Charles R. Bowers (June 7, 1877 or 1887 – November 26, 1946) was an American cartoonist and slapstick comedian during the silent film and early "talkie" era. He was forgotten for decades and his name was notably absent from most histories of the Silent Era, although his work was enthusiastically reviewed by André Breton and a number of his contemporaries. As his surviving films have an inventiveness and surrealism which give them a freshness appealing to modern audiences, after his rediscovery his work has sometimes been placed in the "top tier" of silent film accomplishments (along with those of, for example, Charlie Chaplin, Buster Keaton, Harold Lloyd). In comic style, he probably modelled himself after both Harry Langdon and Buster Keaton and was known to the French as "Bricolo."
The son of Dr. Charles E. Bowers and his wife, Mary I. Bowers, Charles Raymond Bowers was born in Cresco, Iowa. His early career was as a cartoonist on the Mutt and Jeff series of cartoons for the Barré Studio. By the late 20s, he was starring in his own series of slapstick comedies for R-C Pictures and Educational Pictures. His slapstick comedies, a few of which have survived, are an amazing mixture of live action and animation created with the "Bowers Process." Complex Rube Goldberg gadgets also appear in many of his comedies. Two notable films include Now You Tell One with a memorable scene of elephants marching into the U.S. Capitol, and There It Is, a surreal mystery involving the Fuzz-Faced Phantom and MacGregor, a cockroach detective. He made a few sound films such as It's a Bird and Wild Oysters, and wrote and illustrated children's books in his later years. For eight years during the 1930s he lived in Wayne, New Jersey, and drew cartoons for the Jersey Journal. After succumbing to severe arthritis, his wife started drawing them under his direction.
His work, long forgotten, has undergone a rediscovery and revival of interest in recent years. His 15 surviving films were the subject of a 2004 two-DVD release by Image Entertainment and Lobster Films of France. Much more of his work is thought to exist in various film archives.
- EGGED ON 1926, 24’08, Slapstick
- HE DONE HIS BEST 1926, 23’42, Slapstick
- A WILD ROOMER 1926, 24’27, Slapstick
- FATAL FOOTSTEP 1926, 22’18, Slapstick
- NOW YOU TELL ONE 1926, 22’18, Slapstick
- MANY A SLIP 1927, 11’36 (incomplete), Slapstick
- NOTHING DOING 1927, 21’17, Slapstick
- THERE IT IS 1928, 17’22, Slapstick
- THE EXTRA QUICK LUNCH 1917, 5’34, Animation
- A.W.O.L. 1918, 5’22, Animation
- SAY AH-H ! 1928, 14’02 (incomplete), Slapstick
- IT'S A BIRD 1930, 14’10, Slapstick
- BELIEVE IT OR DON’T ca 1935, 7’53, Animation
- PETE ROLEUM AND HIS COUSINS 1939, 15’41, Animation
- WILD OYSTERS 1940, 10’06, Animation
- A SLEEPLESS NIGHT ca 1940, 10’59, Animation
- Banc-Titre (March 1978). pp.10-11. Article on Bowers' films, with short biography. (in French)
- Funnyworld (October 1978). pp.35-36. Memories of Bowers, by animator Dick Huemer.
- Midi-Minuit Fantastique (June 1967). pp.62-65, Article on Bowers' films and career. (in French)
- Charles R. Bowers at the Internet Movie Database
- Mark Bourne's review of Charley Bowers: The Rediscovery of an American Comic Genius at The DVD Journal
- Charles Bowers at Virtual History