|Born||1 October 1842|
|Died||9 August 1888 (aged 45)
Cros was a well-regarded poet and humorous writer. He developed various improved methods of photography including an early color photo process. He also invented improvements in telegraph and Paleophone technology.
Charles Cros died in Paris.
In 1860 Cros began studies in medicine, but he soon abandoned them for a life of literary and scientific pursuits. In 1869 he published a theory of colour photography in which he proposed that a single scene could be photographed through glass filters coloured red, yellow, and blue. The three negatives obtained through those filters could be developed to produce positive impressions that contained varying amounts of green, violet, and orange (the “antichromatic” colours of the filters). The three positive impressions, when superimposed on one another (for instance, after being developed in three transparent layers on a single sheet of paper) would recompose the original colours of the photographed scene. Cros’s proposals, which anticipated the subtractive method of modern photography, were similar to more influential ideas advanced about the same time by Louis Ducos du Hauron.  The same day, 7th May 1869, Charles Cros and Louis Ducos du Hauron presented their method of creating colour photographs to the French Society of Photography. They had not been in communication beforehand and each knew nothing about the other's research. Cros ended up conceding the invention to Ducos Du Hauron, despite having sent his paper to the French Academy of Sciences on 2nd December 1867. Ducos du Hauron had patented the idea on 28th November 1868, almost a full year later. 
He is perhaps most famous as the man who almost, but not quite, invented the phonograph. No one before M. Charles Cros had thought of reproducing sound by making an apparatus capable of registering and reproducing sounds which had been engraved with a diaphragm. The inventor gave the name of Paleophone (voix du passé)to his invention. On April 30, 1877 he submitted a sealed envelope containing a letter to the Academy of Sciences in Paris explaining his proposed method. The letter stated in French, "Alors qu'il séjourne à Sablé au début de 1877, Charles Cros rédige une courte note, « Procédé d'enregistrement et de reproduction des phénomènes perçus par l'ouïe », dans laquelle il expose le principe de ce qu'il nomme « Paléophone » (« voix du passé ») : « Un index léger est solidaire du centre de figure d'une membrane vibrante ; il se termine par une pointe [...] qui repose sur une surface noircie à la flamme." The English translation is one close to this: "A lightweight index is fixed to the center of figure of a vibrating membrane, it ends with a tip [...] based on a blackened surface flame. This surface is integral with a disc driven by a double movement of rotation and linear progression. The system is reversible: when the tip makes ironing in the furrow membrane restores the original acoustic signal." The letter was read in public on 3 December following. In his letter, after having shown that his method consisted of detecting an oscillation of a membrane and using the tracing to reproduce the oscillation with respect to its duration and intensity. Cros added that a cylindrical form for the receiving apparatus seemed to him to be the most practical, as it allowed for the graphic inscription of the vibrations by means of a very fine-threaded screw. An article on the Paleophone was published in "la semaine du Clergé" on 10 October 1877, written by l'Abbé Leblanc. Cros proposed metal for both engraving tool attached to the diaphragm and receiving material for durability.
Before Cros had a chance to follow up on this idea or attempt to construct a working model, Thomas Alva Edison introduced his first working phonograph in the USA. Edison used a cylinder covered in tinfoil for his first phonograph, patenting this method for reproducing sound on January 15, 1878. Edison and Cros apparently did not know of each other's work in advance.
Cros was convinced that pinpoints of light observed on Mars and Venus, probably high clouds illuminated by the sun, were the lights of large cities on those planets. He spent years petitioning the French government to build a giant mirror that could be used to communicate with the Martians and Venusians by burning giant lines on the deserts of those planets. He was never convinced that the Martians were not a proven fact, nor that the mirror he wanted was technically impossible to build.
His poem The Kippered Herring inspired Ernest Coquelin to create what he called monologues, short theatrical pieces whose format was copied by numerous imitators.The piece, translated as The Salt Herring, was translated and illustrated by Edward Gorey.
- Solution générale du problème de la photographie des couleurs (1869)
- Le Coffret de santal (1873 and 1879)
- Plainte (1873)
- Le Fleuve (1874)
- La Vision du Grand Canal des Deux Mers (1888)
- Le Collier de griffes (posthumous, 1908)
Cros was a member of the group known as the hydropathes which existed around the period 1878-1881. Charles Cros, played by Christopher Chaplin, appears in the film Total Eclipse, about the lives of Paul Verlaine and Arthur Rimbaud. Cros is seen for a few seconds at the Le Chat Noir in Paris, a café which opened in 1881 and had become the home for the avant-garde art scene of the time.
- Charles Cros' letter describing his phonograph 
- Luminous Lint
- Musée Charles Cros, Fabrezan
- Ley, Willy. Rockets, Missiles, and Space Travel (revised). New York: The Viking Press 1958
- Charles Cros: Solution générale du problème de la photographie des couleurs