Centre Georges Pompidou
|Centre Georges Pompidou|
|Type||Culture and Leisure|
|Architectural style||Postmodern / High-Tech|
|Completed||1971 - 1977|
|Structural system||Steel superstructure with reinforced concrete floors|
|Design and construction|
|Architect||Renzo Piano, Richard Rogers and Gianfranco Franchini|
Centre Georges Pompidou (French pronunciation: [sɑ̃tʁ ʒɔʁʒ pɔ̃pidu]; commonly shortened to Centre Pompidou; also known as the Pompidou Centre in English) is a complex in the Beaubourg area of the 4th arrondissement of Paris, near Les Halles, rue Montorgueil and the Marais. It was designed in the style of high-tech architecture.
It houses the Bibliothèque publique d'information, a vast public library, the Musée National d'Art Moderne which is the largest museum for modern art in Europe, and IRCAM, a centre for music and acoustic research. Because of its location, the Centre is known locally as Beaubourg (IPA: [bobuʁ]). It is named after Georges Pompidou, the President of France from 1969 to 1974 who commissioned the building, and was officially opened on 31 January 1977 by President Valéry Giscard d'Estaing. The Centre Pompidou has had over 150 million visitors since 1977.
The sculpture, Horizontal by Alexander Calder, a free-standing mobile that is twenty-five feet high, was placed permanently in front of the Centre Pompidou by the architect of the building, Renzo Piano.
- 1 History
- 2 Architecture
- 3 Exhibitions
- 4 Stravinsky Fountain
- 5 Place Georges Pompidou
- 6 Expansion
- 7 Management
- 8 Use in film and television
- 9 Public transport
- 10 See also
- 11 References
- 12 Further reading
- 13 External links
The idea for a multicultural complex sprouted from André Malraux, the first minister of cultural affairs, was the western prophet of art and culture as centralized political power. The idea for the Centre Pompidou as a nerve centre of the French art and culture, bringing together in one place the different forms of expression, can be traced back in a way to Malraux' ideas.(5) In the 1960s the city planners decided to move the foodmarkets of Les Halles, the historical structures were greatly prized and it was proposed that some of the cultural institutes would be appropriate occupants. Paris as a city of culture and art needed a boost and voices were raised to move the Musée d'Art Moderne to this more appropriate location. Another demand existed in Paris at the time, that for a decent public library, Paris at the time lacked any large, free, general-purpose library. At first the debate concerned Les Halles, but as the controversy settled, in 1968, President Charles de Gaulle announced the Plateau Beaubourg as the new site for the library. A year later in 1969, the new president adopted the Beaubourg project and decided it to be the location of both the new library and a center for the contemporary arts. In the process of developing the project, the IRCAM (Institut de recherche et coordination acoustique/musique) was also housed in the complex.(2) By 1992, the Centre de Création Industrielle was incorporated into the Centre Pompidou.
The Centre was designed by Italian architect Renzo Piano; British architect Richard Rogers; and Italian architect Gianfranco Franchini, assisted by Ove Arup & Partners.  The project was awarded to this team in an architectural design competition, whose results were announced in 1971. It was the first time in France international architects were allowed to participate. World renowned architects Oscar Niemeyer, Jean Prouvé and Philip Johnson made up the jury which would select one design out of the 681 entries 
National Geographic described the reaction to the design as "love at second sight." An article in Le Figaro declared "Paris has its own monster, just like the one in Loch Ness." But two decades later, while reporting on Rogers' winning the Pritzker Prize in 2007, The New York Times noted that the design of the Centre "turned the architecture world upside down" and that "Mr. Rogers earned a reputation as a high-tech iconoclast with the completion of the 1977 Pompidou Centre, with its exposed skeleton of brightly coloured tubes for mechanical systems. The Pritzker jury said the Pompidou "revolutionized museums, transforming what had once been elite monuments into popular places of social and cultural exchange, woven into the heart of the city.". The building was so modern and different, it stood out from those around it. The outside of the building reflects the modern art that is held inside. The Centre shows that High-Tec style will be the future.
Initially, all of the functional structural elements of the building were colour-coded: green pipes are plumbing, blue ducts are for climate control, electrical wires are encased in yellow, and circulation elements and devices for safety (e.g., fire extinguishers) are red. However, recent visits suggest that this color-coding has partially lapsed, and many of the elements are simply painted white.
