Children's literature

From Wikipedia, the free encyclopedia
  (Redirected from Children's books)
Jump to: navigation, search
For the academic journal, see Children's Literature (journal).
"Children's book" redirects here. For the A. S. Byatt novel, see The Children's Book.
"Children's story" redirects here. For the song, see Children's Story.
A mother reads to her children, depicted by Jessie Willcox Smith in a cover illustration of a volume of fairy tales written in the mid to late 19th century.

Children's literature or juvenile literature includes stories, books, and poems that are enjoyed by children. Modern children's literature is classified in two different ways: genre or the intended age of the reader.

Children's literature can be traced to stories and songs, part of a wider oral tradition, that adults shared with children before publishing existed. The development of early children's literature, before printing was invented, is difficult to trace. Even after printing became widespread, many classic "children's" tales were originally created for adults and later adapted for a younger audience. Since the 1400s, a large quantity of literature, often with a moral or religious message, has been aimed specifically at children. The late nineteenth and early twentieth centuries became known as the "Golden Age of Children's Literature" as this period included the publication of many books acknowledged today as classics.

Introduction[edit]

There is no single or widely used definition of children's literature.[1]:15–17 It can be broadly defined as anything that children read[2] or more specifically defined as fiction, non-fiction, poetry, or drama intended for and used by children and young people.[3][4]:xvii Nancy Anderson, of the College of Education at the University of South Florida, defines children's literature as "all books written for children, excluding works such as comic books, joke books, cartoon books, and non-fiction works that are not intended to be read from front to back, such as dictionaries, encyclopedias, and other reference materials".[5]

The International Companion Encyclopedia of Children's Literature notes that "the boundaries of genre... are not fixed but blurred".[1]:4 Sometimes, no agreement can be reached about whether a given work is best categorized as literature for adults or children. Some works defy easy categorization. J.K. Rowling's Harry Potter series was written and marketed for children, but it is also popular among adults. The series' extreme popularity led The New York Times to create a separate best-seller list for children's books.[6]

Despite the widespread association of children's literature with picture books, spoken narratives existed before printing, and the root of many children's tales go back to ancient storytellers.[7]:30 Seth Lerer, in the opening of Children's Literature: A Reader's History from Aesop to Harry Potter, says, "This book presents a history of what children have heard and read... The history I write of is a history of reception."[8]:2

History[edit]

Early children's literature consisted of spoken stories, songs, and poems, that would have been used to educate, instruct, and entertain children.[9] It was only in the 18th century, with the development of the concept of "childhood", that a separate genre of children's literature began to emerge, with its own divisions, expectations, and canon.[10]:x-xi

French historian Philippe Ariès argued in his 1962 book Centuries of Childhood that the modern concept of "childhood" only emerged in recent times, and that for the greater part of history, children were not viewed as greatly different from adults, and were not given significantly different treatment.[11]:5 As evidence for this position, he noted that, apart from instructional and didactic texts for children written by clerics like the Venerable Bede, and Ælfric of Eynsham, there was a lack of any genuine literature aimed specifically at children before the 18th century.[12][13]:11

Other scholars have qualified this viewpoint by noting that there was a literature designed to convey the values, attitudes, and information necessary for children within their cultures,[14] such as the Play of Daniel from the 1100s.[8]:46[15]:4 Pre-modern children's literature, therefore, tended to be of a didactic and moralistic nature, with the purpose of conveying conduct-related, educational and religious lessons.[15]:6–8

Antiquity and the Middle Ages[edit]

Every culture has its own mythology, unique fables, and other traditional stories that are told for instruction and entertainment.[1]:654 Early folk-type tales included the Panchatantra from India, which was composed about 200 AD and may be "the world's oldest collection of stories for children".[1]:807[7]:301 Oral stories that would have been enjoyed by children include the tale of The Asurik Tree, which dates back at least 3,000 years in Persia.[16]

iliad
Iliad, Book VIII, lines 245–53, Greek manuscript, late 5th, early 6th centuries AD.

In Imperial China, children attended public events with their parents, where they would listen to the complicated tales of professional storytellers. Children also watched the plays performed at festivals and fairs. Though not specifically intended for children, the elaborate costumes, acrobatics, and martial arts held even a young child's interest. The stories often explained the background behind the festival, covering folklore, history, and politics. Storytelling may have reached its peak during the Song Dynasty from 960-1279 AD. This traditional literature was used for instruction in Chinese schools until the 20th century.[1]:830–831

Greek and Roman children would have enjoyed listening to stories such as the Odyssey, written by Homer, and Aesop’s Fables by the eponymous Aesop.

