Charlotte Greig (born 1954 in Malta) is a British novelist, playwright, singer and song-writer.
Charlotte Greig's father was in the navy and the family travelled the world. In 1962, she attended Charsfield village school, later described in Ronald Blythe's book Akenfield, where she learned to sing folk songs. At the age of 10 she was sent to a convent boarding school, St Stephen's College, Broadstairs, Kent, where she learned to play piano. She studied philosophy at Sussex University during the 1970s, a setting recounted in A Girl's Guide to Modern European Philosophy.
After university, Greig worked as a music journalist in print and radio. In 1990 she presented a six-part series on BBC Radio 1 called Will You Still Love Me Tomorrow on girl groups in popular music. It was based on her own book of the same title, published in 1989. In 1991 she wrote another Radio 1 documentary, British Black Music, and went on to present popular music features for BBC Radio 4's Woman's Hour and Kaleidoscope. By 1998 Greig was working for Mojo magazine, reviewing folk and country music.
In the same year, she issued the first of her own albums, Night Visiting Songs. It consisted of four traditional songs, with the rest written by herself. This has set the tone for her subsequent albums: acoustic understated gothic folk music. Unusually, she plays harmonium and mountain dulcimer, with occasional electronic additions. Her last four albums have been collaborations with guitarist Julian Hayman. Her main influences are Lal Waterson and Nico. She appeared on the Topic anthology A Woman's Voice (many other anthologies exist with the same title). In 2007 she curated and contributed to Migrating Bird,a tribute album to the late Lal Waterson released on Honest Jon's record label. In addition 2008 Greig's song Crows was released on a compilation album entitled The Crow Club released on People Tree Records, an off shoot label of Acid Jazz Records.
In 2007 her first novel, 'A Girl's Guide to Modern European Philosophy', was published in the UK by Serpent's Tail. It was also published in the US (Other Press), and in translation in Italy (Tropea), Sweden (Voltaire), and Turkey (Sel Yayincilik).
She has written two radio plays, 'The Confessions' (2009) and 'Against the Grain' (2010), both broadcast on BBC Radio 4. Her most recent play was a Radio 4 docu-drama to mark the fiftieth anniversary of the Profumo Scandal, entitled 'Well, He Would, Wouldn't He' (2013), and featuring Mandy Rice-Davies.
She has also written musical theatre pieces. 'I Sing of a Maiden', co-written with Rachel Tresize, was an exploration of folk song and young motherhood in the Welsh valleys (2008). The second, 'Dr Freud's Cabaret', with Anthony Reynolds,featured songs in the voices of Freud's early patients, including The Wolf Man, The Rat Man, Anna O, and Dora.
In 2013, her first crime novel, 'The House on the Cliff', under the name Charlotte Williams, was published by Macmillan. The second is due for publication in 2014. She currently writes a blog at charlottewilliamswriter.wordpress.com.
- Night Visiting Songs (1998)
- Down in the Valley (2000)
- At Llangennith (2001)
- Winter Woods (2003)
- Quite Silent (2005)
- The Executioner's Last Songs (2003)
- A Woman's Voice (2004)
- Migrating Bird (2007)
- John Barleycorn Reborn (2007)
- James Yorkston:When the Haar Rolls in Covers Disc (2008)
- Crow Club: Various Artists (2009)
- Like the Sun Feeds From Flowers (with Anthony Reynolds) (2010)
- A Girl's Guide to Modern European Philosophy (2007)
- The House on the Cliff (2013)
- Will You Still Love Me Tomorrow (1989)
- Icons of Black Music (1999)
- I Sing of a Maiden (with Rachel Trezise) (2008)
- The Confessions (2009)
- Against the Grain (2010)
- Dr Freud's Cabaret (with Anthony Reynolds) (2010)
- Well, He Would, Wouldn't He (with Mandy Rice Davies) (2013)