Cathedral of Magdeburg
The Protestant Cathedral of Magdeburg (German: Magdeburger Dom), officially called the Cathedral of Saints Catherine and Maurice (German: Dom zu Magdeburg St. Mauritius und Katharina), is the oldest Gothic cathedral in Germany. It is the proto-cathedral of the former Prince-Archbishopric of Magdeburg. Today it's the principal church of the Evangelical Church in Central Germany. One of its steeples is 99.25 m (325 ft 7 in) tall, and the other is 100.98 m (331 ft 4 in), making it one of the tallest cathedrals in eastern Germany. The cathedral is likewise the landmark of Magdeburg, the capital city of the Bundesland of Saxony-Anhalt, and is also home to the grave of Emperor Otto I the Great.
The first church built in 937 at the location of the current cathedral was an abbey called St. Maurice, dedicated to Saint Maurice. The current cathedral was constructed over the period of 300 years starting from 1209, and the completion of the steeples took place only in 1520. Despite being repeatedly looted, the Cathedral of Magdeburg is rich in art, ranging from antiques to modern art.
The first church was founded September 21, 937 at the location of the current cathedral was an abbey called St. Maurice (St. Moritz), dedicated to Saint Maurice and financed by Emperor Otto I the Great. Otto wanted to demonstrate his political power after the successful Battle of Lechfeld in 955, and ordered the construction even before his coronation as Emperor on February 2, 962. Furthermore, to support his claim as successor of the Emperor of the Weströmisches Reich, he obtained a large number of antiques – for example, pillars to be used for the construction of the church. Many of those antiques were subsequently used for the second church in 1209. The church had most likely one nave with four aisles, a width of 41 meters and a length of 80 meters. The height is estimated as up to 60 meters.
The wife of Otto, Queen Eadgyth (grand-daughter of Alfred the Great), was buried in the church after her death in 946; isotopic analysis of her bones confirms her early life in Wessex. The church was expanded in 955. Hence, the church became a cathedral. In 968, Emperor Otto I selected Magdeburg as the seat of an archdiocese with Adalbert von Trier as archbishop, even though the city was not centrally located but at the eastern border of his kingdom. He did this because he planned to expand his kingdom, and also Christianity, to the east into what is nowadays Poland. This plan, however, failed. Emperor Otto I died soon thereafter in 973 in Memleben and was also buried in the cathedral next to his wife.
The entire cathedral St. Maurice was destroyed on Good Friday in 1207 by a city fire. All but the southern wing of the cloister burned down. Archbishop Albrecht II von Kefernburg decided to pull down the remaining walls and construct a completely new cathedral, against some opposition of the people in Magdeburg. Only the south wall of the cloister is still standing. The exact location of the old church remained unknown for a long time, but the foundations were rediscovered in May 2003, revealing a building 80 m long and 41 m wide. The old crypt has been excavated and can be visited by the public.
The place in front of the cathedral (sometimes called "new marketplace", Neuer Markt) was occupied by an imperial palace (Kaiserpfalz), which was destroyed in the fire of 1207. The stones of the ruin served for building the cathedral. The presumptive remains of the palace were excavated in the 1960s.
Construction of the current building
The highly educated Archbishop Albrecht II von Kefernburg, having had traveled in Italy and France, decided to construct the new cathedral modelled upon the Gothic architecture that had intrigued him in France. The French style was completely unknown in Germany, and the hired craftsmen only gradually mastered it.
The construction of the choir started in 1209, only two years after the fire that destroyed the previous church, but this choir is still in a very Romanesque style, initially still using romanesque groin vaults, combined with a gothic center stone, which however is not needed for Romanesque groin vaults.
The Gothic influence increased especially between 1235 and 1260 under Archbishop Wilbrand. As the construction was supervised by different people in the span of 300 years, many changes were made to the original plan, and the cathedral size expanded greatly. The people of Magdeburg were not always happy with this, since they had to pay for the construction. In some cases already constructed walls and pillars were torn down to suit the wishes of the current supervisor.
Construction stopped after 1274. In 1325, Archbishop Burchard III. von Schraplau was killed by the people of Magdeburg because of extreme taxes. Folklore says that especially the beer tax increase caused much anger. Afterwards Magdeburg was under a ban, and only after the donation of five atonement altars did the construction of the cathedral continue under Archbishop Otto von Hessen. Otto was also able to complete the interior construction, and formally opened the dome in 1363 in a week-long festival. At this time the cathedral was dedicated not only to St Maurice as before, but also to Saint Catherine.
In 1360 the construction stopped again after the uncompleted parts have been covered provisionally. Only in 1477 did the construction start again under Archbishop Ernst von Sachsen, including the two towers. The towers were constructed by master builder Bastian Binder, the only master builder of the cathedral known by name. The construction of the cathedral was completed in 1520 with the placement of the ornamental cross on the north tower.
