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His main books on art interpretation are Le due vie (1966, Bari), and Teoria generale della critica (1974).Le due vie was presented and debated in Rome by Roland Barthes, Giulio Carlo Argan and Emilio Garroni. The philosopher he felt mostly closer to was Heidegger, although their positions didn't coincide; for this, he felt also closer to Derrida, particularly to his theorization of Différance.
In 1963 he published Teoria del Restauro, a landmark theoretical essay on restoration.