Examples of medieval literature include Gesta Romanorum, the Roman fables of Avianus, the French Livre pour l'enseignement de ses filles, and the Welsh Mabinogion. In Ireland, many of the thousands of folk stories were recorded in the 11th and 12th centuries. Written in Old Irish on vellum, they began spreading through Europe, influencing other folk tales with stories of magic, witches, and fairies.[17]:10[7]:256

Early-modern Europe[edit]

During the 1600s, the concept of childhood began to emerge in Europe. Adults saw children as separate beings, innocent and in need of protection and training by the adults around them.[11]:6–7[17]:9 The English philosopher John Locke developed his theory of the tabula rasa in his 1690 An Essay Concerning Human Understanding. In Locke's philosophy, tabula rasa was the theory that the (human) mind is at birth a "blank slate" without rules for processing data, and that data is added and rules for processing are formed solely by one's sensory experiences. A corollary of this doctrine was that the mind of the child was born blank, and that it was the duty of the parents to imbue the child with correct notions. Locke himself emphasized the importance of providing children with "easy pleasant books" to develop their minds rather than using force to compel them; "children may be cozen'd into a knowledge of the letters; be taught to read, without perceiving it to be anything but a sport, and play themselves into that which others are whipp'd for." He also suggested that picture books be created for children.

Another influence on this shift in attitudes came from Puritanism, which stressed the importance of individual salvation. Puritans were concerned with the spiritual welfare of their children, and there was a large growth in the publication of "good godly books" aimed squarely at children.[9] Some of the most popular works were by James Janeway, but the most enduring book from this movement, still widely read today, was The Pilgrim's Progress (1678) by John Bunyan.

Chapbooks, pocket-sized pamphlets that were often folded instead of being stitched,[7]:32 were published in Britain; illustrated by woodblock printing, these inexpensive booklets reprinted popular ballads, historical re-tellings, and folk tales. Though not specifically published for children at this time, young people enjoyed the booklets as well.[17]:8 Johanna Bradley says, in From Chapbooks to Plum Cake, that chapbooks kept imaginative stories from being lost to readers under the strict Puritan influence of the time.[13]:17

An early Mexican hornbook pictured in Tuer’s History of the Horn-Book, 1896.
The New England Primer

Hornbooks also appeared in England during this time, teaching children basic information such as the alphabet and the Lord's Prayer.[18] These were brought from England to the American colonies in the mid-17th century. The first such book was a catechism for children written in verse by the Puritan John Cotton. Known as Spiritual Milk for Boston Babes, it was published in 1646, appearing both in England and Boston. Another early book, The New England Primer, was in print by 1691 and used in schools for 100 years. The primer begins, "In Adam's fall We sinned all...", and continues through the alphabet. It also contained religious maxims, acronyms, spelling help and other educational items, all decorated by woodcuts.[7]:35

In 1634, the Pentamerone from Italy became the first major published collection of European folk tales. Charles Perrault began recording fairy tales in France, publishing his first collection in 1697. They were not well received among the French literary society, who saw them as only fit for old people and children. In 1658, Jan Ámos Comenius in Bohemia published the informative illustrated Orbis Pictus, for children under six learning to read. It is considered to be the first picture book produced specifically for children.[17]:7

The first Danish children's book was The Child's Mirror by Niels Bredal in 1568, an adaptation of a Courtesy book by the Dutch priest Erasmus. A Pretty and Splendid Maiden's Mirror, an adaptation of a German book for young women, became the first Swedish children's book upon its 1591 publication.[1]:700, 706 Sweden published fables and a children's magazine by 1766.

In Italy, Giovanni Francesco Straparola released The Facetious Nights of Straparola in the 1550s. Called the first European storybook to contain fairy-tales, it eventually had 75 separate stories and written for an adult audience.[19] Giulio Cesare Croce also borrowed from stories children enjoyed for his books.[20]:757

Russia's earliest children's books, primers, appeared in the late 16th century. An early example is ABC-Book, an alphabet book published by Ivan Fyodorov in 1571.[1]:765 The first picture book published in Russia, Karion Istomin's The Illustrated Primer, appeared in 1694.[1]:765 Peter the Great's interest in modernizing his country through Westernization helped Western children's literature dominate the field through the 1700s.[1]:765 Catherine the Great wrote allegories for children, and during her reign, Nikolai Novikov started the first juvenile magazine in Russia.[1]:765

Origins of the modern genre[edit]

The modern children's book emerged in mid-18th century England.[21] A growing polite middle-class and the influence of Lockean theories of childhood innocence combined to create the beginnings of childhood as a concept. A Little Pretty Pocket-Book, written and published by John Newbery, is widely considered as the first modern children's book, published in 1744. It was a landmark as the first children's publication aimed at giving enjoyment to children,[22] containing a mixture of rhymes, picture stories and games for pleasure.[23] Newbery believed that play was a better enticement to children's good behavior than physical discipline,[24] and the child was to record his or her behavior daily.

The book was child–sized with a brightly colored cover that appealed to children—something new in the publishing industry. Known as gift books, these early books became the precursors to the toy books popular in the 19th century.[25] Newbery was also adept at marketing this new genre. According to the journal The Lion and the Unicorn, "Newbery's genius was in developing the fairly new product category, children's books, through his frequent advertisements ... and his clever ploy of introducing additional titles and products into the body of his children's books."[26][27]

The improvement in the quality of books for children, as well as the diversity of topics he published, helped make Newbery the leading producer of children's books in his time. He published his own books as well as those by authors such as Samuel Johnson and Oliver Goldsmith;[28]:36[29]the latter may have written The History of Little Goody Two-Shoes, Newbery's most popular book.