Luther, the Swedes, and Napoleon
On October 31, 1517 Martin Luther published the 95 Theses in Wittenberg, Germany, which date is used as the start of the Protestant reformation. Luther also preached in Magdeburg in 1524. Some smaller churches in Magdeburg changed to Protestantism soon thereafter. The unpopularity of Archbishop Albrecht von Brandenburg also furthered the reformation, and after his death in 1545 in Mainz there was no successor. Magdeburg became a leader in the Protestant reformation, and was outlawed by the emperor. The Catholic church stored the cathedral treasure in Aschaffenburg for safekeeping, but the treasure was later lost to the Swedes in the Thirty Years' War. The priests of the cathedral also changed to Protestantism, and on the first advent Sunday in 1567, the first Protestant worship service was held in the cathedral.
In 1631, during the Thirty Years' War (1618–1648) Magdeburg was raided, and only a small group of 4000 citizens survived the murdering, raping, and looting (known as the sack of Magdeburg) by seeking refuge in the cathedral. The head priest, Reinhard Bakes, begged on his knees for the lives of his people before the conqueror Johan t'Serclaes, Count of Tilly. The cathedral survived the fires in the city, and was dedicated again to the Catholic religion. However, as Tilly's catholic forces left Magdeburg, the cathedral was completely looted, and its colorful windows were shot out. Twenty thousand people of Magdeburg died during the war, and at the end of the war Magdeburg had a population of only 400. Magdeburg became part of Brandenburg, and was transformed into a large fortress.
In 1806 Magdeburg was given to Napoleon, and the cathedral was used for storage, and also as a horse barn and sheep pen. The occupation ended in 1814, and between 1826 and 1834 Frederick William III of Prussia financed the much-needed repairs and reconstruction of the cathedral. The glass windows were all replaced in 1900.
The 20th century
The frequent Allied bombings of World War II completely destroyed the windows of the cathedral. During the heaviest firebombing on January 16, 1945, one bomb hit the cathedral on the west side, destroying the wall, the organ, and some other parts of the building. Fortunately, the fire brigades were able to extinguish the flames on the roof structures in time, so damage to the cathedral was only moderate. The cathedral was opened again in 1955, and a new, smaller organ was installed at a different location in 1969.
With the establishment of the communist-led German Democratic Republic in 1949, Magdeburg fell under Soviet control. Communist leaders tried to suppress religion as a potential threat to communist doctrine, thus being active in church was a social disadvantage. The eradication of religion could not be accomplished, however, and weekly peace prayers were held in the cathedral beginning in 1983 in front of the Magdeburger Ehrenmal, a sculpture by Ernst Barlach. This led to the famous Monday demonstrations of 1989 (similar to those in Leipzig), which played a significant role in the German reunification process.
The cathedral is currently undergoing a reconstruction phase that began in 1983 under the East German Government. In 1990, a number of solar cells were installed on the roof, marking the first solar cell installation on a church in East Germany. The solar cells provide energy for use in the church, with excess energy being added to the regional power network. The maximum output was 418 watts. In 2004, a funding drive started in 1997 for a new organ was completed, collecting €2.2 million. The new organ was built by the firm of Schuke Orgelbau (Werder an der Havel) near Potsdam and was completed in May 2008 and dedicated on Trinity Sunday, May 18, 2008. Specs: ~36 tons, 93 registers and approximately 5500 pipes.
The Magdeburger Ehrenmal (Monument) in the cathedral is once again the starting point of many Monday demonstrations, but this time the demonstrations are aimed against social reforms reducing government welfare. However, these demonstrations occur on a much smaller scale, so comparisons to the Monday demonstrations of 1989 are made mainly for publicity reasons.
The current cathedral was constructed over a period of 300 years starting from 1209, and the completion of the steeples took place only in 1520. As there were no previous examples of gothic architecture in Germany, and German craftsmen were still very unfamiliar with the style at the start of the construction. Hence they learned by doing, and their progress can be seen in small architectural changes over the construction periods, which started with the Sanctuary in the east side of the church near the river Elbe and ended with the top of the towers. This sanctuary shows a strong Romanesque architecture influence. Unlike most other Gothic cathedrals, Magdeburg Cathedral does not have flying buttresses supporting the walls.
The building has an inside length of 120 meters, and a height to the ceiling of 32 meters. The towers rise to 99,25 and 100,98 meters, and are among the highest church towers in eastern Germany. The layout of the cathedral consists of one nave and two aisles, with one transept crossing the nave and aisles. Each side of the transept has an entrance, the south entrance leading into the cloister. The ceiling in the nave is higher than in the aisles, allowing for clerestory windows to give light to the nave. There is a separate narthex (entrance area) in the west. The presbytery in the east is separated from the nave by a stone wall, serving the same function as a rood screen. The sanctuary and the apse follow the presbytery. The apse is also surrounded by an ambulatory. (See Cathedral diagram for details on cathedral layouts) A secondary building around a large non-rectangular cloister is connected to the south side of the cathedral. The cloister, whose south wall survived the fire of 1207 and is still from the original church, was parallel to the original church. Yet, the current church was constructed at a different angle, and hence the cloister is at an odd angle with the church.
