Charles Maurice Donnay
(Charles) Maurice Donnay (1859–1945), was a French dramatist.
[edit] Biography
Donnay was born of middle-class parents in Paris in 1859. His father was a railway engineer and initially Donnay followed a similar profession, studying at the École centrale des arts et manufactures in 1882.
With Alphonse Allais, Donnay started by writing material for the celebrated cabaret le Chat noir.
Donnay made his serious debut as a dramatist on the little stage of the Chat Noir with Phryne (1891), a series of Greek scenes. This was followed by Lysistrata, a four-act comedy, was produced at the Grand Théâtre in 1892 with Mme Rejane in the title part. With Amants in 1895 he won a great success, and the play was hailed by Jules Lemaître as the Berenice of contemporary French drama. His plays were performed by famous actors including Cécile Sorel, Réjane et Lucien Guitry.
On 14 February 1907, Donnay was elected a member of the Academie Francaise, replacing the late Albert Sorel.
[edit] Works
Donnay's plays were:
- Phryne (1891)
- Lysistrata (1892)
- Folle Entreprise (1894)
- Pension de famille (1894)
- Complices (1895), in collaboration with M. Groselande
- Amants (1895), produced at the Renaissance theatre with Mme Jeanne Granier as Claudine Rozeray
- La Douloureuse (1897)
- L'Affranchie (1898)
- Georgette Lemeunier (1898)
- Le Torrent (1899), at the Comédie Française
- Education de prince (1900)
- La Clairière (1900)
- Oiseaux de passage (1904), in collaboration with Lucien Descaves
- La Bascule (Igor)
- L'Autre danger, at the Comédie Française (1902)
- Le Retour de Jerusalem (1903)
- L'Escalade (1904)
- Paraître (1906)
 |
Wikimedia Commons has media related to: Maurice Donnay |
| Preceded by Albert Sorel |
Seat 25 Académie française 1907–45 |
Succeeded by Marcel Pagnol |
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press.