Another philosopher who influenced the development of children's literature was Jean-Jacques Rousseau, who argued that children should be allowed to develop naturally and joyously. His idea of appealing to a children's natural interests took hold among writers for children.[7]:41 Popular examples included Thomas Day's The History of Sandford and Merton, four volumes that embody Rousseau's theories. Furthermore, Maria and Richard Lovell Edgeworth's Practical Education: The History of Harry and Lucy (1780) urged children to teach themselves.[30]

Rousseau's ideas also had great influence in Germany, especially on German Philanthropism, a movement concerned with reforming both education and literature for children. Its founder, Johann Bernhard Basedow, authored Elementarwerk as a popular textbook for children that included many illustrations by Daniel Chodowiecki. Another follower, Joachim Heinrich Campe, created an adaptation of Robinson Crusoe that went into over 100 printings. He became Germany's "outstanding and most modern"[1]:736 writer for children. According to Hans-Heino Ewers in The International Companion Encyclopedia of Children's Literature, "It can be argued that from this time, the history of European children's literature was largely written in Germany."[1]:737

Brothers Grimm, Wilhelm (left) and Jakob Grimm (right) from an 1855 painting by Elisabeth Jerichau-Baumann

In the early 19th century, Danish author and poet Hans Christian Andersen traveled through Europe and gathered many well-known fairy tales.[31] He was followed by the Brothers Grimm, who preserved the traditional tales told in Germany.[20]:184 They were so popular in their home country that modern, realistic children's literature began to be looked down on there. This dislike of non-traditional stories continued there until the beginning of the next century.[1]:739–740 The Grimms's contribution to children's literature goes beyond their collection of stories, as great as that is. As professors, they had a scholarly interest in the stories, striving to preserve them and their variations accurately, recording their sources.[7]:259

A similar project was carried out by the Norwegian scholars Peter Christen Asbjørnsen and Jørgen Moe, who collected Norwegian fairy tales and published them as Norwegian Folktales, often referred to as Asbjørnsen and Moe. By compiling these stories, they preserved Norway's literary heritage and helped create the Norwegian written language.[7]:260

In Switzerland, Johann David Wyss published The Swiss Family Robinson in 1812, with the aim of teaching children about family values, good husbandry, the uses of the natural world and self-reliance. The book became popular across Europe after it was translated into French by Isabelle de Montolieu.

Golden age[edit]

The shift to a modern genre of children's literature occurred in the mid-19th century, as the didacticism of a previous age began to make way for more humorous, child-oriented books, more attuned to the child's imagination. The availability of children's literature greatly increased as well, as paper and printing became widely available and affordable, the population grew and literacy rates improved.[1]:654–655

Tom Brown's School Days by Thomas Hughes appeared in 1857, and is considered to be the founding book in the school story tradition.[32]:7–8 However, it was Lewis Carroll's fantasy, Alice's Adventures in Wonderland, published in 1865 in England, that signaled the change in writing style for children to an imaginative and empathetic one. Regarded as the first "English masterpiece written for children"[7]:44 and as a founding book in the development of fantasy literature, its publication opened the "First Golden Age" of children's literature in Britain and Europe that continued until the early 1900s.[32]:18 Another important book of that decade was The Water-Babies, A Fairy Tale for a Land Baby, by Reverend Charles Kingsley (1862), which became extremely popular in England, and has remained a classic of British children's literature.

In 1883, Carlo Collodi wrote the first Italian fantasy novel, The Adventures of Pinocchio, which was translated many times. In Britain, The Princess and the Goblin and its sequel The Princess and Curdie, by George MacDonald, appeared in 1872 and 1883, and the adventure stories Treasure Island and Kidnapped, both by Robert Louis Stevenson, were extremely popular in the 1880s. Rudyard Kipling's The Jungle Book was first published in 1894, and J. M. Barrie told the story of Peter Pan in the novel Peter and Wendy in 1911. Johanna Spyri's two-part novel Heidi was published in Switzerland in 1880 and 1881.[1]:749 In the US, children's publishing entered a period of growth after the American Civil War in 1865. Boys' book writer Oliver Optic published over 100 books. In 1868, the "epoch-making book"[7]:45 Little Women, the fictionalized autobiography of Louisa May Alcott, was published. This "coming of age" story established the genre of realistic family books in the United States. Mark Twain released Tom Sawyer in 1876, and in 1880 another bestseller, Uncle Remus: His Songs and His Sayings, a collection of African American folk tales adapted and compiled by Joel Chandler Harris, appeared.[1]:478

Recent national traditions[edit]

China[edit]

