Cesare Lombroso

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Cesare Lombroso
Lombroso.JPG
Cesare Lombroso
Born Ezechia Marco Lombroso
(1835-11-06)6 November 1835
Verona
Died 19 October 1909(1909-10-19) (aged 73)
Turin
Nationality Italian
Fields Medicine
Criminology
Known for Italian school of positivist criminology
Influences Auguste Comte
Charles Darwin
Francis Galton
Bénédict Morel
Bartolomeo Panizza
Carl Rokitanski[1]
Influenced Enrico Ferri
Raffaele Garofalo
Arnold Aletrino
Signature

Cesare Lombroso (born Ezechia Marco Lombroso; Italian: [ˈtʃɛzare lombˈroso]; 6 November 1835 – 19 October 1909), was an Italian criminologist, physician, and founder of the Italian School of Positivist Criminology. Lombroso rejected the established Classical School, which held that crime was a characteristic trait of human nature. Instead, using concepts drawn from physiognomy, early eugenics, psychiatry and Social Darwinism, Lombroso's theory of anthropological criminology essentially stated that criminality was inherited, and that someone "born criminal" could be identified by physical defects, which confirmed a criminal as savage, or atavistic.

Life[edit]

Lombroso was born in Verona, Italy, on 6 November 1835 to a wealthy Jewish family.[2] His father was Aronne Lombroso, a tradesman from Verona, and his mother was Zeffora (or Zefira) Levi from Chieri near Turin.[3] He studied literature, linguistics, and archæology at the universities of Padua, Vienna, and Paris, but changed his plans and became an army surgeon in 1859. In 1866 he was appointed visiting lecturer at Pavia, and later took charge of the insane asylum at Pesaro in 1871. He became professor of forensic medicine and hygiene at Turin in 1878.[4] That year he wrote his most important and influential work, L'uomo delinquente, which went through five editions in Italian and was published in various European languages. However, it was not until 1900 that his work was published in English. Lombroso later became professor of psychiatry (1896) and criminal anthropology (1906) at the same university.[2] He died in Turin in 1909.[5]

Concept of criminal atavism[edit]

Lombroso's general theory suggested that criminals are distinguished from noncriminals by multiple physical anomalies. He postulated that criminals represented a reversion to a primitive or subhuman type of man characterized by physical features reminiscent of apes, lower primates, and early man and to some extent preserved, he said, in modern "savages". The behavior of these biological "throwbacks" will inevitably be contrary to the rules and expectations of modern civilized society.

Through years of postmortem examinations and anthropometric studies of criminals, the insane, and normal individuals, Lombroso became convinced that the "born criminal" (reo nato, a term given by Ferri) could be anatomically identified by such items as a sloping forehead, ears of unusual size, asymmetry of the face, prognathism, excessive length of arms, asymmetry of the cranium, and other "physical stigmata". Specific criminals, such as thieves, rapists, and murderers, could be distinguished by specific characteristics, he believed. Lombroso also maintained that criminals had less sensibility to pain and touch; more acute sight; a lack of moral sense, including an absence of remorse; more vanity, impulsiveness, vindictiveness, and cruelty; and other manifestations, such as a special criminal argot and the excessive use of tattooing.

Besides the "born criminal", Lombroso also described "criminaloids", or occasional criminals, criminals by passion, moral imbeciles, and criminal epileptics. He recognized the diminished role of organic factors in many habitual offenders and referred to the delicate balance between predisposing factors (organic, genetic) and precipitating factors such as one's environment, opportunity, or poverty.

Lombroso's research methods were clinical and descriptive, with precise details of skull dimension and other measurements. He did not engage in rigorous statistical comparisons of criminals and noncriminals. Although he gave some recognition in his later years to psychological and sociological factors in the etiology of crime, he remained convinced of, and identified with, criminal anthropometry.

Lombroso's theories were disapproved throughout Europe, especially in schools of medicine, but not in the United States, where sociological studies of crime and the criminal predominated. His notions of physical differentiation between criminals and noncriminals were seriously challenged by Charles Goring (The English Convict, 1913), who made elaborate comparisons and found insignificant statistical differences.

Psychiatric art[edit]

A photograph of the medium Linda Gazzera with a fake doll, which Lombroso believed to be real ectoplasm.