The ground around the Elbe river in Magdeburg is soft, and it is difficult to construct tall buildings, except for one large rock. Hence the cathedral was constructed on top of this rock, called Domfelsen in German, which means Cathedral Rock. At low water levels, this rock is visible in the Elbe. As in old times low water meant a small harvest, this rock is also called Hungerfelsen, meaning starvation rock. In any case, the rock was not big enough for the cathedral, and on the west end only the north tower could be placed on a solid rock foundation, whereas the south tower stands on soft ground. To reduce weight the south tower is therefore only an empty shell with no interior or stairs, and the three big bells, "Susanne" (e), "Apostolica" (b♭) and "Dominica" (b), are in the north tower with a solid rock foundation. However, the south tower is slightly higher than the north tower, which is optically corrected by adding an ornamental cross on the north tower.
Despite the looting and plundering, the Cathedral of Magdeburg is rich in art, ranging from antiques to modern art. The following list is not complete and only a summary of the most significant pieces. The list is roughly sorted by the time of creation.
- Antique pillars made from marble, porphyry, and granite are used in the apse, originating from buildings in Ravenna, transported to Magdeburg for the construction of the first building in 937
- The Baptismal font made of rose porphyry from a site near Assuan, Egypt. Originally designed as a fountain with a hole in the center, the item may be thousands of years old, and is still used for baptism today.
- The Grave of Otto I, Holy Roman Emperor from 973. During an exhumation in 1844 it was found that the grave contains a skeleton and some remains of clothes, but all offerings have been looted, presumably during the thirty year war. The Latin bronze inscription is made similar to historic designs.
- The sculpture of Saint Maurice, created around 1250, is the first realistic depiction of an ethnic African in central European art, showing clearly the ethnic features as for example a broad nose. The figure is no longer complete.
- The sculpture of Saint Catherine, also around 1250, was created by the same artist as the sculpture of Maurice.
- The Royal Couple (Herrscherpaar) in the sixteen-sided chapel (also around 1250) bear very realistic and lifelike expressions. The identity of the couple is unknown, but they may represent Emperor Otto I and his wife Edith, or Jesus in heaven with his wife the holy church.
- The sculptures of the five wise and the five foolish virgins (see The ten virgins from the List of Bible stories), also around 1250. This is the most remarkable piece of art in the cathedral. The five wise virgins are prepared and bring oil to a wedding, whereas the five foolish virgins are unprepared and bring no oil. Hence they have to go find oil and subsequently arrive late and cannot join the wedding anymore. The unknown artist masterfully expresses the emotions in the faces and the body languages of the girls, showing a much more realistic expression than what was common in art around that time. All figures are different, and have ethnic Slavic features. The sculptures are outside of the north entrance to the transept.
- The seats in the choir from 1363 are masterfully carved and show the life of Jesus. The unknown master also created the seats in the choir in Bremen's Cathedral.
- The Magdeburger Ehrenmal by Ernst Barlach was ordered as a heroic war memorial, but due to his voluntary participation during World War I Barlach was against the war and showed the pain and suffering of the war instead. This created a great controversy, and the work was almost destroyed. The spot in front of this sculpture was also the starting point of the Monday demonstrations.
- The Lebensbaumkruzifix (literally: Tree of life cross) is a painted bronze sculpture from 1986 and expanded in 1988 that shows Jesus nailed to a tree instead of a cross. Jesus is attached to the tree only with his hands and feet, and is otherwise hanging freely. The sculpture was designed not only to be viewed from the front but from all sides. The tree is barren except for a small leaf of hope/life where the blood of Jesus drips on the tree. The artist, Prof. Jürgen Weber, wanted the sculpture to be the centerpiece near the altar, but the sculpture was placed on the south side of the transept against his wishes.
- Nicola Coldstream (2002) "Medieval Architecture", Oxford History of Art, Oxford University Press, ISBN 0-19-284276-5.
- "Der Dom zu Magdeburg", DKV Kunstführer Nr. 415/2, Munich.
- Buchholz, Ingelore (2001): Magdeburg: Der Stadtführer, Verlag Janos Stekovics, ISBN 3-932863-84-4.
- Sussman, Michael (1997): Der Dom zu Magdeburg, Passau.
- Ullmann, Ernst (1989): Der Magdeburger Dom: ottonische Gründung und staufischer Neubau, Leipzig
|Wikimedia Commons has media related to Cathedral of Magdeburg.|
- Magdeburg Cathedral from the official homepage of Magdeburg
- Magdeburg Cathedral by Andrew Love
- Der Magdeburger Dom (German)
- Kirchen und Klöster zu Magdeburg (German)
- City of Magdeburg Tourist Information
- 1913 Catholic Encyclopedia.