equipment. The fact that the chapel was located within the walls of the castle led to the tradition that the structure served as mosque prior to the Reconquista. Although it is likely that there may have existed a place of worship for the Muslim population, there is no specific association with this building.
- Parques de Sintra Monte da Lua S.A. operates the tourist concession of many sites within the municipality of Sintra, originally under a concession from the Instituto da Conservação da Natureza, Ministério da Agricultura, Desenvolvimento Rural e Pescas, Câmara Municipal de Sintra and Instituto da Conservação da Natureza, Instituto Português do Património Arquitectónico
- Noé, Paula; Lima, Pereira de; Cortesão, Luisa (1998). SIPA, ed. "Castelo dos Mouros" (in Portuguese). Lisbon, Portugal: SIPA – Sistema de Informação para o Património Arquitectónico.
- IGESPAR, ed. (2011). "Castelo dos Mouros e cisterna" (in Portuguese). Lisbon, Portugal: IGESPAR-Instituto de Gestão do Património Arquitectónico e Arqueológico. Retrieved 12 October 2011.
- Catarina Coelho (2000), p.218
- Francisco de Almeida Jordão, p.9-10
- The original capitals from the principal façade of the chapel, with phytomorphic decoration, were collected and are now on exhibit in the Museu do Carmo.
- Manuel Luís Real (1987), p.537
- Manuel Luís Real (1987), p.555
- Cunha, António A.R. da (1838), Cintra pituresca ou memória discritiva da villa de Cintra, Collares e seus arredores (in Portuguese), Lisbon, Portugal
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- Jordão, Francisco de Almeida (1874), Relação do Castello e Serra de Cintra e do que ha que ver em toda ella (in Portuguese) (2nd ed.), Coimbra, Portugal
- Leite de Vasconcelos, J. (1897), "Museu Ethnologico Português", O Archeologo Português (in Portuguese) 3 (9-II), Lisbon, Portugal
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- Sousa, Tude (1951), Mosteiro, Palácio e Parque da Pena na Serra de Sintra (in Portuguese), Lisbon, Portugal
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- Serrão, Vitor (18 April 1980), "Um ignorado templo pré-Românico: A Capela de S. Pedro do Castelo dos Mouros", Jornal de Sintra (in Portuguese) (Ano 47, 2382)
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- Serrão, Vitor (2 May 1980), "Um ignorado templo pré-Românico: A Capela de S. Pedro do Castelo dos Mouros", Jornal de Sintra (in Portuguese) (Ano 47, 2384)
- Real, Manuel Luís (1982), "Perspectivas da Flora românica da "escola" Lisbonense. A propósito dos dois capitéis desconhecidos de Sintra, no Museu do Carmo", Separata Sintria (in Portuguese) (I-II), Sintra, Portugal
- Real, Manuel Luís (1986), "La sculpture figurative dans l'art roman du Portugal", Portugal roman (in Portuguese) I, pp. 33–75
- Gil, Júlio (1986), Os mais Belos Castelos e Fortalezas de Portugal (in Portuguese), Lisbon, Portugal
- Saladanha, António Nuno (1 July 1988), "A Capela de S. Pedro de Canaferrim, em Sintra", Aedificiorum (in Portuguese) (Ano 1), pp. 35–39
- Ribeiro, José Cardim, ed. (1996), Sintra. Património da Humanidade (in Portuguese)
- Coelho, Catarina (2000), "A ocupação islâmica do Castelo dos Mouros (Sintra): interpretação comparada", Revista Portuguesa de Arqueologia (in Portuguese) 3 (1), Lisbon, Portugal, pp. 207–225
- Torres, Claudio; Macias, Santiago (1995), "A arte islâmica no Ocidente Andaluz", História da Arte Portuguesa (in Portuguese) 1, Lisbon, Portugal: Círculo de Leitores, pp. 150–177
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