Check and Double Check
| Check and Double Check | |
|---|---|
 Theatrical release poster |
|
| Directed by | Melville W. Brown |
| Produced by | William LeBaron |
| Written by | Bert Kalmar J. Walter Ruben Harry Ruby |
| Starring | Charles Correll Freeman Gosden |
| Cinematography | William Marshall |
| Editing by | Claude Berkeley |
| Distributed by | RKO Radio Pictures |
| Release date(s) | October 23, 1930 |
| Running time | 77 mins. |
| Country | United States |
| Language | English |
Check and Double Check is a 1930 comedy film made and released by RKO Pictures based on the then-popular Amos 'n' Andy radio show. The title was derived from a catchphrase associated with the show.
Contents |
[edit] Cast
- Freeman F. Gosden as Amos
- Charles J. Correll as Andy Brown
- Sue Carol as Jean Blair
- Irene Rich as Mrs Blair
- Ralf Harolde as Ralph Crawford
- Charles Morton as Richard Williams
- Edward Martindel as John Blair
- Rita La Roy as Elinor Crawford
- Russ Powell as Kingfish
- Roscoe Ates as Brother Arthur
[edit] Production
The making of the picture posed several problems. Perhaps foremost was the fact that the characters of the program were portrayed as blacks but were in fact entirely voiced by whites. This had posed no problem on the radio, but obviously would not be suitable for a film where the actors could be seen as well as heard. Rather than hire black actors for the roles and instruct them to imitate to the maximum extent possible the very stereotypical voices used by the radio performers, program creators Freeman Gosden and Charles Correll performed the roles themselves in blackface.
Another problem was the attempt to base a full-length picture on a 15-minute long radio program. In order to do this, the film's producers unwisely decided to flesh out the story with a love triangle involving white characters, essentially making Amos and Andy minor characters in what was marketed as a film about them.
[edit] Music
Duke Ellington and his band were invited to be a part of the film, not just to provide the music but also to appear performing in the film itself. This helped propel Ellington into a national spotlight.
The director did not want to give audiences the impression that Ellington's band was racially integrated, and was worried that two band members were too light skinned. So tenor sax man Juan Tizol, who was Puerto Rican, and clarinetist Barney Bigard, a Creole, wore stage makeup to appear as dark as Amos and Andy on film.
[edit] Response
The film was quite profitable for RKO but critically panned and a disappointment to many moviegoers.
Two animated short films were made following Check and Double Check: The Rasslin' Match and The Lion Tamer. However, no sequel was ever produced and there were no further attempts at live-action portrayals of Amos 'n' Andy until the advent of network television. In 1958, the film entered the public domain (in the USA) due to the claimants failure to renew its copyright registration in the 28th year after publication.[1]
[edit] See also
[edit] References
- ^ Pierce, David (June 2007). "Forgotten Faces: Why Some of Our Cinema Heritage Is Part of the Public Domain". Film History: An International Journal 19 (2): 125–43. doi:10.2979/FIL.2007.19.2.125. ISSN 0892-2160. OCLC 15122313. http://www.jstor.org/stable/25165419. Retrieved 2012-01-05.
[edit] External links
- Check and Double Check at the Internet Movie Database
- Check and Double Check is available for free download at the Internet Archive [more]
- Check and Double Check at Rotten Tomatoes
- Check and Double Check at AllRovi