The Centre was built by GTM and completed in 1977. The building cost 993 million 1972 French francs. Renovation work conducted from October 1996 to January 2000 was completed on a budget of 576 million 1999 francs.
|Land area||2 hectares (5 acres)|
|Floor area||103,305 m2|
|Height||42 m (Rue Beaubourg side), 45.5 m (Piazza side)|
|Dimensions||Depth: 18 m; Length: 180 m; Width: 110 m|
|Reinforced concrete||50,000 m3|
|Metal framework||15,000 tonnes of steel|
|Façades, glass surfaces||11,000 m2|
|Opaque surfaces||7,000 m2|
Main article Stravinsky Fountain
The nearby Stravinsky Fountain (also called the Fontaine des automates), on Place Stravinsky, features sixteen whimsical moving and water-spraying sculptures by Jean Tinguely and Niki de Saint-Phalle, which represent themes and works by composer Igor Stravinsky. The black-painted mechanical sculptures are by Tinguely, the colored works by de Saint-Phalle. The fountain opened in 1983.
Place Georges Pompidou
The Place Georges Pompidou in front of the museum is noted for the presence of street performers, such as mimes and jugglers. In the spring, miniature carnivals are installed temporarily into the place in front with a wide variety of attractions: bands, caricature and sketch artists, tables set up for evening dining, and even skateboarding competitions.
- Main article Centre Pompidou-Metz
In 2010, the Centre Georges Pompidou opened a provincial branch, the Centre Pompidou-Metz, in Metz a city 170 miles east of Paris. The new museum is part of an effort to expand the display of contemporary arts beyond Paris's large museums. The new museum's building was designed by the architect Shigeru Ban with a curving and asymmetrical pagoda-like roof topped by a spire and punctured by upper galleries. The 77 meters central spire is a nod to the year the Centre Georges Pompidou of Paris was built – 1977. The Centre Pompidou-Metz displays unique, temporary exhibitions from the collection of the Musée National d'Art Moderne, which is not on display at the main Parisian museum. Since its inauguration, the institution has became the most visited cultural venue in France outside Paris accommodating 550,000 visitors/year.
Launched in 2011 in Chaumont, the museum for the first time went on the road to the French provinces with a selection of works from the permanent collection. To do this, it designed and constructed a mobile gallery, which, in the spirit of a circus, will strike camp for a few months at a time in towns throughout the country. However, in 2013, the Centre Pompidou halted its mobile-museum project because of the cost.
In 2015, around 70 works from the Centre Pompidou's collection are planned to go on show in a temporary glass-and-steel structure called The Cube in Málaga. According to the Spanish newspaper El País, the annual €1 million cost of the five-year project will be funded by the city council.
In a joint proposal with the Solomon R. Guggenheim Museum presented in 2005, the Centre Pompidou planned to build a museum of modern and contemporary art, design and the media arts in Hong Kong's West Kowloon Cultural District. In 2007, the then president Bruno Racine announced plans to open a museum carrying the Pompidou's name in Shanghai, with its programming to be determined by the Pompidou. The location chosen for the new museum was a former fire station in the Luwan district's Huaihai Park. However, the scheme never materialized, reportedly due to the lack of a legal framework for a non-profit foreign institution to operate in China. Other projects include the Pompidou’s joint venture with the King Abdulaziz Centre for World Culture, an arts complex incorporating a museum in Dhahran, the building of which has stalled.
- since 2007: Alain Seban
- 2002 - 2007: Bruno Racine
- 1996 - 2002: Jean-Jacques Aillagon
- 1993 - 1996: François Barré
- 1991 - 1993: Dominique Bozo
- 1989 - 1991: Hélène Ahrweiler
- 1983 - 1989: Jean Maheu
- 1980 - 1983: Jean-Claude Groshens
- 1977 - 1980: Jean Millier
- 1976 - 1977: Robert Bordaz
1977-2012 Pavel Stoliar
As all of France's national museums, the Centre Pompidou is government-owned and heavily subsidized. The Culture Ministry appoints its directors and has the last word on major policy decisions. In 2011, the museum earned $1.9 million from traveling exhibitions.
Established in 1977 as the institution's US philanthropic arm, the Georges Pompidou Art and Culture Foundation acquires and encourages major gifts of art and design for exhibition at the museum. Since 2006, the non-profit support group has brought in donations of 28 works, collectively valued at more than $14 million, and purchased many others. In 2013, New York-based art collectors Thea Westreich Wagner and Ethan Wagner announced their intention to donate about 300 works by 27 European and international artists to the Centre Pompidou, thereby making one of the largest gifts in the institution’s history.
