Catalogue raisonné

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The typical catalogue raisonné is a monograph giving a comprehensive list of artworks by an artist, describing the works in a way so that they may be reliably identified by third parties.

There are many variations, both broader and narrower than "all the works" or "one artist". The parameters may be restricted to one type of art work by one artist or widened to all the works by a group of artists.

Contents

Grammatical and linguistic matters [edit]

The term catalogue raisonné is French, meaning "reasoned catalogue"[1] (i.e., containing arguments for the information given, such as attributions.) but is part of the technical terminology of the English-speaking art world. The spelling is never Americanized to "catalog", even in the United States.[2][3]

The French pluralization "catalogues raisonnés" is used.[4][5]

Examples [edit]

An example of all the works of a group of artists is:

  • A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters by John Smith; published by Smith & Son, London in 9 volumes 1829-1842

In rare cases "catalogue raisonné" is not even used to refer to art or an artist but is used to catalogue an institutional collection e.g.

Most artists work in various media, e.g. oils, water colors, sculpture, etc. In some cases a catalogue raisonné is restricted to works in just one medium by the artist. For example:

  • Spies, Werner. Picasso; The Sculptures - With Catalogue Raisonné; Publisher: Hatje Cantz 2000

For an example where the parameters are limited to prints, for different time periods, for one artist (Jim Dine) see:

  • Jim Dine Prints: 1977-1985; A Catalogue Raisonné; Ellen G. D'Oench; Jean E. Feinberg; Publisher: Harper & Row Publishers, New York, 1986

Rembrandt, an example of catalogues being modified [edit]

There are about 20 catalogues purporting to list Rembrandt’s complete etchings; each one building on the other, in some cases adding etchings, in others removing etchings and in others adding different states of the etchings. The important catalogues being:

  • 1751; The first significant catalogue was by the Paris art auctioneer, Edme-François Gersaint.
  • 1797; The Vienna curator, Adam Bartsch, brought out a new edition that became the classic reference (89 of the 375 Bartsch entries are no longer believed to be prints by Rembrandt).
  • 1895 + 1922; Woldemar von Seidlitz, Die Radierungen Rembrandts: Mit Einem Kritischern Verzeichnis Und Abbildung Samtlicher Radierungen; publisher: Leipzig: E. A. Seemann Verlag, 1922, Leipzig - Seidlitz added 3 prints not in Bartsch but now believed to be by Rembrandt.
  • 1912 + 1923; Hind, Arthur Mayger, A Catalogue of Rembrandt's Etchings; chronologically arranged and completely illustrated, 2 vols, London, Methuen & Co Ltd.
  • 1969; White, Christopher; Boon, Karel G, Rembrandt's Etchings: An Illustrated Critical Catalogue, 2 vols, Amsterdam, Van Gendt & Co, added more illustrations of the different states but continued to use the Bartsch numbering system where applicable.

Other language equivalents [edit]

  • Spanish: Catalogo Razonado
  • Italian: L'Opera completa
  • German: Oeuvre-Katalog or Werkverzeichnis

References [edit]

  1. ^ Online Merriam Webster Dictionary
  2. ^ Artlex.com, Art Dictionary on catalogue raisonné
  3. ^ FAQ, placing the Catalogue Raisonné in context with other types of art catalogues arthistory.about.com
  4. ^ Merriam-webster.com
  5. ^ As seen in the CRSA homepage, catalogueraisonne.org

Further reading [edit]

  • Art Books: A Basic Bibliography of Monographs on Artists (Garland Reference Library of the Humanities) by W. Freitag; Publisher: Routledge; Second Edition (April 1, 1997)
  • Judging the Authenticity of Prints by The Masters: A Primer for Collectors by David Rudd Cycleback

External links [edit]

General links [edit]

Databases for hard copy editions [edit]

On-line projects [edit]