The Chinese Revolution of 1911 and World War II brought political and social change that revolutionized children's literature in China. Western science, technology, and literature became fashionable. China's first modern publishing firm, Commercial Press, established several children's magazines, which included Youth Magazine, and Educational Pictures for Children.[1]:832–833 The first Chinese children's writer was Sun Yuxiu, an editor of Commercial Press, whose story The Kingdom Without a Cat was written in the language of the time instead of the classical style used previously. Yuxiu encouraged novelist Shen Dehong to write for children also. Dehong went on to rewrite 28 stories based on classical Chinese literature specifically for children. In 1932, Zhang Tianyi published Big Lin and Little Lin, the first full-length Chinese novel for children.[1]:833–834

The Chinese Revolution of 1949 changed children's literature again. Many children's writers were denounced, but Tianyi and Ye Shengtao continued to write for children and created works that aligned with Maoist ideology. The 1976 death of Mao Zedong provoked more changes sweep China. Many writers from the early part of the century were brought back, and their work became available again. In 1990, General Anthology of Modern Children's Literature of China, a fifteen-volume anthology of children's literature since the 1920s, was released.[1]:834–835

Europe[edit]

Britain[edit]
A line-up of the American second edition printings of The Hobbit.

The Golden Age of Children's Literature ended with World War I in Great Britain and Europe, and the period before World War II was much slower in children's publishing. The main exceptions in England were the publications of Winnie-the-Pooh by A. A. Milne in 1926 and The Hobbit by J. R. R. Tolkien in 1937.[1]:682–683 T. H. White's sequence of Arthurian novels, The Once and Future King, began with The Sword in the Stone, published in 1938. In 1941, children's paperback books were first released in England under the Puffin Books imprint, and their lower prices helped make book buying possible for children during World War II.[1]:475–476

In the 1950s, the book market in Europe began recovering from the effects of two world wars. In Britain, C. S. Lewis published the first installment of The Chronicles of Narnia series in 1950, Dodie Smith's The Hundred and One Dalmatians was published in 1956, and Roald Dahl wrote Charlie and the Chocolate Factory in 1964. Children's fantasy literature remained strong in Great Britain throughout the 1900s. In Wales, the Welsh Joint Education Committee and the Welsh Books Council encouraged the publication of children's books in the Welsh language as well as books in English about Wales.

In 1997, J. K. Rowling published the first book in the Harry Potter series in England. Despite its huge success, the children's book market in Britain suffered at the end of the century due to a difficult economy and competition from television and video games. However, picture books continue to do well.[1]:687

Continental Europe[edit]

The period from 1890 until World War I is considered the Golden Age of Children's Literature in Scandinavia. Erik Werenskiold, Theodor Kittelsen, and Dikken Zwilgmeyer were especially popular, writing folk and fairy tales as well as realistic fiction. The 1859 translation into English by George Webbe Dasent helped increase the stories' influence.[1]:705 One of the most influential and internationally most successful Scandinavian children's books from this period is Selma Lagerlöfs The Wonderful Adventures of Nils.

The interwar period saw a slow-down in output similar to Britain, although "one of the first mysteries written specifically for children", Emil and the Detectives by Erich Kästner, was published in Germany in 1930.[20]:315

The period during and following World War II became the Classical Age of the picture book in Switzerland, with works by Alois Carigiet, Felix Hoffmann, and Hans Fischer.[1]:683–685, 399, 692, 697, 750 1963 was the first year of the Bologna Children's Book Fair in Italy, which was described as "the most important international event dedicated to the children’s publishing".[33] For four days it brings together writers, illustrators, publishers, and book buyers from around the world.[33]

Russia and USSR[edit]

In Russia, Russian fairy tales were introduced to children literature by Aleksandr Afanasyev in his children's edition of his eight-volume Russian Folk Tales in 1871. By the 1860s, literary realism and non-fiction dominated children's literature. More schools were started, using books by writers like Konstantin Ushinsky and Leo Tolstoy, whose Russian Reader included an assortment of stories, fairy tales, and fables. Books written specifically for girls developed in the 1870s and 1880s. Publisher and journalist Evgenia Tur wrote about the daughters of well-to-do landowners, while Aleksandra Annenskaya's stories told of middle-class girls working to support themselves. Vera Zhelikhovsky, Elizaveta Kondrashova, and Nadezhda Lukhmanova also wrote for girls during this period.[1]:767

Children's non-fiction gained great importance in Russia at the beginning of the century. A ten-volume children's encyclopedia was published between 1913 and 1914. Vasily Avenarius wrote fictionalized biographies of important people like Nikolai Gogol and Alexander Pushkin around the same time, and scientists wrote for books and magazines for children. Children's magazines flourished, and by the end of the century there were 61. Lidia Charskaya and Klavdiya Lukashevich continued the popularity of girls' fiction. Realism took a gloomy turn by frequently showing the maltreatment of children from lower classes. The most popular boys' material was Sherlock Holmes, and similar stories from detective magazines.[1]:768

The state took control of children's literature during the October Revolution. Maksim Gorky edited the first children's, Northern Lights, under Soviet rule. People often label the 1920s as the Golden Age of Children's Literature in Russia.[1]:769 Samuil Marshak led that literary decade as the "founder of (Soviet) children's literature".[34]:193 As head of the children's section of the State Publishing House and editor of several children's magazines, Marshak exercised enormous influence by[34]:192–193 recruiting Boris Pasternak and Osip Mandelstam to write for children.

