||This article possibly contains original research. (October 2008)|
Cedric Bixler-Zavala live at the LC Pavilion in Columbus, OH
November 4, 1974 |
Redwood City, California, U.S.
|Origin||El Paso, Texas, U.S.|
|Genres||Progressive rock, jazz fusion, post-hardcore, experimental rock, art rock, psychedelic rock, hardcore punk, alternative rock, dub|
|Occupations||Musician, songwriter, singer, drummer|
|Instruments||Vocals, drums, guitar, maracas, tambourine, keyboard, bass|
|Associated acts||The Mars Volta, At the Drive-In, Antemasque, Anywhere, De Facto, Los Dregtones, The Fall on Deaf Ears, Omar Rodriguez-Lopez Group, El Grupo Nuevo de Omar Rodriguez Lopez, Zavalaz, Big Sir|
Cedric Bixler-Zavala (born November 4, 1974 in Redwood City, California) is a Grammy Award-winning American musician known for his work as frontman and lyricist of the progressive rock band The Mars Volta, and as frontman and occasional guitarist of the post-hardcore group At the Drive-In. Currently he is a singer in the band Antemasque, and also sings and plays guitar in his band Zavalaz. He has also played drums for a number of acts, including the dub act De Facto and more recently Big Sir and Anywhere.
- 1 Voice
- 2 Lyric style
- 3 On-stage behavior
- 4 Solo recordings, collaborations and Zavalaz
- 5 Personal life
- 6 Discography
- 7 References
- 8 External links
Bixler-Zavala has a High Tenor vocal range, spanning from the G above Low C (G2) to Soprano C (C6). His vocal work for At the Drive-In consisted mainly of a screaming style.
Bixler-Zavala is fond of Frank Zappaesque humour and writes in English, Spanish, and Latin. “I love to take common sayings, pervert them, mutate them a little. So you think I am singing one thing, but when you read it, it is different.”
When performing with At the Drive-in and The Mars Volta, Bixler-Zavala was known for his eccentric on-stage behavior. He frequently did somersaults on stage, swung his microphone (once unintentionally hitting band mate Ikey Owens in the head), threw objects such as cymbals, microphone stands, and trash cans into the audience, salsa danced, adjusted Omar Rodriguez-Lopez’s effects pedals and occasionally played the maracas.
Solo recordings, collaborations and Zavalaz
Under the pseudonym "Alavaz Relxib Cirdec" ("Cedric Bixler-Zavala" backwards), Bixler-Zavala contributed a two-song single to the GSL Special 12" Singles Series, released in December 2005. Closer to the dub of De Facto and the ambient experimentation shown in Omar Rodríguez-López's records than the prog-rock of The Mars Volta, the two songs Bixler-Zavala has produced under this alias are entirely instrumental.
In 2010, he commented on Facebook about the recording process:
This is my failed attempt at ghost noted shuffeling Tony Allen beats! Ha! There is a digital tabla machine running through some DD-5 delay pedal that is being played by a mini hand held tape recorder playing throughout! I wrote the bass line...hummed it to Juan...Omar came up with the guitar and chorus section and Adrian played flute on it. It was squeezed in during tracking drums for Amputechture, and rushed...very very rushed. I had other parts and chorus bits but I didn't want to get in the way of the record (studio time is expensive!). The samples are from 2 places [...] On "Private Booths" the samples at the start are from a interview with a psychic who participated in the Montauk Project...I sampled it from a UK TV show called Disinformation (RIP!) [...] The other sample is from a movie called Shock Corridor by the late Sam Fuller. Side 2 "Sapta Loka" is a bit of an homage to ambient German music from the 70's....it's one long drone spliced in four places and stacked on each other playing at the same time. A shitty Casio and a banged up Chaos pad (very 2005!) are being run and it's all recorded through a hand held mini recorder dumped onto a ProTools file. [...] Omar co-wrote the piece.
Late 2011 saw the release of the first 7" record from Bixler's new project Anywhere, a collaboration with Christian Eric Beaulieu of Triclops! and Mike Watt of The Stooges/Firehose/Minutemen. Their self-titled debut album was released by ATP Records in June 2012.
Since 2011 Bixler was working on another album, which he described as "mostly ballady type stuff...a very sunday morning record. Very soft". Eventually the solo project turned into a full-fledged band named Zavalaz, which features Bixler on lead vocals and guitar, Dan Elkan on guitar, Juan Alderete on bass and Gregory Rogove on drums. The band is set to play a number of West Coast tour dates throughout June, supported by Dot Hacker and EV Kain. On June 3, 2013, a snippet from song "Blue Rose of Grand Street" off their upcoming album All the Nights We Never Met was released on YouTube.
Cedric has been back into the studio after reuniting with Omar Rodriquez-Lopez due to Red Hot Chili Peppers bassist, Flea, wanting them to reunite. They have now formed a supergroup together called Antemasque with ex-Mars Volta drummer Dave Elitch. Recording new material and new a new album to be released in 2014. Fans have cited that as Flea & Dave have played with the Mars Volta prior, a Mars Volta reunion could be in the works. (Flea played bass on 2002's De-loused in the Comatorium and trumpet on 2004's Frances the Mute, Dave played with The Mars Volta from 2009-2010)
In 2009 Bixler-Zavala married actress and model Chrissie Carnell. The couple reside in Los Angeles, California. They had their first children, twin boys Ulysses Nakai and Xanthus Lucien, in 2013.