Lombroso published The Man of Genius in 1889, a book which argued that artistic genius was a form of hereditary insanity. In order to support this assertion, he began assembling a large collection of "psychiatric art". He published an article on the subject in 1880 in which he isolated thirteen typical features of the "art of the insane." Although his criteria are generally regarded as outdated today, his work inspired later writers on the subject, particularly Hans Prinzhorn.

Spiritualism[edit]

Later in his life Lombroso began investigating mediumship. Although originally skeptical, he later became a believer in spiritualism.[6] As an atheist[7] Lombroso discusses his views on the paranormal and spiritualism in his book After Death – What? (1909) which he believed the existence of spirits and claimed the medium Eusapia Palladino was genuine. In the British Medical Journal on November 9, 1895 an article was published titled Exit Eusapia!. The article questioned the scientific legitimacy of the Society for Psychical Research for investigating Palladino a medium who had a reputation of being a fraud and imposture and was surprised that Lombroso had been deceived by Palladino.[8]

Edward Clodd wrote "[Lombroso] swallowed the lot at a gulp, from table raps to materialisation of the departed, spirit photographs and spirit voices; every story, old or new, alike from savage and civilised sources, confirming his will to believe."[9] Lombroso's daughter Gina Ferrero wrote that during the later years of his life Lombroso suffered from arteriosclerosis and his mental and physical health was wrecked. The skeptic Joseph McCabe wrote that because of this it is not surprising that Palladino managed to fool Lombroso into believing spiritualism by her tricks.[10]

Cultural references[edit]

Lombroso was used for the name of the institute in Philip Kerr's techno-thriller A Philosophical Investigation.[11]

Works[edit]

  • Ricerche sul cretinismo in Lombardia, (1859)
  • Genio e follia, (1864)
  • Studi clinici sulle mallatie mentali (1865)
  • Sulla microcefala e sul cretinismo con applicazione alla medicina legale (1873)
  • L'uomo delinquente, (1876)
  • Considerazioni al processo Passannante, (1879)
  • L'amore nel suicidio e nel delitto, (1881)
  • L'uomo di genio in rapporto alla psichiatria, (1888, English translation, Man of Genius, London, 1891)
  • Sulla medicina legale del cadavere, (second edition, 1890)
  • Palimsesti del carcere, (1891)
  • Trattato della pellagra, (1892)
  • Le più recenti scoperte ed applicazioni della psichiatria ed antropologia criminale, (1894)
  • Gli anarchici, (1894)
  • L'antisemitismo e le scienze moderne, (1894)
  • Genio e degenerazione, (1897)
  • Les Conquêtes récentes de la psychiatrie, (1898)
  • Le crime; causes et remédes, (1899, English translation, Crime, its Causes and Remedies, Boston, 1911)
  • Lezioni de medicina legale, (1900)
  • Delitti vecchi e delitti nuovi, (1902)
  • Ricerche sui fenomeni ipnotici e spiritic, (1909). He began to believe in the supernatural.

A collection of papers on Lombroso was published under the title L'opera di Cesare Lombroso nella scienza e nelle sue applicazioni, (Turin, 1906).

Works in English translation[edit]

Articles[edit]

Other[edit]

  • Arthur MacDonald, Criminology, with an Introduction by Cesare Lombroso, Funk & Wagnalls Company, 1893.
  • August Drahms, The Criminal, with an Introduction by Cesare Lombroso, The Macmillan Company, 1900.

See also[edit]

References[edit]