In 1932, professional writers in the Soviet Union formed the USSR Union of Writers, which served as the writer's organization of the Communist Party. With a children's branch, the official oversight of the professional organization brought children's writers under the control of the state and the police. Communist principles like collectivism and solidarity became important themes in children's literature. Authors wrote biographies about revolutionaries like Lenin and Pavlik Morozov. Alexander Belyayev, who wrote in the 1920s and 1930s, became Russia's first science fiction writer.[1]:770 According to Ben Hellman in the International Companion Encyclopedia of Children's Literature, "war was to occupy a prominent place in juvenile reading, partly compensating for the lack of adventure stories", during the Soviet Period.[1]:771 More political changes in Russia after World War II brought further change in children's literature. Today, the field is in a state of flux because some older authors are being rediscovered and others are being abandoned.[1]:772

India[edit]

A Tagore illustration of a Hindu myth

Christian missionaries first established the Calcutta School-Book Society in the 19th century, creating a separate genre for children's literature in that country. Magazines and books for children in native languages soon appeared.[1]:808 In the latter half of the century, Raja Shivprasad wrote several well-known books in Hindustani.[1]:810 A number of respected Bengali writers began producing Bengali literature for children including Ishwar Chandra Vidyasagar, who translated some stories and wrote others himself. Nobel Prize winner Rabindranath Tagore wrote plays, stories, and poems for children, including one work illustrated by painter Nandalal Bose. They worked from the end of the 1800s into the beginning of the 20th-century. Tagore's work was later translated into English, with Bose's pictures.[1]:811 Behari Lal Puri was the earliest writer for children in Punjabi. His stories were didactic in nature.[1]:815

The Crescent Moon by Rabindranath Tagore illus. by Nandalal Bose, Macmillan 1913.

The first full-length children's book was Khar Khar Mahadev by Narain Dixit, which was serialized in one of the popular children's magazines in 1957. Other writers include Premchand, and poet Sohan Lal Dwivedi.[1]:811 In 1919, Sukumar Ray wrote and illustrated nonsense rhymes in the Bengali language, and children's writer and artist Abanindranath Tagore finished Barngtarbratn. Bengali children's literature flourished in the later part of the twentieth century. Educator Gijubhai Badheka published over 200 children's books in the Gujarati language, and many of them are still popular.[1]:812 In 1957, political cartoonist K. Shankar Pillai founded the Children's Book Trust publishing company. The firm became known for high quality children's books, and many of them were released in several languages. One of the most distinguished writers is Pandit Krushna Chandra Kar in Oriya literature, who wrote many good books for children, including Pari Raija, Kuhuka Raija, Panchatantra, and Adi Jugara Galpa Mala. He wrote biographies of many historical personalities, such as Kapila Deva. In 1978, the firm organized a writers' competition to encourage quality children's writing. The following year, the Children's Book Trust began a writing workshop and organized the First International Children's Book Fair in New Delhi.[1]:809 Children's magazines, available in many languages, were widespread throughout India during this century.[1]:811–820

United States[edit]

One of American children's literature most famous books was L. Frank Baum's fantasy novel The Wonderful Wizard of Oz, published in 1900. "By combining the English fondness for word play with the American appetite for outdoor adventure", Connie Epstein in International Companion Encyclopedia Of Children's Literature says Baum "developed an original style and form that stands alone".[1]:479 Baum wrote thirteen more Oz novels, and other writers continued the Oz series into the 1960s.

Between the world wars, demand continued to grow in North America helped by the growth of libraries in both Canada and the United States. Children's reading rooms in libraries, staffed by specially trained librarians, helped create demand for classic juvenile books. Reviews of children's releases began appearing regularly in Publishers Weekly and in The Bookman magazine began to regularly publish reviews of children's releases, and the first Children's Book Week was launched in 1919. In that same year, Louise Seaman Bechtel became the first person to head a juvenile book publishing department in the country. She was followed by May Massee in 1922 and Alice Dalgliesh in 1934.[1]:479–480

The American Library Association began awarding the Newbery Medal, the first children's book award in the world, in 1922.[35] The Caldecott Medal for illustration followed in 1938.[36] The first book by Laura Ingalls Wilder about her life on the American frontier, Little House in the Big Woods appeared in 1932.[20]:471 In 1937 Dr. Seuss published his first book, entitled, And to Think That I Saw It on Mulberry Street. The young adult book market developed during this period, thanks to sports books by popular writer John R. Tunis', the novel Seventeenth Summer by Maureen Daly, and the Sue Barton nurse book series by Helen Dore Boylston.[37]:11

The already vigorous growth in children's books became a boom in the 1950s, and children's publishing became big business.[1]:481 In 1952, American journalist E. B. White published Charlotte's Web, which was described as "one of the very few books for young children that face, squarely, the subject of death".[20]:467 Maurice Sendak illustrated more than two dozen books during the decade, which established him as an innovator in book illustration.[1]:481 The Sputnik crisis that began in 1957 provided increased interest and government money for schools and libraries to buy science and math books and the non-fiction book market "seemed to materialize overnight".[1]:482

Classification[edit]

Children's literature can be divided into a number of categories, but it is most easily categorized according to genre or the intended age of the reader.

