|Stylistic origins||Synthpop, psychedelic pop, lo-fi, new wave, chillout, ambient, indie pop, dream pop, downtempo, shoegazing, ambient house|
|Cultural origins||Mid-2000s United States|
|Typical instruments||Synthesizer, drum machine, sampler|
Chillwave, sometimes also referred to as glo-fi, is a genre of music whose artists are often characterized by their heavy use of effects processing, synthesizers, looping, sampling, and heavily filtered vocals with simple melodic lines.
The genre combines the larger 2000s trends towards 80s retro music and (in indie music) use of ambient sound, with modern pop, as in electropop, post-punk revival, psych-folk, nu gaze, and witch house. It is often described as "summer music."
Defining the genre 
The New York Times' Jon Pareles described the music thus: "They're solo acts or minimal bands, often with a laptop at their core, and they trade on memories of electropop from the 1980s, with bouncing, blipping dance-music hooks (and often weaker lead voices). It's recession-era music: low-budget and danceable." Its musical predecessors are diverse and include the synthpop of the 1980s, shoegaze, ambient, musique concrète and various types of music outside of the Western World.
The genre is also a prime example of shifting the idea from defining a musical movement's birth in part by a specific geographic location, as is historically done, to focusing instead on how the groups became linked and defined through various outlets on the Internet. The Wall Street Journal quoted Alan Palomo of Neon Indian on genre: "Whereas musical movements were once determined by a city or venue where the bands congregated, 'now it's just a blogger or some journalist that can find three or four random bands around the country and tie together a few commonalities between them and call it a genre." Despite the stylistic similarities listed above, Palomo and other artists have questioned whether chillwave actually constitutes a distinct genre.
George McIntire, of the San Francisco Bay Guardian described chillwave's origin as in the "throes of the blogosphere" and called the term a "cheap, slap-on label used to describe grainy, dancey, lo-fi, 1980s inspired music" and a "disservice to any band associated with it."
Observers have noted that Panda Bear, especially his 2007 album Person Pitch, foreshadowed the movement proper. In addition to Panda Bear's solo work, Animal Collective is noted as a foreshadower of the movement.
- Marc Hogan, review of Washed Out, Life of Leisure, Pitchfork Media, September 16, 2009.
- Is Chillwave the Next Big Music Trend? - Speakeasy - WSJ
- The Decade in Music Genre Hype - Page 3 - Music - New York - Village Voice
- Is Chillwave the Sound of Summer 2010? - San Francisco - Music - All Shook Down
- Pirnia, Garin (2010-03-13). "Is Chillwave the Next Big Music Trend?". The Wall Street Journal.
- Jon Pareles (2010-03-21). "Spilling Beyond a Festival's Main Courses". The New York Times. Retrieved 2010-05-11.
- Wyatt Williams, How Ernest Greene Became the Poster Boy for Chillwave, Creative Loafing [Atlanta], March 23, 2010.
- Garin Pirnia (2010-03-13). "Is Chillwave the Next Big Music Trend?". The Wall Street Journal. Retrieved 2010-05-11.
- McIntire, George (February 26, 2013). "Just chill". San Francisco Bay Guardian. Retrieved 6 April 2013.
- Slothbear, Indy Rock Reveiws [sic]::: Panda Bear - Tomboy/Slow Motion 7", SPOTBLOG, July 23, 2010.
- Brent DiCrescenzo, "Bros Icing Bros: Which Mellow Act Is the True King of Chill?" Time Out Chicago, July 15–21, 2010: 20.
- "Underrated Producer Brings in a New Sound" 
- Synconation: Cruising in Analog - A Conversation with Com Truise
- Joshua Love (March 2, 2011). "Warm Ghost -- Uncut Diamond EP". Pitchfork. Retrieved 2011-05-08.