Caves of Gargas
||This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. (June 2013)|
|Caves of Gargas|
Interior view taken by Félix Régnault before 1910
The caves are open to the public.
The caves of Gargas have yielded evidence of occupation (bones, lithics (Stone tools), and Portable art) from the Mousterian to the Middle Ages, but it is most famous for his paintings and engravings of the Upper Paleolithic.
The paintings have numerous negative hands made by the stencil technique. The hands are red (ochre) or black (manganese oxide), using a mixture of iron oxide and manganese crushed with animal fat, and sprayed around the hand against the wall. Some have one or more fingers absent which lead to hypotheses of diseases, frostbite and ritual amputation, but most researchers prefer the symbolism of bending one or more fingers.
Many figurative engravings are also present in other parts of the caves, depicting horses, bison, aurochs, ibex and mammoth. Carbon-14 dating of a bone stuck in a crack in a wall decorated with hand stencils revealed close to 27,000 years BP, indicating that the cave was frequented in the Gravettian period. It is surmised that the Hands paintings probably date from this period.
The two chambers of the caves began to be scientifically explored and documented at the end of the 19th century by Émile Cartailhac and Abbé Henri Breuil, but it was Felix Regnault who discovered the hand-print images in 1906.
The caves are classified as a historic monument, Schedule 2, and is open to the public.
|Wikimedia Commons has media related to Gargas (Haute-Garonne).|
- Cave of Altamira
- Prehistoric art
- List of archaeological sites by country
- List of caves
- Cave painting
- Foucher Pascal, San Juan-Foucher Cristina, Rumeau Yoan, La grotte de Gargas. Un siècle de découvertes, Édition Communautés de Communes du Canton de Saint-Laurent-de-Neste, 2007, 128 pages.