By genre[edit]

A literary genre is a category of literary compositions. Genres may be determined by technique, tone, content, or length. According to Anderson,[38] there are six categories of children's literature (with some significant subgenres):

By age category[edit]

The criteria for these divisions are vague, and books near a borderline may be classified either way. Books for younger children tend to be written in simple language, use large print, and have many illustrations. Books for older children use increasingly complex language, normal print, and fewer (if any) illustrations. The categories with an age range are listed below:

  • Picture books, appropriate for pre-readers or children ages 0–5.
  • Early reader books, appropriate for children ages 5–7. These books are often designed to help a child build his or her reading skills.
  • Chapter book, appropriate for children ages 7–12.
    • Short chapter books, appropriate for children ages 7–9.
    • Longer chapter books, appropriate for children ages 9–12.
  • Young-adult fiction, appropriate for children ages 12–18.

Illustration[edit]

Pictures have always accompanied children's stories.[8]:320 A papyrus from Byzantine Egypt, shows illustrations accompanied by the story of Hercules' labors.[39] Modern children's books are illustrated in a way that is rarely seen in adult literature, except in graphic novels. Generally, artwork plays a greater role in books intended for younger readers (especially pre-literate children). Children's picture books often serve as an accessible source of high quality art for young children. Even after children learn to read well enough to enjoy a story without illustrations, they continue to appreciate the occasional drawings found in chapter books.

A late 18th-century reprint of Orbis Pictus by Comenius, the first children's picture book.

According to Joyce Whalley in The International Companion Encyclopedia of Children's Literature, "an illustrated book differs from a book with illustrations in that a good illustrated book is one where the pictures enhance or add depth to the text."[1]:221 Using this definition, the first illustrated children's book is considered to be Orbis Pictus which was published in 1658 by the Moravian author Comenius. Acting as a kind of encyclopedia,Orbis Pictus had a picture on every page, followed by the name of the object in Latin and German. It was translated into English in 1659 and was used in homes and schools around Europe and Great Britain for years.[1]:220

Early children's books, such as Orbis Pictus, were illustrated by woodcut, and many times the same image was repeated in a number of books regardless of how appropriate the illustration was for the story.[8]:322 Newer processes, including copper and steel engraving were first used in the 1830s. One of the first uses of Chromolithography (a way of making multi-colored prints) in a children's book was demonstrated in Struwwelpeter, published in Germany in 1845. English illustrator Walter Crane refined its use in children's books in the late 1800s.

Walter Crane's chromolithograph illustration for The Frog Prince, 1874.

Another method of creating illustrations for children's books was etching, used by George Cruikshank in the 1850s. By the 1860s, top artists were illustrating for children, including Crane, Randolph Caldecott, Kate Greenaway, and John Tenniel. Most pictures were still black-and-white, and many color pictures were hand colored, often by children.[1]:224–226 The Essential Guide to Children's Books and Their Creators credits Caldecott with "The concept of extending the meaning of text beyond literal visualization".[20]:350

Twentieth-century artists such as Kay Nielson, Edmund Dulac, and Arthur Rackham produced illustrations that are still reprinted today.[1]:224–227 Developments in printing capabilities were reflected in children's books. After World War II, offset lithography became more refined, and painter-style illustrations, such as Brian Wildsmith's were common by the 1950s.[1]:233

Scholarship[edit]

Professional organizations, dedicated publications, individual researchers and university courses conduct scholarship on children's literature. Scholarship in children's literature is primarily conducted in three different disciplinary fields: literary studies/cultural studies (literature and language departments and humanities), library and information science, and education. (Wolf, et al., 2011).

Typically, children's literature scholars from literature departments in universities (English, German, Spanish, etc. departments), cultural studies, or in the humanities conduct literary analysis of books. This literary criticism may focus on an author, a thematic or topical concern, genre, period, or literary device and may address issues from a variety of critical stances (poststructural, postcolonial, New Criticism, psychoanalytic, new historicism, etc.). Results of this type of research are typically published as books or as articles in scholarly journals.

The field of Library and Information Science has a long history of conducting research related to children's literature.

Most educational researchers studying children's literature explore issues related to the use of children's literature in classroom settings. They may also study topics such as home use, children's out-of-school reading, or parents' use of children's books. Teachers typically use children's literature to augment classroom instruction.