  1. ^ "Lombroso, Cesare." International Encyclopedia of the Social Sciences. 1968.
  2. ^ a b "Cesare Lombroso, A Brief Biography", Brain and Mind (1997).
  3. ^ "Cesare Lombroso, the Inventor of Criminal Anthropology", Museo Criminologico, Italian Ministry of Justice, Department of Penitentiary Administration
  4. ^ "The Cesare Lombroso Museum", Museo Criminologico, Italian Ministry of Justice, Department of Penitentiary Administration
  5. ^ Courtney Kenny, "The Death of Lombroso," Journal of the Society of Comparative Legislation, New Series, Vol. 10, No. 2 (1910).
  6. ^ Cristina Mazzoni. (1996). Saint hysteria: neurosis, mysticism, and gender in European culture. Cornell University Press. p. 34
  7. ^ Andrea Rondini. (2001). Cosa da pazzi: Cesare Lombroso e la letteratura. Istituti Editoriali e Poligrafici Internazionali. p. 33
  8. ^ The British Medical Journal. (Nov. 9, 1895). Exit Eusapia!. Volume. 2, No. 1819. p. 1182.
  9. ^ Edward Clodd. (1917). The Question: A Brief History and Examination of Modern Spiritualism. Grant Richards, London. p. 236
  10. ^ Joseph McCabe. (1920). Scientific Men and Spiritualism: A Skeptic's Analysis. The Living Age. June 12. pp. 652-657.
  11. ^ Philip Kerr, A Philosophical Investigation, Chatto & Windus, 1992.
  12. ^ Michael Schwab, "A Convicted Anarchist's Reply to Professor Lombroso," The Monist, Vol. I, 1890.

Further reading[edit]

  • Albrecht, Adalbert (1910). "Cesare Lombroso," Journal of Criminal Law and Criminology, Vol. I, Issue 2.
  • Bianchi, A. G. (1922). "Cesare Lombroso — A Life of Service," The Living Age, February 11.
  • Bradley, Kate (2009). "Cesare Lombroso (1835-1909)." In Fifty Key Thinkers in Criminology, Routledge.
  • Chiò, A., et al. (2004). "Cesare Lombroso, Cortical Dysplasia, and Epilepsy: Keen Findings and Odd Theories," Neurology, Vol. 63(1).
  • Fleming, Rebecca B. (2000). "Scanty Goatees and Palmar Tatoos: Cesare Lombroso's Influence on Science and Popular Opinion," The Concord Review.
  • Gaakeer, Jeanne (2004/5). "'The Art to Find the Mind's Construction in the Face,' Lombroso's Criminal Anthropology and Literature: The Example of Zola, Dostoevsky and Tolstoy," Cardozo Law Review, Vol. 26(6).
  • Gatti, Uberto & Verde, Alfredo (2012). "Cesare Lombroso: Methodological Ambiguities and Brilliant Intuitions," International Journal of Law and Psychiatry, Volume 35, Issue 1.
  • Gibson, Mary (2002). Born to Crime: Cesare Lombroso and the Origins of Biological Criminology, Praeger.
  • Gould, Stephen J. (rev. ed. 1996) The Mismeasure of Man. W. W. Norton, ISBN 0-393-31425-1
  • Hill, John S. (1970). "The Influence of Cesare Lombroso on Frank Norris's Early Fiction," American Literature, Vol. 42, No. 1.
  • Horn, David G. (2003). The Criminal Body: Lombroso and the Anatomy of Deviance, Routledge.
  • Jacobs, Robert G. (1968). "Comrade Ossipon's Favorite Saint: Lombroso and Conrad," Nineteenth-Century Fiction, Vol. 23, No. 1.
  • Knepper, Paul & Ystehede, P. J. (2012) The Cesare Lombroso Handbook, Routledge.
  • Kurella, Hans (1911). Cesare Lombroso: A Modern Man of Science, Rebman Company.
  • Kushner, Howard I. (2011). "Cesare Lombroso and the Pathology of Left-handedness," The Lancet, Volume 377, Issue 9760.
  • Kushner, Howard I. (2012). "Deficit or Creativity: Cesare Lombroso, Robert Hertz, and the Meanings of Left-handedness," Laterality: Asymmetries of Body, Brain and Cognition.
  • Mannheim, Hermann (1960). Pioneers in Criminology, Stevens & Sons.
  • Past, Elena (2012). Methods of Murder: Beccarian Introspection and Lombrosian Vivisection in Italian Crime Fiction, University of Toronto Press.
  • Quirós, Constancio Bernaldo de (1912). "Cesare Lombroso, 1836-1909." In Modern Theories of Criminality, Little, Brown & Company.
  • Wolfgang, Marvin E. (1961). "Pioneers in Criminology: Cesare Lombroso (1835-1909)," The Journal of Criminal Law, Criminology, and Police Science, Vol. 52, No. 4.

External links[edit]