Cedric's life has been heavily impacted by the deaths of people who have been in close association with him, several of which have become themes for his lyrics. Jimmy Hernandez, bass player for Los Dregtones, died of cancer in 1994. Bernie Rincon, an original drummer of At The Drive-In, committed suicide. In 1996, two of his bandmates of the group The Fall on Deaf Ears, Laura Beard and Sarah Reiser, died in a car accident. Also in 1996, a close friend and band-mate of Cedric's named Julio Venegas committed suicide. The story behind The Mars Volta's first album De-Loused in the Comatorium was loosely inspired by "life and death of Julio Venegas". Shortly before the release of De-Loused, in May 2003, their sound manipulator and longtime friend of Cedric and Omar Rodriguez-Lopez, Jeremy Michael Ward, was found dead of apparent heroin overdose. Ward coined the term Amputechture which was used as the title for The Mars Volta's third full-length album, and Frances the Mute was based on a journal Ward had discovered.
With Los Dregtones
- 5 Song Alibi (1994)
With The Fall on Deaf Ears
- The Fall on Deaf Ears EP (1996)
With At the Drive-In
- Hell Paso (1994) – re-release EP
- Alfaro Vive, Carajo! (1995) – EP
- Acrobatic Tenement (1996, re-release 2004) – LP
- El Gran Orgo (1997) – EP
- In/Casino/Out (1998, re-release 2004) – LP
- Vaya (1999, re-release 2004) – EP
- Sunshine / At the Drive-In (2000) – EP
- Relationship of Command (2000, re-release 2004) – LP
- This Station Is Non-Operational (2005) – Compilation
With De Facto
- How Do You Dub? You Fight For Dub, You Plug Dub In LP (1999/2001)
- 456132015 EP (2001)
- Megaton Shotblast LP (2001)
- Légende du Scorpion à Quatre Queues LP (2001)
With The Mars Volta
- Tremulant – EP (2002)
- De-Loused in the Comatorium – LP (2003)
- Live – EP (2003)
- Frances the Mute – LP (2005)
- Scabdates – LP (2005)
- Amputechture – LP (2006)
- The Bedlam in Goliath – LP (2008)
- Octahedron – LP (2009)
- Noctourniquet – LP (2012)
As Alavaz Relxib Cirdec
- The Special 12 Singles Series – "Live Private Booths" / "Sapta Loka" single (2005)
With Omar Rodríguez-López
- A Manual Dexterity: Soundtrack Volume 1 – Omar Rodríguez-López (2004)
- Omar Rodriguez – Omar Rodríguez-López (2005)
- Se Dice Bisonte, No Bùfalo – Omar Rodríguez-López Group (2007)
- Calibration (Is Pushing Luck and Key Too Far) – Omar Rodríguez-López (2007)
- Old Money – Omar Rodríguez-López (2008)
- Cryptomnesia – El Grupo Nuevo De Omar Rodriguez-Lopez (2009)
- Sympathy for Delicious OST – Burnt the Diphthongs Feat. Cedric Bixler, Orlando Bloom, DJ Disk, Juliette Lewis, Omar Rodriguez-Lopez & Deantoni Parks (2011, selected tracks)
With Big Sir
- Before Gardens After Gardens (2012)
- "Pyramid Mirrors" – single (2011)
- "Infrared Moses" – single (2012)
- Anywhere (2012)
- All Those Nights We Never Met (2014)
- Rise Above: 24 Black Flag Songs to Benefit the West Memphis Three – Various Artists backed by the Rollins Band (2002)
- Decomposition – Thavius Beck
- Plasticity Index – Sand Which Is
- White People – Handsome Boy Modeling School (2004)
- Blood Mountain – Mastodon (2006)
- I'll Sleep When You're Dead – El-P (2007)
- Vivid Green – Nobody (2013)
- Hell Paso by At the Drive-In (1994) co-produced with other members of At the Drive-In
- ¡Alfaro Vive, Carajo! by At the Drive-In (1995) co-produced with other members of At the Drive-In
- El Gran Orgo by At the Drive-In (1997) co-produced with Bryan Jones and other members of At the Drive-In
- Sunshine / At the Drive-In by At the Drive-In (2000) co-produced with other members of At the Drive-In
- Live by The Mars Volta (2003) co-produced with Omar Rodriguez Lopez
- Eggar, Robin (21 June 2009). "The Mars Volta's unveil Octahedron". The Sunday Times. Retrieved 25 March 2011.
- Robbins, Winston (2011-09-22). "Cedric Bixler-Zavala and Mike Watt announce super group, Anywhere". consequenceodsound.com. Retrieved 2012-01-03.
- Blood, Frederick (2009-06-08). "Artist 'n' Artist: Frederick Blood-Royale meets The Mars Volta / In Depth // Drowned In Sound". Drownedinsound.com. Retrieved 2011-10-06.
- Martins, Chris (2013-05-15). "Mars Volta's Cedric Bixler-Zavala Started Another Band". Spin.com. Retrieved 2013-06-04.
- Wonky Talk With Cedric Bixler-Zavala By Mikey More Or Less >> The Cosmic Clash
- Matt Cibula. "The Fall on Deaf Ears". Ink 19. Retrieved 20 June 2011.
- Unknown (May 28, 2003). "The Mars Volta's Jeremy Michael Ward Found Dead". Blabbermouth.net. Retrieved 20 June 2011.
- Dan Martin (Sep 13, 2006). "The Mars Volta - Amputechture". NME. Retrieved 20 June 2011.
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