Awards[edit]

Many noted awards for children's literature exist in various countries:

  • In Africa, The Golden Baobab Prize runs an annual competition for African writers of Children's stories. It is one of the few African literary awards that recognizes writing for children and young adults. The com[petition is the only pan-African writing competition that recognizes promising African writers of children's literature. Every year, the competition invites entries of unpublished African-inspired stories written for an audience of 8 to 11-year-olds (Category A) or 12 to 15-year-olds (Category B). The writers who are aged 18 or below, are eligible for the Rising Writer Prize.
  • In Australia, the Children's Book Council of Australia runs a number of annual CBCA book awards
  • In Canada, the Governor General's Literary Award for Children's Literature and Illustration, in English and French, is established. A number of the provinces' school boards and library associations also run popular "children's choice" awards where candidate books are read and championed by individual schools and classrooms. These include the Blue Spruce (grades K-2) Silver Birch Express (grades 3–4), Silver Birch (grades 5–6) Red Maple (grades 7–8) and White Pine (high school) in Ontario. Programs in other provinces include The Red Cedar and Stellar Awards in BC, the Willow Awards in Saskatchewan, and the Manitoba Young Readers Choice Awards. IBBY Canada offers a number of annual awards.
  • In the Philippines, The Carlos Palanca Memorial Award for Literature for short story literature in the English and Filipino languages (Maikling Kathang Pambata) has been established since 1989. The Children's Poetry in the English and Filipino languages has been established since 2009. The Pilar Perez Medallion for Young Adult Literature was awarded in 2001 and 2002. The Philippine Board on Books for Young People gives major awards, which include the PBBY-Salanga Writers' Prize for excellence in writing and the PBBY-Alcala Illustrator's Prize for excellence in illustration. Other awards are The Ceres Alabado Award for Outstanding Contribution in Children's Literature; the Gintong Aklat Award (Golden Book Award); The Gawad Komisyon para sa Kuwentong Pambata (Commission Award for Children's Literature in Filipino) and the National Book Award (given by the Manila Critics' Circle) for Outstanding Production in Children's Books and young adult literature.
Writer Astrid Lindgren, 1924

International awards also exist as forms of global recognition. These include the Hans Christian Andersen Award, the Astrid Lindgren Memorial Award, Ilustrarte Bienale for illustration, and the BolognaRagazzi Award for art work and design.[40] Additionally, bloggers with expertise on children's and young adult books give a major series of online book awards called The Cybils Awards, or, Children's and Young Adult Bloggers' Literary Awards.

See also[edit]

Lists

References[edit]