The Centre Pompidou was intended to handle 8,000 visitors a day. In its first two decades it attracted more than 145 million visitors, more than five times the number first predicted. As of 2011[update], more than 180 million people have visited the museum since its opening in 1977. However, until the 1997 renovation, 20 percent of the center's eight million annual visitors—in the main foreign tourists—rode the escalators up the outside of the building to the platform for the sights. In 2011, the museum saw an increase in attendance from 3.1 million (2010) to 3.6 million visitors.
Use in film and television
- Roberto Rossellini, Beaubourg, centre d'art et de culture, 1977. In 1977 Roberto Rossellini produced a documentary about the Centre, the last film he made, which explores the centre and its surroundings on its opening day.
- Lewis Gilbert, Moonraker, 1979. A fifth floor room of the building featured as the office of Holly Goodhead (played by Lois Chiles), in the 1979 James Bond film Moonraker, which in the film was scripted as being part of the space station of the villainous Hugo Drax (Michael Lonsdale).
- "Architecture of the Building". Practical Information. Centre Pompidou. Retrieved 2009-07-10.
- Richard Copans. Le Centres Georges Pompidou. Available from: http://www.youtube.com/watch?v=IkgnXkBcVGs&feature=plcp [access date 25/11/2012 22:14]
- National Geographic, October 1980, pg. 469
- Pogrebin, Robin (2007-03-28). "British Architect Wins 2007 Pritzker Prize". New York Times. Retrieved 2011-05-03.
- "Centre Georges Pompidou". Vinci. Retrieved 2011-05-03.
- "Centre Pompidou - Art culture musée expositions cinémas conférences débats spectacles concerts". Centre Pompidou. 2011. Retrieved 2011-05-03.
- Hortense Lyon, La Fontaine Stravinsky, Collection Baccalaureat arts plastiques 2004, Centre national de documentation pedagogique
- "Official website of France tourism survey, 2011 Museum frequentation". Retrieved 30 December 2011. (French)
- "Official website of Moselle tourism office, 2011 key numbers. p 12." (PDF). Retrieved January 2012. (French)
- Lennox Morrison (October 14, 2011), Ladies and Gentlemen... Cirque Pompidou Wall Street Journal.
- Gareth Harris (July 9, 2013), Pompidou camps out in Dhahran The Art Newspaper.
- Gareth Harris (December 31, 2013), Málaga’s mayor says the Pompidou is coming The Art Newspaper.
- Carol Vogel (October 28, 2005), From 'Not Interested' to a Collaboration New York Times.
- Gareth Harris (April 30, 2012), Pompidou plans to go global: focus is Brazil, India, China The Art Newspaper.
- Doreen Carvaja (January 23, 2011), ‘This Space for Rent’: In Europe, Arts Now Must Woo Commerce New York Times.
- Centre Pompidou Centre Pompidou Foundation, Los Angeles.
- Gareth Harris (May 3, 2012), Pompidou at war with its US friends The Art Newspaper.
- Suzanne Muchnic (May 3, 2009), Centre Pompidou Foundation: L.A.'s French connection Los Angeles Times.
- Carol Vogel (March 15, 2012), New York Couple’s Gift to Enrich Two Museums New York Times.
- John Rockwell (March 9, 1994), Success Takes Toll on the Pompidou Center New York Times.
- Pompidou Centre reopens for 2000 BBC News, January 1, 2000.
- Centre Pompidou Centre Pompidou Foundation, Los Angeles.
- Alan Riding (December 22, 1999), Pompidou Unearths the Museum Within New York Times.
- Javier Pes and Emily Sharpe (23 March 23, 2012), Attendance survey 2011: Brazil’s exhibition boom puts Rio on top The Art Newspaper.
- "Moonraker (1979)". The Internet Movie Database. Retrieved 2011-05-03.
- Nancy Marmer, "Waiting for Gloire: Beaubourg Opens in Paris," Artforum, February 1977, pp. 52–59.
|Wikimedia Commons has media related to Centre Georges-Pompidou.|
- Official website
- Bibliothèque publique d'information website
- Encyclopaedia Britannica, Pompidou Centre
- Paris Pages – Musée National d'Art Moderne
- - Le Centre Pompidou et son rayonnement
- Preview of Pompidou-Metz extension at Specifier Magazine
- Dossier: Richard Rogers + Architects, exhibition at the Centre Pompidou, 2007
- English-language site on Centre Pompidou
- Photosynth experience - Centre Georges Pompidou