  1. ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak al am an ao ap aq ar as at au av Hunt, Peter (editor) (1996). International Companion Encyclopedia Of Children's Literature. Taylor & Francis. ISBN 9780203168127. 
  2. ^ Nodelman, Perry (2008). The Hidden Adult: Defining Children's Literature. JHU. p. 4. ISBN 9780801889806. 
  3. ^ Library of Congress. "Children's Literature". LIbrary of Congress Collections Policy Statement. Library of Congress. Retrieved 1 June 2013. 
  4. ^ Chevalier, Tracy (1989). Twentieth-Century Children's Writers. Chicago: St. James Press. ISBN 0912289953. 
  5. ^ Anderson 2006, p. 2.
  6. ^ Smith, Dinitia (June 24, 2000). "The Times Plans a Children's Best-Seller List". The New York Times. Retrieved 24 July 2012. 
  7. ^ a b c d e f g h i j Arbuthnot, May Hill (1964). Children and Books. United States: Scott, Foresman. 
  8. ^ a b c d Lerer, Seth (2008). Children's Literature: A Reader's History, from Aesop to Harry Potter. University of Chicago. 
  9. ^ a b "To Instruct and Delight A History of Children’s Literature". Randon History. Retrieved July 16, 2012. 
  10. ^ Nikolajeva, María (editor) (1995). Aspects and Issues in the History of Children's Literature. Greenwood. ISBN 9780313296147. 
  11. ^ a b Shavit, Zohar (2009). Poetics of Children's Literature. University of Georgia Press. ISBN 9780820334813. 
  12. ^ McMunn, Meradith Tilbury; William Robert McMunn (1972). "Children's Literature in the Middle Ages". Children's Literature 1: 21. doi:10.1353/chl.0.0064. Retrieved 17 July 2012. 
  13. ^ a b Bradley, Johanna (2007). From Chapbooks to Plumb Cake: The History of Children's Literature. ProQuest. ISBN 9780549340706. 
  14. ^ Wyile, Andrea Schwenke (editor) (2008). Considering Children's Literature: A Reader. Broadview. p. 46. 
  15. ^ a b Kline, Daniel T. (2003). Medieval Literature for Children. Psychology Press. ISBN 9780815333128. 
  16. ^ Ghaeni, Zohreh. "Asurik Tree: The Oldest Children’s Story in Persian History". International Board on Books for Young People. Retrieved 27 July 2012. 
  17. ^ a b c d Reynolds, Kimberley (2011). Children's Literature: A Very Short Introduction. Oxford University Press. 
  18. ^ The Columbia Encyclopedia: Children's Literature. Columbia University Press. 2009. 
  19. ^ Opie, Iona; Peter Opie (1974). The Classic Fairy Tales. Oxford and New York: Oxford University Press. p. 20. ISBN 0-19-211559-6{{inconsistent citations}} 
  20. ^ a b c d e f Silvey, Anita (editor) (2002). The Essential Guide to Children's Books and their Creators. New York: Houghton Mifflin. ISBN 0618190821. 
  21. ^ "How the Newbery Award Got Its Name". 
  22. ^ "Early Children's Literature: From moralistic stories to narratives of everyday life". 
  23. ^ Marks, Diana F. (2006). Children's Book Award Handbook. Westport, Conn: Libraries Unlimited. p. 201. 
  24. ^ Townsend, John Rowe. Written for Children. (1990). New York: HarperCollins. ISBN 0-06-446125-4, pp. 15–16.
  25. ^ Lundin, Anne H. (1994). "Victorian Horizons: The Reception of Children's Books in England and America, 1880–1900". The Library Quarterly (The University of Chicago Press) 64. 
  26. ^ Susina, Jan (June 1993). "Editor's Note: Kiddie Lit(e): The Dumbing Down of Children's Literature". The Lion and the Unicorn 17 (1): v–vi. doi:10.1353/uni.0.0256. Retrieved 30 July 2012. 
  27. ^ Rose, p. 218.
  28. ^ Arbuthnot, May Hill (1964). Children and Books. Scott, Foresman. 
  29. ^ Rose, p. 219.
  30. ^ Leader, Zachary, Reading Blake's Songs, p.3
  31. ^ Elias Bredsdorff, Hans Christian Andersen: the story of his life and work 1805–75, Phaidon (1975) ISBN 0-7148-1636-1
  32. ^ a b Knowles, Murray (1996). Language and Control in Children's Literature. Psychology Press. ISBN 9780203419755. 
  33. ^ a b "Italy | Bologna Children’s Book Fair". Culture360. Retrieved 3 August 2012. 
  34. ^ a b Shrayer, Maxim (editor) (2007). An Anthology of Jewish-Russian Literature: 1801-1953. M. E. Sharpe. ISBN 9780765605214. 
  35. ^ "Newbery Awards". Retrieved May 5, 2012. 
  36. ^ "Caldecott Medal Awards". Retrieved May 5, 2012. 
  37. ^ Cart, Michael (2010). Young Adult Literature: From Romance to Realism. ALA Editions. ISBN 9780838910450. 
  38. ^ Anderson 2006
  39. ^ Cribiore, Raffaella, Gymnastics of the Mind, pg. 139 Princeton University, 2001, cited in Lerer, Seth, Children's Literature, pg. 22, University of Chicago, 2008.
  40. ^ "Winners 2012: Fiction". Bologna Children's Book Fair. BolognaFiere S.p.A. Retrieved July 23, 2012. 

Further reading[edit]

  • Reynolds, Kimberley (2011). Children's Literature: A Very Short Introduction. Oxford: Oxford University Press. ISBN 978-0-19-956024-0. 
  • Zipes, Jack, ed. (2006). The Oxford Encyclopedia of Children's Literature. Oxford: Oxford University Press. ISBN 978-0-19-514656-1. 
  • Anderson, Nancy (2006). Elementary Children's Literature. Boston: Pearson Education. ISBN 0-205-45229-9. 
  • Chapleau, Sebastien (2004). New Voices in Children's Literature Criticism. Lichfield: Pied Piper Publishing. ISBN 978-0-9546384-4-3. 
  • Huck, Charlotte (2001). Children's Literature in the Elementary School, 7th ed. New York: McGraw-Hill. ISBN 0-07-232228-4. 
  • Hunt, Peter (1991). Criticism, Theory, and Children's Literature. Oxford: Blackwell. ISBN 0-631-16231-3. 
  • Lesnik-Oberstein, Karin (1996). "Defining Children's Literature and Childhood". In Hunt, Peter (ed.). International Companion Encyclopedia of Children's Literature. London: Routledge. pp. 17–31. ISBN 0-415-08856-9. 
  • Lesnik-Oberstein, Karin (1994). Children's Literature: Criticism and the Fictional Child. Oxford: Clarendon Press. ISBN 0-19-811998-4. 
  • Lesnik-Oberstein, Karin (2004). Children's Literature: New Approaches. Basingstoke: Palgrave. ISBN 1-4039-1738-8. 
  • Rose, Jacqueline (1993, orig. pub. 1984). The Case of Peter Pan or the Impossibility of Children's Fiction. Philadelphia: University of Pennsylvania Press. ISBN 0-8122-1435-8. 
  • Wolf, Shelby (2010). Handbook of Research in Children's and Young Adult Literature. Cambridge: Routledge. ISBN 978-0-415-96506-4. 

External links[edit]